Project Gutenberg's Formules pour l'esprit, by Florentin Smarandache This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org ** This is a COPYRIGHTED Project Gutenberg eBook, Details Below ** ** Please follow the copyright guidelines in this file. ** Title: Formules pour l'esprit Author: Florentin Smarandache Translator: Chantal Signoret Release Date: December 4, 2006 [EBook #20013] Language: French Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK FORMULES POUR L'ESPRIT *** Produced by Project Rastko, Zoran Stefanovic, Jóhannes Birgir Jensson and the Online Distributed Proofreaders Europe at http://dp.rastko.net.
Titre original: FORMULE PENTRU SPIRIT
Les poèmes d'Ovidiu Florentin1, de sa plaquette. "Formules pour l'esprit" (editura Litera, Bucuresti, 1981), "bleus comme l'heure et tendres comme la timidité, assaillis de quiétude et vaincus d'appels" —ainsi qu'il le déclare dans une ars poetica d'ouverture: "Avant le propos"—, ayant quelques "vers herbeux, grandis dans le duvet ouaté d'un songe", "au corps vert comme la vie, aux yeux bleus comme l'espérance", "plus pure que la santé"—tel qu'il nous le confie, dans la conclusion: "Au-delà du propos", avec des symboles heureusement choisis auprès d'une onde distinctive du novecentisme montal—ungarettienne, non assimilée intégralement, nous donnent, toutefois, la certitude d'une voix lyrique, se trouvant, évidemment, en un permanent "état-de-moi"—comme il nous le dit dans un titre qui se veut une lyro-définition de l'esprit ("L'esprit est un état-de-moi")—voix dont nous entendrons parler dans les saisons futures de la poésie roumaine contemporaine, en aucun cas dans le registre des clameurs, de mode passagère, mais, plutôt, psalmodiale. L'arc voltaïque des existences d'Ovidiu Florentin se déploie entre infini et poème—l'infini et le poème illustrant la dichotomie optative: "Je vis en de nombreux lieux, en plusieurs/lieux à la fois—et dans chaque / vers je laisse seulement l'une de mes vies, rien / qu'une vie. // L'éloignement sera mon tombeau, / et mon cercueil: l'infini!" (Avant le propos); "Le temps se suspend à mon cou / telle une meule de pierre / ...// Mais je vis, je vis jusque dans la rue / jusque dans la ville / jusque dans la chambre où je travaille". (L'esprit est un état-de-moi). Remarquable est chez [4] ce poète l'acuité de la perception, bien entendu, transmise au récepteur par une suite de métaphores révélatrices, par des syntagmes d'une véritable force poétique: "Parmi l'herbe le temps joue / nu-pieds / ...// et les questions déambulent, leurs langues tirées / comme vipères, prêtes à mordre." (Le rouge du sang s'écoule toujours en moi); "Les maïs / allument des fanals / sous leurs ailes.";
"Soutenues par leurs béquilles / les illusions cheminent, / à travers la boue de la nuit / les étoiles marchent / en bottes." (La lumière pèse lourdement en veilleuse); "Hélas, l'esprit / heurte le corps." (Parc sans amoureux); "Air aux yeux de bronze"; "Guêpiers chroniques / de corydales ..."; "Je lis les rivières et les écris / avec des pierres"; "Il pleut si longuement que croissent mousses et lichens /juste sur le coeur." (La vie, la pauvre, perd son temps) etc.
La lecture fidèle des poèmes d'Ovidiu Florentin nous convainc que le poète il atteint "de son front le chant du rossignol".
15 août 1982.
ION PACHIA TATOMIRESCU
Sur les cordes de la Langue de feu nous nous consumons pareils à une guitare. Des lettres sonores dans les livres d'heures fleurissent, et nous glissons vivants entre les hautes pages ...
Comme une armée, les chimères viennent à nous, domestique blessure en notre àme fluide. Le sommeil se brise en doux éclats de rêve, semblables aux bois sur la braise.
Nous dilatons le poème en symboles (et le resserrons), mais la métaphore ouvre une fenêtre envahie de soleil. L'écriture couche sa vie sur le papier;
Nous respirons quotidiennement / l'air chargé de vers — / remplis d'épithètes / comme les arbres à fruits, / avec des éclats métalliques / telle une femme violemment fardée sur les lèvres; / nous franchissons les marches bondissantes / des mots syncopés, / et les symboles nous ouvrent / la porte d'un tunnel souterrain. / Vers herbeux, / grandis / dans le duvet ouaté / d'un songe, / déposés par le fleuve courant / d'un style / en chaudes alluvions.
Dévorés par la Nature, incendiés par l'Amour, leur montée - descente dans la réalité nous l'étayons sur les charpentes solides des métaphores.
[54]Caressants comme le souffle léger d'un vent / aussi élevés que le rêve, / au corps / vert comme la vie, / aux yeux / bleus comme l'espérance / et noirs comme la tristesse, / à l'écriture / aussi douce que l'amour / et amère comme la souffrance / que ces Poèmes / portent la belle pensée / plus pure que la santé!
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