The Project Gutenberg EBook of The Ship in the Desert, by Joaquin Miller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Ship in the Desert Author: Joaquin Miller Release Date: January 31, 2013 [EBook #41955] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE SHIP IN THE DESERT *** Produced by Greg Bergquist, Mary Akers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Transcriber's note: Minor spelling and punctuation inconsistencies have been harmonized. Italic text has been marked with _underscores_. THE SHIP IN THE DESERT. THE SHIP IN THE DESERT. BY JOAQUIN MILLER, AUTHOR OF "SONGS OF THE SIERRAS" AND "SONGS OF THE SUN-LANDS." [Illustration] BOSTON: ROBERTS BROTHERS. 1875. Copyright, 1875, BY C. H. MILLER. _Cambridge: Press of John Wilson & Son._ DEDICATED TO MY DEAR PARENTS, ON THE FOOTHILLS OF THE OREGON SIERRAS. [Illustration] PREFACE. With deep reverence I inscribe these lines, my dear parents, to you. I see you now, away beyond the seas, beyond the lands where the sun goes down in the Pacific like some great ship of fire, resting still on the green hills, watching your herds, waiting "Where rolls the Oregon, And hears no sound save its own dashing." Nearly a quarter of a century ago you took me the long and lonesome half-year's journey across the mighty continent, wild, and rent, and broken up, and sown with sand and ashes, and crossed by tumbling, wooded rivers that ran as if glad to get away, fresh and strange and new as if but half-fashioned from the hand of God. All the time as I tread this strange land I re-live those scenes, and you are with me. How dark and deep, how sullen, strong, and lion-like the mighty Missouri rolled between his walls of untracked wood and cleft the unknown domain of the middle world before us! Then the frail and buffeted rafts on the river, the women and children huddled together, the shouts of the brawny men as they swam with the bellowing cattle; the cows in the stormy stream, eddying, whirling, spinning about, calling to their young, their bright horns shining in the sun.... The wild men waiting on the other side, painted savages leaning silent on their bows, despising our weakness, opening a way, letting us pass on to the unknown distances, where they said the sun and moon lay down together and brought forth the stars.... The long and winding lines of wagons, the graves by the wayside, the women weeping together as they passed on. Then hills, then plains, parched lands like Syria, dust, and ashes, and alkali, cool streams with woods, camps by night, great wood fires in circles, tents in the centre like Cæsar's battle-camps, painted men that passed like shadows, showers of arrows, the wild beasts howling from the hill.... You, my dear parents, will pardon the thread of fiction on which I have strung these scenes and descriptions of a mighty land of mystery, and wild and savage grandeur, for the world will have its way, and, like a spoiled child, demands a tale. "Yea, We who toil and earn our bread Still have our masters...." A ragged and broken story it is, with long deserts, with alkali and ashes, yet it may, like the land it deals of, have some green places, and woods, and running waters, where you can rest.... Three times now I have ranged the great West in fancy, as I did in fact for twenty years, and gathered unknown and unnamed blossoms from mountain-top, from desert level, where man never ranged before, and asked the world to receive my weeds, my grasses, and blue-eyed blossoms. But here it ends. Good or bad, I have done enough of this work on the border. The Orient promises a more grateful harvest. I have been true to my West. She has been my only love. I have remembered her greatness. I have done my work to show to the world her vastness, her riches, her resources, her valor and her dignity, her poetry and her grandeur. Yet while I was going on, working so in silence, what were the things she said of me? But let that pass, my dear parents. Others will come after us. Possibly I have blazed out the trail for great minds over this field, as you did across the deserts and plains for great men a quarter of a century ago. JOAQUIN MILLER. LAKE COMO, Italy. [Illustration ] THE SHIP IN THE DESERT. I. A Man in middle Aridzone Stood by the desert's edge alone, And long he look'd, and lean'd. He peer'd, Above his twirl'd and twisted beard, Beneath his black and slouchy hat ... Nay, nay, the tale is not of that. A skin-clad trapper, toe-a-tip, Stood on a mountain top, and he Look'd long and still and eagerly. "It looks so like some lonesome ship That sails this ghostly lonely sea,-- This dried-up desert sea," said he, "These tawny sands of Arazit" ... Avaunt! the tale is not of it. A chief from out the desert's rim Rode swift as twilight swallows swim, Or eagle blown from eyrie nest. His trim-limb'd steed was black as night, His long black hair had blossom'd white, With feathers from the koko's crest; His iron face was flush'd and red, His eyes flash'd fire as he fled, For he had seen unsightly things; Had felt the flapping of their wings. A wild and wiry man was he, This tawny chief of Shoshonee; And O his supple steed was fleet! About his breast flapp'd panther skins, About his eager flying feet Flapp'd beaded, braided moccasins: He rode as rides the hurricane; He seem'd to swallow up the plain; He rode as never man did ride, He rode, for ghosts rode at his side, And on his right a grizzled grim-- No, no, this tale is not of him. An Indian warrior lost his way While prowling on this desert's edge In fragrant sage and prickly hedge, When suddenly he saw a sight, And turn'd his steed in eager flight. He rode right through the edge of day, He rode into the rolling night. He lean'd, he reach'd an eager face, His black wolf skin flapp'd out and in, And tiger claws on tiger skin Held seat and saddle to its place; But that gray ghost that clutch'd thereat ... Arrête! the tale is not of that. A chieftain touch'd the desert's rim One autumn eve: he rode alone And still as moon-made shadows swim. He stopp'd, he stood as still as stone, He lean'd, he look'd, there glisten'd bright From out the yellow yielding sand A golden cup with jewell'd rim. He lean'd him low, he reach'd a hand, He caught it up, he gallop'd on, He turn'd his head, he saw a sight ... His panther skins flew to the wind, The dark, the desert lay behind; The tawny Ishmaelite was gone; But something sombre as death is ... Tut, tut! the tale is not of this. A mountaineer, storm-stained and brown, From farthest desert touched the town, And, striding through the crowd, held up Above his head a jewell'd cup. He put two fingers to his lip, He whisper'd wild, he stood a-tip, And lean'd the while with lifted hand, And said, "A ship lies yonder dead," And said, "Doubloons lie sown in sand In yon far desert dead and brown, Beyond where wave-wash'd walls look down, As thick as stars set overhead. That three shipmasts uplift like trees" ... Away! the tale is not of these. An Indian hunter held a plate Of gold above his lifted head, Around which kings had sat in state ... "'Tis from that desert ship," they said, "That sails with neither sail nor breeze, Or galleon, that sank below Of old, in olden dried-up seas, Ere yet the red men drew the bow." But wrinkled women wagg'd the head, And walls of warriors sat that night In black, nor streak of battle red, Around against the red camp light, And told such wondrous tales as these Of wealth within their dried-up seas. And one, girt well in tiger's skin, Who stood, like Saul, above the rest, With dangling claws about his breast, A belt without, a blade within, A warrior with a painted face, And lines that shadow'd stern and grim, Stood pointing east from his high place, And hurling thought like cannon shot, Stood high with visage flush'd and hot ... But, stay! this tale is not of him. II. By Arizona's sea of sand Some bearded miners, gray and old, And resolute in search of gold, Sat down to tap the savage land. They tented in a canñon's mouth That gaped against the warm wide south, And underneath a wave-wash'd wall, Where now nor rains nor winds may fall, They delved the level salt-white sands For gold, with bold and hornéd hands. A miner stood beside his mine, He pull'd his beard, then look'd away Across the level sea of sand, Beneath his broad and hairy hand, A hand as hard as knots of pine. "It looks so like a sea," said he. He pull'd his beard, and he did say, "It looks just like a dried-up sea." Again he pull'd that beard of his, But said no other thing than this. A stalwart miner dealt a stroke, And struck a buried beam of oak. An old ship's beam the shaft appear'd, With storm-worn faded figure-head. The miner twisted, twirled his beard, Lean'd on his pick-axe as he spoke: "'Tis from some long-lost ship," he said, "Some laden ship of Solomon That sail'd these lonesome seas upon In search of Ophir's mine, ah me! That sail'd this dried-up desert sea." ... Nay, nay, 'tis not a tale of gold, But ghostly land storm-slain and old. III. But this the tale. Along a wide And sounding stream some silent braves, That stole along the farther side Through sweeping wood that swept the waves Like long arms reach'd across the tide, Kept watch and ward and still defied.... A low black boat that hugg'd the shores, An ugly boat, an ugly crew, Thick-lipp'd and woolly-headed slaves, That bow'd, that bent the white-ash oars, That cleft the murky waters through, That climb'd the swift Missouri's waves,-- The surly, woolly-headed slaves. A grand old Neptune in the prow, Gray-hair'd, and white with touch of time, Yet strong as in his middle prime; A grizzled king, I see him now, With beard as blown by wind of seas, And wild and white as white sea-storm, Stand up, turn suddenly, look back Along the low boat's wrinkled track, Then fold his mantle round a form Broad-built as any Hercules, And so sit silently. Beside The grim old sea-king sits his bride, A sun-land blossom, rudely torn From tropic forests to be worn Above as stern a breast as e'er Stood king at sea or anywhere.... Another boat with other crew Came swift and silent in her track, And now shot shoreward, now shot back, And now sat rocking fro and to, But never once lost sight of her. Tall, sunburnt, southern men were these From isles of blue Caribbean seas, And one, that woman's worshipper, Who looked on her, and loved but her. And one, that one, was wild as seas That wash the far dark Oregon, And ever leaning, urging on, And standing up in restless ease, He seem'd as lithe and free and tall And restless as the boughs that stir Perpetual topt poplar trees. And one, that one, had eyes to teach The art of love, and tongue to preach Life's hard and sober homilies; And yet his eager hands, his speech, All spoke the bold adventurer; While zoned about the belt of each There swung a girt of steel, till all Did seem a walking arsenal. IV. Pursuer and pursued. And who Are these that make the sable crew; These mighty Titans, black and nude, And hairy-breasted, bronzed and broad Of chest as any demi-god, That dare this peopled solitude? And who is he that leads them here, And breaks the hush of wave and wood? Comes he for evil or for good? Brave Jesuit or bold buccaneer? Nay, these be idle themes. Let pass. These be but men. We may forget The wild sea-king, the tawny brave, The frowning wold, the woody shore, The tall-built, sunburnt men of Mars.... But what and who was she, the fair? The fairest face that ever yet Look'd in a wave as in a glass; That look'd as look the still, far stars, So woman-like, into the wave To contemplate their beauty there, Yet look as looking anywhere? And who of all the world was she? A bride, or not a bride? A thing To love? A prison'd bird to sing? You shall not know. That shall not be Brought from the future's great profound This side the happy hunting-ground. I only saw her, heard the sound Of murky waters gurgling round In counter-currents from the shore, But heard the long, strong stroke of oar Against the waters gray and vast. I only saw her as she pass'd-- A great, sad beauty, in whose eyes Lay all the loves of Paradise.... You shall not know her--she who sat Unconscious in my heart all time I dreamed and wove this wayward rhyme, And loved and did not blush thereat. The sunlight of a sunlit land, A land of fruit, of flowers, and A land of love and calm delight; A land where night is not like night, And noon is but a name for rest, And love for love is reckoned best. Where conversations of the eyes Are all enough; where beauty thrills The heart like hues of harvest-home; Where rage lies down, where passion dies, Where peace hath her abiding place.... A face that lifted up; sweet face That was so like a life begun, That rose for me a rising sun Above the bended seven hills Of dead and risen old new Rome. Not that I deem'd she loved me. Nay, I dared not even dream of that. I only say I knew her; say She ever sat before me, sat All still and voiceless as love is, And ever look'd so fair, divine, Her hush'd, vehement soul fill'd mine, And overflowed with Runic bliss, And made itself a part of this. O you had loved her sitting there, Half hidden in her loosen'd hair: Why, you had loved her for her eyes, Their large and melancholy look Of tenderness, and well mistook Their love for light of Paradise. Yea, loved her for her large dark eyes; Yea, loved her for her brow's soft brown; Her hand as light as heaven's bars; Yea, loved her for her mouth. Her mouth Was roses gather'd from the south, The warm south side of Paradise, And breathed upon and handed down, By angels on a stair of stars. Her mouth! 'twas Egypt's mouth of old, Push'd out and pouting full and bold With simple beauty where she sat. Why, you had said, on seeing her, This creature comes from out the dim Far centuries, beyond the rim Of time's remotest reach or stir. And he who wrought Semiramis And shaped the Sibyls, seeing this, Had bow'd and made a shrine thereat, And all his life had worshipp'd her, Devout as north-Nile worshipper. I dared not dream she loved me. Nay, Her love was proud; and pride is loth To look with favor, own it fond Of one the world loves not to-day.... No matter if she loved or no, God knows I loved enough for both, And knew her as you shall not know Till you have known sweet death, and you Have cross'd the dark; gone over to The great majority beyond. V. The black men bow'd, the long oars bent, They struck as if for sweet life's sake, And one look'd back, but no man spake, And all wills bent to one intent. On through the golden fringe of day Into the deep, dark night, away And up the wave 'mid walls of wood They cleft, they climb'd, they bowed, they bent, But one stood tall, and restless stood, And one sat still all night, all day, And gazed in helpless wonderment. Her hair pour'd down like darkling wine, The black men lean'd, a sullen line, The bent oars kept a steady song, And all the beams of bright sunshine That touch'd the waters wild and strong, Fell drifting down and out of sight Like fallen leaves, and it was night. And night and day, and many days They climb'd the sudden, dark gray tide, And she sat silent at his side, And he sat turning many ways: Sat watching for his wily foe; At last he baffled him. And yet His brow gloom'd dark, his lips were set; He lean'd, he peer'd through boughs, as though From heart of forests deep and dim Grim shapes could come confronting him. A grand, uncommon man was he, Broad-shoulder'd, and of Gothic form, Strong-built, and hoary like a sea; A high sea broken up by storm. His face was brown and overwrought By seams and shadows born of thought, Not over gentle. And his eyes, Bold, restless, resolute, and deep, Too deep to flow like shallow fount Of common men where waters mount And men bend down their heads and weep-- Fierce, lumin'd eyes, where flames might rise Instead of flood, and flash and sweep-- Strange eyes, that look'd unsatisfied With all things fair or otherwise; As if his inmost soul had cried All time for something yet unseen, Some long-desired thing denied. A man whose soul was mightier far Than his great self, and surged and fell About himself as heaving seas Lift up and lash, and boom, and swell Above some solitary bar That bursts through blown Samoa's sea, And wreck and toss eternally. VI. Below the overhanging boughs The oars laid idle at the last. Yet long he look'd for hostile prows From out the wood and down the stream. They came not, and he came to dream Pursuit abandon'd, danger past. He fell'd the oak, he built a home Of new-hewn wood with busy hand, And said, "My wanderings are told." And said, "No more by sea, by land, Shall I break rest, or drift, or roam, For I am worn, and I grow old." And there, beside that surging tide, Where gray waves meet, and wheel, and strike, The man sat down as satisfied To sit and rest unto the end; As if the strong man here had found A sort of brother in this sea,-- This surging, sounding majesty Of troubled water, so profound, So sullen, strong, and lion-like, So sinuous and foamy bound. Hast seen Missouri cleave the wood In sounding whirlpools to the sea? What soul hath known such majesty? What man stood by and understood? By pleasant Omaha I stood, Beneath a fringe of mailéd wood, And watch'd the mighty waters heave, And surge, and strike, and wind, and weave And make strange sounds and mutterings, As if of dark unutter'd things. By pleasant high-built Omaha I stand. The waves beneath me run All stain'd and yellow, dark and dun, And deep as death's sweet mystery,-- A thousand Tibers roll'd in one. I count on other years. I draw The curtain from the scenes to be. I see another Rome. I see A Cæsar tower in the land, And take her in his iron hand. I see a throne, a king, a crown, A high-built capital thrown down. I see my river rise ... Away! The world's cold commerce of to-day Demands some idle flippant theme; And I, your minstrel, must sit by, And harp along the edge of morn, And sing and celebrate to please The multitude, the mob, and these They know not pearls from yellow corn. Yea, idly sing or silent dreàm; My harp, my hand is yours, but I-- My soul moves down that sounding stream. Adieu, dun, mighty stream, adieu! Adown thine wooded walls, inwrought With rose of Cherokee and vine, Was never heard a minstrel's note, And none would heed a song of mine. I find expression for my thought In other themes.... List! I have seen A grizzly sporting on the green Of west sierras with a goat, And finding pastime all day through.... O sounding, swift Missouri, born Of Rocky Mountains, and begot On bed of snow at birth of morn, Of thunder-storms and elements That reign where puny man comes not, With fountain-head in fields of gold, And wide arms twining wood and wold, And everlasting snowy tents,-- I hail you from the Orients. Shall I return to you once more? Shall take occasion by the throat And thrill with wild Æolian note? Shall sit and sing by your deep shore? Shall shape a reed and pipe of yore And wake old melodies made new, And thrill thine leaf-land through and through? VII. Then long the long oars idle lay. The cabin's smoke came forth and curl'd Right lazily from river brake, And Time went by the other way. And who was she, the strong man's pride? This one fair woman of the world. A captive? Bride, or not a bride? Her eyes, men say, grew sad and dim With watching from the river's rim, As waiting for some face denied. And yet she never wept or spake, Or breath'd his name for her love's sake. Yea, who was she?--none ever knew. The great strong river swept around, The cabins nestled in its bend, But kept its secrets. Wild birds flew In bevies by. The black men found Diversion in the chase: and wide Old Morgan ranged the wood, nor friend, Nor foeman ever at his side Or shared his forests deep and dim, Or cross'd his path or question'd him. He stood as one who found and named The middle world. What visions flamed Athwart the west! What prophecies Were his, the gray old man, that day Who stood alone and look'd away,-- Awest from out the waving trees, Against the utter sundown seas. Alone oft-time beside the stream He stood and gazed as in a dream, As if he knew a life unknown To those who knew him thus alone. His eyes were gray and overborne By shaggy brows, his strength was shorn, Yet still he ever gazed awest, As one who would not, could not rest. And whence came he? and when, and why? Men question'd men, but nought was known Save that he roam'd the woods alone, And lived alone beneath the stir Of leaves, and letting life go by, Did look on her and only her. And had he fled with bloody hand? Or had he loved some Helen fair, And battling lost both land and town? Say, did he see his walls go down, Then choose from all his treasures there This love, and seek some other land? And yet the current of his life Mostlike had flow'd like oil; had been A monk's, for aught that all men knew. Mostlike the sad man's only sin, A cruel one, for thought is strife, Had been the curse of thought all through. Mayhap his splendid soul had spurn'd Insipid, sweet society, That stinks in nostrils of all men High-born and fearless-souled and free;-- That tasting to satiety Her hollow sweets he proudly turn'd, And did rebel and curse her then; And then did stoop and from the sod Pluck this one flower for his breast, Then turn to solitude for rest, And turn from man in search of God. And as to that, I reckon it But right, but Christian-like and just, And closer after Christ's own plan, To take men as you find your man, To take a soul from God on trust, A fit man, or yourself unfit: To take man free from the control Of man's opinion: take a soul In its own troubled world, all fair As you behold it then and there, Set naked in your sight, alone, Unnamed, unheralded, unknown: Yea, take him bravely from the hand That reach'd him forth from nothingness, That took his tired soul to keep All night, then reach'd him out from sleep And sat him equal in the land; Sent out from where the angels are, A soul new-born, without one whit Of bought or borrow'd character. Ah, bless us! if we only could As ready spin and willing weave Sweet tales of charity and good; Could we as willing clip the wings Of cruel tales as pleasant things, How sweet 'twould then be to believe, How good 'twould then be to be good. VIII. The squirrels chatter'd in the leaves, The turkeys call'd from pawpaw wood, The deer with lifted nostrils stood, And humming-birds did wind and weave, Swim round about, dart in and out, Through fragrant forest edge made red, Made many-colour'd overhead By climbing blossoms sweet with bee And yellow rose of Cherokee. Then frosts came by and touch'd the leaves, Then time hung ices on the eaves, Then cushion snows possess'd the ground, And so the seasons kept their round; Yet still old Morgan went and came From cabin door to forest dim, Through wold of snows, through wood of flame, Through golden Indian-summer days, Hung round in soft September haze, And no man cross'd or question'd him. Nay, there was that in his stern air That held e'en these rude men aloof: None came to share the broad-built roof That rose so fortress-like beside The angry, rushing, sullen tide, And only black men gather'd there, The old man's slaves, in dull content, Black, silent, and obedient. Then men push'd westward through his wood, His wild beasts fled, and now he stood Confronting men. He had endear'd No man, but still he went and came Apart, and shook his beard and strode His ways alone, and bore his load, If load it were, apart, alone. Then men grew busy with a name That no man loved, that many fear'd, And cowards stoop'd, and cast a stone, As at some statue overthrown. Some said a pirate blown by night From isles of calm Caribbean land, Who left his comrades; that he fled With many prices on his head, And that he bore in his hot flight The gather'd treasure of his band, In bloody and unholy hand. Then some did say a privateer, Then others, that he fled from fear, And climb'd the mad Missouri far, To where the friendly forests are; And that his illy-gotten gold Lay sunken in his black boat's hold. Then others, watching his fair bride, Said, "There is something more beside." Some said, a stolen bride was she, And that his strong arm in the strife Was red with her own brother's life, And that her lover from the sea Lay waiting for his chosen wife, And that a day of reckoning Lay waiting for this grizzled king. O sweet child-face, that ever gazed From out the wood and down the wave! O eyes, that never once were raised! O mouth, that never murmur gave! IX. O dark-eyed Ina! All the years Brought her but solitude and tears. Lo! ever looking out she stood Adown the wave, adown the wood, Adown the strong stream to the south, Sad-faced, and sorrowful. Her mouth Push'd out so pitiful. Her eyes Fill'd full of sorrow and surprise. Men say that looking from her place A love would sometimes light her face, As if sweet recollections stirr'd Her heart and broke its loneliness, Like far sweet songs that come to us, So soft, so sweet, they are not heard, So far, so faint, they fill the air, A fragrance filling anywhere. And wasting all her summer years That utter'd only through her tears, The seasons went, and still she stood For ever watching down the wood. Yet in her heart there held a strife With all this wasting of sweet life That none who have not lived and died, Held up the two hands crucified Between the ways on either hand, Can look upon or understand. The blackest rain-clouds muffle fire: Between a duty and desire There lies no middle way or land: Take thou the right or the left hand, And so pursue, nor hesitate To boldly give your hand to fate. In helpless indecisions lie The rocks on which we strike and die. 'Twere better far to choose the worst Of all life's ways than to be cursed With indecision. Turn and choose Your way, then all the world refuse. And men who saw her still do say That never once her lips were heard, By gloaming dusk or shining day, To utter or pronounce one word. Men went and came, and still she stood In silence watching down the wood. Yea, still she stood and look'd away, By tawny night, by fair-fac'd day, Adown the wood beyond the land, Her hollow face upon her hand, Her black, abundant hair all down About her loose, ungather'd gown. And what her thought? her life unsaid? Was it of love? of hate? of him, The tall, dark Southerner? Her head Bow'd down. The day fell dim Upon her eyes. She bow'd, she slept. She waken'd then, and waking wept. She dream'd, perchance, of island home, A land of palms ring'd round with foam, Where summer on her shelly shore Sits down and rests for evermore. And one who watch'd her wasted youth Did guess, mayhap with much of truth, Her heart was with that band that came Against her isle with sword and flame: And this the tale he told of her And her fierce, silent follower: A Spaniard and adventurer, A man who saw her, loved, and fell Upon his knees and worshipp'd her; And with that fervor and mad zeal That only sunborn bosoms feel, Did vow to love, to follow her Unto the altar ... or to hell: That then her gray-hair'd father bore The beauteous maiden hurriedly From out her fair isle of the sea To sombre wold and woody shore And far away, and kept her well, As from a habitant of hell, And vow'd she should not meet him more: That fearing still the buccaneer, He silent kept his forests here. The while men came, and still she stood For ever watching from the wood. X. The black-eyed bushy squirrels ran Like shadows shatter'd through the boughs; The gallant robin chirp'd his vows, The far-off pheasant thrumm'd his fan, A thousand blackbirds were a-wing In walnut-top, and it was spring. Old Morgan left his cabin door, And one sat watching as of yore; But why turned Morgan's face as white As his white beard? A bird aflight, A squirrel peering through the trees, Saw some one silent steal away Like darkness from the face of day, Saw two black eyes look back, and these Saw her hand beckon through the trees. He knew him, though he had not seen That form or face for a decade, Though time had shorn his locks, had made His form another's, flow'd between Their lives like some uncompass'd sea, Yet still he knew him as before. He pursed his lips, and silently He turn'd and sought his cabin's door. Ay! they have come, the sun-brown'd men, To beard old Morgan in his den. It matters little who they are, These silent men from isles afar, And truly no one cares or knows What be their merit or demand; It is enough for this rude land-- At least, it is enough for those, The loud of tongue and rude of hand-- To know that they are Morgan's foes. Proud Morgan! More than tongue can tell He loved that woman watching there, That stood in her dark stream of hair, That stood and dream'd as in a spell, And look'd so fix'd and far away. And who, that loveth woman well, Is wholly bad? be who he may. Ay! we have seen these Southern men, These sun-brown'd men from island shore, In this same land, and long before. They do not seem so lithe as then, They do not look so tall, and they Seem not so many as of old. But that same resolute and bold Expression of unbridled will, That even Time must half obey, Is with them and is of them still. They do not counsel the decree Of court or council, where they drew Their breath, nor law nor order knew, Save but the strong hand of the strong; Where each stood up, avenged his wrong, Or sought his death all silently. They watch along the wave and wood, They heed, but haste not. Their estate, Whate'er it be, can bide and wait, Be it open ill or hidden good. No law for them! For they have stood With steel, and writ their rights in blood; And now, whatever 'tis they seek, Whatever be their dark demand, Why, they will make it, hand to hand, Take time and patience: Greek to Greek. XI. Like blown and snowy wintry pine, Old Morgan stoop'd his head and pass'd Within his cabin door. He cast A great arm out to men, made sign, Then turned to Ina; stood beside A time, then turn'd and strode the floor, Stopp'd short, breathed sharp, threw wide the door, Then gazed beyond the murky tide, Toward where the forky peaks divide. He took his beard in his hard hand, Then slowly shook his grizzled head And trembled, but no word he said. His thought was something more than pain; Upon the seas, upon the land He knew he should not rest again. He turn'd to her; but then once more Quick turn'd, and through the oaken door He sudden pointed to the west. His eye resumed its old command, The conversation of his hand, It was enough: she knew the rest. He turn'd, he stoop'd, and smoothed her hair, As if to smooth away the care From his great heart, with his left hand. His right hand hitch'd the pistol round That dangled at his belt ... The sound Of steel to him was melody More sweet than any song of sea. He touch'd his pistol, press'd his lips, Then tapp'd it with his finger-tips, And toy'd with it as harper's hand Seeks out the chords when he is sad And purposeless. At last he had Resolved. In haste he touch'd her hair, Made sign she should arise--prepare For some long journey, then again He look'd awest toward the plain: Toward the land of dreams and space, The land of Silences, the land Of shoreless deserts sown with sand, Where desolation's dwelling is: The land where, wondering, you say, What dried-up shoreless sea is this? Where, wandering, from day to day You say, To-morrow sure we come To rest in some cool resting-place, And yet you journey on through space While seasons pass, and are struck dumb With marvel at the distances. Yea, he would go. Go utterly Away, and from all living kind, Pierce through the distances, and find New lands. He had outlived his race. He stood like some eternal tree That tops remote Yosemite, And cannot fall. He turn'd his face Again and contemplated space. And then he raised his hand to vex His beard, stood still, and there fell down Great drops from some unfrequent spring, And streak'd his channell'd cheeks sun-brown, And ran uncheck'd, as one who recks Nor joy, nor tears, nor any thing. And then, his broad breast heaving deep, Like some dark sea in troubled sleep, Blown round with groaning ships and wrecks, He sudden roused himself, and stood With all the strength of his stern mood, Then call'd his men, and bade them go And bring black steeds with banner'd necks, And strong like burly buffalo. XII. The sassafras took leaf, and men Push'd west in hosts. The black men drew Their black-maned horses silent through The solemn woods. One midnight when The curl'd moon tipp'd her horn, and threw A black oak's shadow slant across A low mound hid in leaves and moss, Old Morgan cautious came and drew From out the ground, as from a grave, A great box, iron-bound and old, And fill'd, men say, with pirates' gold, And then they, silent as a dream, In long black shadows cross'd the stream. Lo! here the smoke of cabins curl'd, The borders of the middle world; And mighty, hairy, half-wild men Sat down in silence, held at bay By mailèd forests. Far away The red men's boundless borders lay, And lodges stood in legions then, Strip'd pyramids of painted men. What strong uncommon men were these, These settlers hewing to the seas! Great horny-handed men and tan; Men blown from any border land; Men desperate and red of hand, And men in love and men in debt, And men who lived but to forget, And men whose very hearts had died, Who only sought these woods to hide Their wretchedness, held in the van; Yet every man among them stood Alone, along that sounding wood, And every man somehow a man. A race of unnamed giants these, That moved like gods among the trees, So stern, so stubborn-brow'd and slow, With strength of black-maned buffalo, And each man notable and tall, A kingly and unconscious Saul, A sort of sullen Hercules. A star stood large and white awest, Then Time uprose and testified; They push'd the mailèd wood aside, They toss'd the forest like a toy, That great forgotten race of men, The boldest band that yet has been Together since the siege of Troy, And followed it ... and found their rest. What strength! what strife! what rude unrest! What shocks! what half-shaped armies met! A mighty nation moving west, With all its steely sinews set Against the living forests. Hear The shouts, the shots of pioneer! The rended forests, rolling wheels, As if some half-check'd army reels, Recoils, redoubles, comes again, Loud sounding like a hurricane. O bearded, stalwart, westmost men, So tower-like, so Gothic-built! A kingdom won without the guilt Of studied battle; that hath been Your blood's inheritance.... Your heirs Know not your tombs. The great ploughshares Cleave softly through the mellow loam Where you have made eternal home And set no sign. Your epitaphs Are writ in furrows. Beauty laughs While through the green ways wandering Beside her love, slow gathering White starry-hearted May-time blooms Above your lowly levell'd tombs; And then below the spotted sky She stops, she leans, she wonders why The ground is heaved and broken so, And why the grasses darker grow And droop and trail like wounded wing. Yea, Time, the grand old harvester, Has gather'd you from wood and plain. We call to you again, again; The rush and rumble of the car Comes back in answer. Deep and wide The wheels of progress have pass'd on; The silent pioneer is gone. His ghost is moving down the trees, And now we push the memories Of bluff, bold men who dared and died In foremost battle, quite aside. O perfect Eden of the earth, In poppies sown, in harvest set! O sires, mothers of my West! How shall we count your proud bequest? But yesterday ye gave us birth; We eat your hard-earn'd bread to-day, Nor toil nor spin nor make regret, But praise our petty selves and say How great we are, and all forget The still endurance of the rude Unpolish'd sons of solitude. XIII. And one was glad at morn, but one, The tall old sea-king, grim and gray, Look'd back to where his cabins lay And seem'd to hesitate. He rose At last, as from his dream's repose, From rest that counterfeited rest, And set his blown beard to the west, And drove against the setting sun, Along the levels vast and dun. His steeds were steady, strong, and fleet, The best in all the wide west land, Their manes were in the air, their feet Seem'd scarce to touch the flying sand; The reins were in the reaching hand. They rode like men gone mad, they fled, All day and many days they ran, And in the rear a gray old man Kept watch, and ever turn'd his head, Half eager and half angry, back Along their dusty desert track. And one look'd back, but no man spoke, They rode, they swallow'd up the plain; The sun sank low, he look'd again, With lifted hand and shaded eyes. Then far arear he saw uprise, As if from giant's stride or stroke, Dun dust-like puffs of battle-smoke. He turn'd, his left hand clutch'd the rein, He struck awest his high right hand, His arms were like the limbs of oak, They knew too well the man's command, They mounted, plunged ahead again, And one look'd back, but no man spoke, Of all that sullen iron band, That reached along that barren land. O weary days of weary blue, Without one changing breath, without One single cloud-ship sailing through The blue seas bending round about In one unbroken blotless hue. Yet on they fled, and one look'd back For ever down their distant track. The tent is pitch'd, the blanket spread, The earth receives the weary head, The night rolls west, the east is gray, The tent is struck, they mount, away; They ride for life the livelong day, They sweep the long grass in their track, And one leads on, and one looks back. What scenes they pass'd, what camps at morn, What weary columns kept the road; What herds of troubled cattle low'd, And trumpeted like lifted horn; And everywhere, or road or rest, All things were pointing to the west; A weary, long, and lonesome track, And all led on, but one look'd back. They climb'd the rock-built breasts of earth, The Titan-fronted, blowy steeps That cradled Time.... Where Freedom keeps Her flag of white blown stars unfurl'd, They turn'd about, they saw the birth Of sudden dawn upon the world; Again they gazed; they saw the face Of God, and named it boundless space. And they descended and did roam Through levell'd distances set round By room. They saw the Silences Move by and beckon: saw the forms, The very beards, of burly storms, And heard them talk like sounding seas. On unnamed heights bleak-blown and brown, And torn like battlements of Mars, They saw the darknesses come down, Like curtains loosen'd from the dome Of God's cathedral, built of stars. They pitch'd the tent, where rivers run As if to drown the falling sun. They saw the snowy mountains roll'd, And heaved along the nameless lands Like mighty billows; saw the gold Of awful sunsets; saw the blush Of sudden dawn, and felt the hush Of heaven when the day sat down, And hid his face in dusky hands. The long and lonesome nights! the tent That nestled soft in sweep of grass, The hills against the firmament Where scarce the moving moon could pass; The cautious camp, the smother'd light, The silent sentinel at night! The wild beasts howling from the hill; The troubled cattle bellowing; The savage prowling by the spring, Then sudden passing swift and still, And bended as a bow is bent. The arrow sent; the arrow spent And buried in its bloody place, The dead man lying on his face! The clouds of dust, their cloud by day; Their pillar of unfailing fire The far North star. And high, and higher.... They climb'd so high it seem'd eftsoon That they must face the falling moon, That like some flame-lit ruin lay Thrown down before their weary way. They learn'd to read the sign of storms, The moon's wide circles, sunset bars, And storm-provoking blood and flame; And, like the Chaldean shepherds, came At night to name the moving stars. In heaven's face they pictured forms Of beasts, of fishes of the sea. They mark'd the Great Bear wearily Rise up and drag his clinking chain Of stars around the starry main. What lines of yoked and patient steers! What weary thousands pushing west! What restless pilgrims seeking rest, As if from out the edge of years! What great yoked brutes with briskets low, With wrinkled necks like buffalo, With round, brown, liquid, pleading eyes, That turn'd so slow and sad to you, That shone like love's eyes soft with tears, That seem'd to plead, and make replies The while they bow'd their necks and drew The creaking load; and look'd at you. Their sable briskets swept the ground, Their cloven feet kept solemn sound. Two sullen bullocks led the line, Their great eyes shining bright like wine; Two sullen captive kings were they, That had in time held herds at bay, And even now they crush'd the sod With stolid sense of majesty, And stately stepp'd and stately trod, As if 'twas something still to be Kings even in captivity. XIV. And why did these same sunburnt men Let Morgan gain the plain, and then Pursue him to the utter sea? You ask me here impatiently. And I as pertly must reply, My task is but to tell a tale, To give a wide sail to the gale, To paint the boundless plain, the sky; To rhyme, nor give a reason why. Mostlike they sought his gold alone, And fear'd to make their quarrel known Lest it should keep its secret bed; Mostlike they thought to best prevail And conquer with united hands Alone upon the lonesome sands; Mostlike they had as much to dread; Mostlike--but I must tell my tale. And Morgan, ever looking back, Push'd on, push'd up his mountain track, Past camp, past train, past caravan, Past flying beast, past failing man, Past brave men battling with a foe That circled them with lance and bow And feather'd arrows all a-wing; Till months unmeasured came and ran The calendar with him, as though Old Time had lost all reckoning; Then passed for aye the creaking trains, And pioneers that named the plains. Those brave old bricks of Forty-nine! What lives they lived! what deaths they died! A thousand cañons, darkling wide Below Sierra's slopes of pine, Receive them now. And they who died Along the far, dim, desert route. Their ghosts are many. Let them keep Their vast possessions. The Piute, The tawny warrior, will dispute No boundary with these. And I, Who saw them live, who felt them die, Say, let their unploughed ashes sleep, Untouched by man, by plain or steep. The bearded, sunbrown'd men who bore The burthen of that frightful year, Who toil'd, but did not gather store, They shall not be forgotten. Drear And white, the plains of Shoshonee Shall point us to that farther shore, And long white shining lines of bones, Make needless sign or white mile-stones. The wild man's yell, the groaning wheel; The train that moved like drifting barge; The dust that rose up like a cloud, Like smoke of distant battle! Loud The great whips rang like shot, and steel Of antique fashion, crude and large, Flash'd back as in some battle charge. They sought, yea, they did find their rest Along that long and lonesome way, These brave men buffeting the West With lifted faces. Full were they Of great endeavor. Brave and true As stern Crusader clad in steel, They died a-field as it was fit. Made strong with hope, they dared to do Achievement that a host to-day Would stagger at, stand back and reel, Defeated at the thought of it. What brave endeavor to endure! What patient hope, when hope was past! What still surrender at the last, A thousand leagues from hope! how pure They lived, how proud they died! How generous with life! The wide And gloried age of chivalry Hath not one page like this to me. Let all these golden days go by, In sunny summer weather. I But think upon my buried brave, And breathe beneath another sky. Let beauty glide in gilded car, And find my sundown seas afar, Forgetful that 'tis but one grave From eastmost to the westmost wave. Yea, I remember! The still tears That o'er uncoffin'd faces fell! The final, silent, sad farewell! God! these are with me all the years! They shall be with me ever. I Shall not forget. I hold a trust. They are a part of my existence. When Adown the shining iron track You sweep, and fields of corn flash back, And herds of lowing steers move by, And men laugh loud, in mute distrust, I turn to other days, to men Who made a pathway with their dust. XV. At last he pass'd all men or sign Of man. Yet still his long black line Was push'd and pointed for the west; The sea, the utmost sea, and rest. He climbed, descended, climbed again, Until he stood at last as lone, As solitary and unknown, As some lost ship upon the main. O there was grandeur in his air, An old-time splendor in his eye, When he had climb'd the bleak, the high, The rock-built bastions of the plain, And thrown a-back his blown white hair, And halting turn'd to look again. And long, from out his lofty place, He look'd far down the fading plain For his pursuers, but in vain. Yea, he was glad. Across his face A careless smile was seen to play, The first for many a stormy day. He turn'd to Ina, dark and fair As some sad twilight; touch'd her hair, Stoop'd low, and kiss'd her silently, Then silent held her to his breast. Then waved command to his black men, Look'd east, then mounted slow, and then Led leisurely against the west. And why should he, who dared to die, Who more than once with hissing breath Had set his teeth and pray'd for death, Have fled these men, or wherefore fly Before them now? why not defy? His midnight men were strong and true, And not unused to strife, and knew The masonry of steel right well, And all its signs that lead to hell. It might have been his youth had wrought Some wrong his years would now repair That made him fly and still forbear; It might have been he only sought To lead them to some fatal snare And let them die by piece-meal there. It might have been that his own blood, A brother, son, pursued with curse. It might have been this woman fair Was this man's child, an only thing To love in all the universe, And that the old man's iron will Kept pirate's child from pirate still. These rovers had a world their own, Had laws, lived lives, went ways unknown. I trow it was not shame or fear Of any man or any thing That death in any shape might bring. It might have been some lofty sense Of his own truth and innocence, And virtues lofty and severe-- Nay, nay! what need of reasons here? They touch'd a fringe of tossing trees That bound a mountain's brow like bay, And through the fragrant boughs a breeze Blew salt-flood freshness. Far away, From mountain brow to desert base Lay chaos, space, unbounded space, In one vast belt of purple bound. The black men cried, "The sea!" They bow'd Their black heads in their hard black hands. They wept for joy. They laugh'd, and broke The silence of an age, and spoke Of rest at last; and, group'd in bands, They threw their long black arms about Each other's necks, and laugh'd aloud, Then wept again with laugh and shout. Yet Morgan spake no word, but led His band with oft-averted head Right through the cooling trees, till he Stood out upon the lofty brow And mighty mountain wall. And now The men who shouted, "Lo, the sea!" Rode in the sun; but silently: Stood in the sun, then look'd below. They look'd but once, then look'd away, Then look'd each other in the face. They could not lift their brows, nor say, But held their heads, nor spake, for lo! Nor sea, nor voice of sea, nor breath Of sea, but only sand and death, And one eternity of space Confronted them with fiery face. 'Twas vastness even as a sea, So still it sang in symphonies; But yet without the sense of seas, Save depth, and space, and distances. 'Twas all so shoreless, so profound, It seem'd it were earth's utter bound. 'Twas like the dim edge of death is, 'Twas hades, hell, eternity! XVI. Then Morgan hesitating stood, Look'd down the deep and steep descent With wilder'd brow and wonderment, Then gazed against the cooling wood. And she beside him gazed at this, Then turn'd her great, sad eyes to his; He shook his head and look'd away, Then sadly smiled, and still did say, "To-morrow, child, another day." O thou to-morrow! Mystery! O day that ever runs before! What has thine hidden hand in store For mine, to-morrow, and for me? O thou to-morrow! what hast thou In store to make me bear the now? O day in which we shall forget The tangled troubles of to-day! O day that laughs at duns, at debt! O day of promises to pay! O shelter from all present storm! O day in which we shall reform! O day of all days for reform! Convenient day of promises! Hold back the shadow of the storm. O bless'd to-morrow! Chiefest friend, Let not thy mystery be less, But lead us blindfold to the end. XVII. Old Morgan eyed his men, look'd back Against the groves of tamarack, Then tapp'd his stirrup-foot, and stray'd His hard left hand along the mane Of his strong steed, and careless play'd His fingers through the silken skein, And seemed a time to touch the rein. And then he spurr'd him to her side, And reach'd his hand and, leaning wide, He smiling push'd her falling hair Back from her brow, and kiss'd her there. Yea, touch'd her softly, as if she Had been some priceless, tender flower, Yet touch'd her as one taking leave Of his one love in lofty tower Before descending to the sea Of battle on his battle eve. XVIII. A distant shout! quick oaths! alarms! The black men start up suddenly, Stand in the stirrup, clutch their arms, And bare bright arms all instantly. But he, he slowly turns, and he Looks all his full soul in her face. He does not shout, he does not say, But sits serenely in his place A time, then slowly turns, looks back Between the trim-bough'd tamarack, And up the winding mountain way, To where the long strong grasses lay. He raised his glass in his two hands, Then in his left hand let it fall, Then seem'd to count his fingers o'er, Then reach'd his glass, waved cold commands, Then tapp'd his stirrup as before, Stood in the stirrup stern and tall, Then ran his hand along the mane Half nervous-like, and that was all. His head half settled on his breast, His face a-beard like bird a-nest, And then he roused himself, he spoke, He reach'd an arm like arm of oak, He struck a-west his great broad hand, And seem'd to hurl his hot command. He clutch'd his rein, struck sharp his heel, Look'd at his men, and smiled half sad, Half desperate, then hitch'd his steel, And all his stormy presence had, As if he kept once more his keel On listless seas where breakers reel. He toss'd again his iron hand Above the deep, steep desert space, Above the burning seas of sand, And look'd his black men in the face. They spake not, nor look'd back again, They struck the heel, they clutch'd the rein, And down the darkling plunging steep They dropped toward the dried-up deep. Below! It seem'd a league below, The black men rode, and she rode well, Against the gleaming sheening haze That shone like some vast sea ablaze, That seem'd to gleam, to glint, to glow As if it mark'd the shores of hell. Then Morgan stood alone, look'd back From off the fierce wall where he stood, And watch'd his dusk approaching foe. He saw him creep along his track, Saw him descending from the wood, And smiled to see how worn and slow. Then when his foemen hounding came In pistol-shot of where he stood, He wound his hand in his steed's mane, And plunging to the desert plain, Threw back his white beard like a cloud, And looking back did shout aloud Defiance like a stormy flood, And shouted, "Vasques!" called his name, And dared him to the desert flame. XIX. A cloud of dust adown the steep, Where scarce a whirling hawk would sweep, The cloud his foes had follow'd fast, And Morgan like a cloud had pass'd, Yet passed like some proud king of old; And now mad Vasques could not hold Control of his one wild desire To meet old Morgan, in his ire. He cursed aloud, he shook his rein Above the desert darkling deep, And urged his steed toward the steep, But urged his weary steed in vain. Old Morgan heard his oath and shout, And Morgan turn'd his head once more, And wheel'd his stout steed short about, Then seem'd to count their numbers o'er. And then his right hand touch'd his steel, And then he tapp'd his iron heel And seem'd to fight with thought. At last, As if the final die was cast, And cast as carelessly as one Would toss a white coin in the sun, He touch'd his rein once more, and then His pistol laid with idle heed Prone down the toss'd mane of his steed, And he rode down the rugged way Tow'rd where the wide, white desert lay, By broken gorge and cavern'd den, And join'd his band of midnight men. Some say the gray old man had crazed From mountain fruits that he had pluck'd While winding through the wooded ways Above the steep. But others say That he had turn'd aside and suck'd Sweet poison from the honey dews That lie like manna all the day On dewy leaves so crystal fair And temptingly that none refuse; That thus made mad the man did dare Confront the desert and despair. Then other mountain men explain, That when one looks upon this sea Of glowing sand, he looks again, Again, through gossamers that run In scintillations of the sun Along this white eternity, And looks until the brain is dazed, Bewilder'd, and the man is crazed. Then one, a grizzled mountaineer, A thin and sinewy old man, With face all wrinkle-wrought, and tan, And presence silent and austere, Does tell a tale, with reaching face And bated breath, of this weird place, Of many a stalwart mountaineer And Piute tall who perish'd here. He tells a tale with whisper'd breath Of skin-clad men who track'd this shore, Once populous with sea-set town, And saw a woman wondrous fair, And, wooing, follow'd her far down Through burning sands to certain death; And then he catches short his breath. He tells: Nay, this is all too long; Enough. The old man shakes his hair When he is done, and shuts his eyes, So satisfied and so self-wise, As if to say, "'Tis nothing rare, This following the luring fair To death, and bound in thorny thong; 'Twas ever thus; the old, old song." XX. Go ye and look upon that land, That far vast land that few behold, And none beholding understand,-- That old, old land which men call new, That land as old as time is old;-- Go journey with the seasons through Its wastes, and learn how limitless, How shoreless lie the distances, Before you come to question this Or dare to dream what grandeur is. The solemn silence of that plain, Where unmanned tempests ride and reign, It awes and it possesses you. 'Tis, oh! so eloquent. The blue And bended skies seem built for it, With rounded roof all fashioned fit, And frescoed clouds, quaint-wrought and true; While all else seems so far, so vain, An idle tale but illy told, Before this land so lone and old. Its story is of God alone, For man has lived and gone away, And left but little heaps of stone, And all seems some long yesterday. Lo! here you learn how more than fit And dignified is silence, when You hear the petty jeers of men Who point, and show their pointless wit. The vastness of that voiceless plain, Its awful solitudes remain Thenceforth for aye a part of you, And you are of the favored few, For you have learn'd your littleness, And heed not names that name you less. Some silent red men cross your track; Some sun-tann'd trappers come and go; Some rolling seas of buffalo Break thunder-like and far away Against the foot-hills, breaking back Like breakers of some troubled bay; But not a voice the long, lone day. Some white-tail'd antelope blow by So airy-like; some foxes shy And shadow-like shoot to and fro Like weavers' shuttles, as you pass; And now and then from out the grass You hear some lone bird cluck, and call A sharp keen call for her lost brood, That only makes the solitude, That mantles like some sombre pall, Seem deeper still, and that is all. A wide domain of mysteries And signs that men misunderstand! A land of space and dreams; a land Of sea-salt lakes and dried-up seas! A land of caves and caravans, And lonely wells and pools; A land That hath its purposes and plans, That seems so like dead Palestine, Save that its wastes have no confine Till push'd against the levell'd skies; A land from out whose depths shall rise The new-time prophets. Yea, the land From out whose awful depths shall come, All clad in skins, with dusty feet, A man fresh from his Maker's hand, A singer singing oversweet, A charmer charming very wise; And then all men shall not be dumb. Nay, not be dumb, for he shall say, "Take heed, for I prepare the way For weary feet." Lo! from this land Of Jordan streams and sea-wash'd sand, The Christ shall come when next the race Of man shall look upon his face. XXI. Pursuer and pursued! who knows The why he left the breezy pine, The fragrant tamarack and vine, Red rose and precious yellow rose! Nay, Vasques held the vantage ground Above him by the wooded steep, And right nor left no passage lay, And there was left him but that way,-- The way through blood, or to the deep And lonesome deserts far profound, That know not sight of man, or sound. Hot Vasques stood upon the rim, High, bold, and fierce with crag and spire. He saw a far gray eagle swim, He saw a black hawk wheel, retire, And shun that desert wide a-wing, But saw no other living thing. High in the full sun's gold and flame He halting and half waiting came And stood below the belt of wood, Then moved along the broken hill And looked below. And long he stood With lips set firm and brow a-frown, And warring with his iron will. He mark'd the black line winding down As if into the doors of death. And as he gazed a breath arose As from his far-retreating foes, So hot it almost took his breath. His black eye flashed an angry fire, He stood upon the mountain brow, With lifted arm like oaken bough; The hot pursuer halting stood Irresolute, in nettled ire; Then look'd against the cooling wood, Then strode he sullen to and fro, Then turned and long he gazed below. The sands flash'd back like fields of snow, Like far blown seas that flood and flow. The while the rounded sky rose higher, And cleaving through the upper space, The flush'd sun settled to his place, Like some far hemisphere of fire. And yet again he gazed. And now, Far off and faint, he saw or guess'd He saw, beyond the sands a-west, A dim and distant lifting beach That daring men might dare and reach: Dim shapes of toppled peaks with pine, And water'd foot-hills dark like wine, And fruits on many a bended bough. The leader turn'd and shook his head. "And shall we turn aside," he said, "Or dare this hell?" The men stood still As leaning on his sterner will. And then he stopp'd and turn'd again, And held his broad hand to his brow, And looked intent and eagerly. The far white levels of the plain Flash'd back like billows. Even now He saw rise up remote, 'mid sea, 'Mid space, 'mid wastes, 'mid nothingness, A ship becalm'd as in distress. The dim sign pass'd as suddenly, A gossamer of golden tress, Thrown over some still middle sea, And then his eager eyes grew dazed,-- He brought his two hands to his face. Again he raised his head, and gazed With flashing eyes and visage fierce Far out, and resolute to pierce The far, far, faint receding reach Of space and touch its farther beach. He saw but space, unbounded space; Eternal space and nothingness. Then all wax'd anger'd as they gazed Far out upon the shoreless land, And clench'd their doubled hands and raised Their long bare arms, but utter'd not. At last one started from the band, His bosom heaved as billows heave, Great heaving bosom, broad and brown: He raised his arm, push'd up his sleeve, Push'd bare his arm, strode up and down, With hat pushed back, and flushed and hot, And shot sharp oaths like cannon shot. Again the man stood still, again He strode the height like hoary storm, Then shook his fists, and then his form Did writhe as if it writhed with pain. And yet again his face was raised, And yet again he gazed and gazed, Above his fading, failing foe, With gather'd brow and visage fierce, As if his soul would part or pierce The awful depths that lay below. He had as well look'd on that sea That keeps Samoa's coral isles Amid ten thousand watery miles, Bound round by one eternity; Bound round by realms of nothingness, In love with their own loneliness. He saw but space, unbounded space, And brought his brown hands to his face. There roll'd away to left, to right, Unbroken walls as black as night, And back of these there distant rose Steep cones of everlasting snows. At last he was resolved, his form Seem'd like a pine blown rampt with storm. He mounted, clutch'd his reins, and then Turn'd sharp and savage to his men; And silent then led down the way To night that knows not night nor day. XXII. Like some great serpent black and still, Old Morgan's men stole down the hill. Far down the steep they wound and wound Until the black line touched that land Of gleaming white and silver sand That knows not human sight or sound. How broken plunged the steep descent; How barren! Desolate, and rent By earthquake's shock, the land lay dead, With dust and ashes on its head. 'Twas as some old world overthrown, Where Theseus fought and Sappho dreamed In eons ere they touched this land, And found their proud souls foot and hand Bound to the flesh and stung with pain. An ugly skeleton it seem'd Of its own self. The fiery rain Of red volcanoes here had sown The death of cities of the plain. The very devastation gleamed. All burnt and black, and rent and seam'd, Ay, vanquished quite and overthrown, And torn with thunder-stroke, and strown With cinders, lo! the dead earth lay As waiting for the judgment day. Why, tamer men had turn'd and said, On seeing this, with start and dread, And whisper'd each with gather'd breath, "We come on the confines of death." They wound below a savage bluff That lifted, from its sea-mark'd base, Great walls with characters cut rough And deep by some long-perish'd race; And lo! strange beasts unnamed, unknown, Stood hewn and limn'd upon the stone. The iron hoofs sank here and there, Plough'd deep in ashes, broke anew Old broken idols, and laid bare Old bits of vessels that had grown, As countless ages cycled through, Imbedded with the common stone. A mournful land as land can be Beneath their feet in ashes lay, Beside that dread and dried-up sea; A city older than that gray And grass-grown tower builded when Confusion cursed the tongues of men. Beneath, before, a city lay That in her majesty had shamed The wolf-nursed conqueror of old; Below, before, and far away There reach'd the white arm of a bay, A broad bay shrunk to sand and stone, Where ships had rode and breakers roll'd When Babylon was yet unnamed, And Nimrod's hunting-fields unknown. Some serpents slid from out the grass That grew in tufts by shatter'd stone, Then hid beneath some broken mass That Time had eaten as a bone Is eaten by some savage beast; An everlasting palace feast. A dull-eyed rattlesnake that lay All loathsome, yellow-skinn'd, and slept, Coil'd tight as pine-knot, in the sun, With flat head through the centre run, Struck blindly back, then rattling crept Flat-bellied down the dusty way ... 'Twas all the dead land had to say. Two pink-eyed hawks, wide-wing'd and gray, Scream'd savagely, and, circling high, And screaming still in mad dismay, Grew dim and died against the sky ... 'Twas all the heavens had to say. The grasses fail'd, and then a mass Of brown, burnt cactus ruled the land, And topt the hillocks of hot sand, Where scarce the hornèd toad could pass. Then stunted sage on either hand, All loud with odors, spread the land. The sun rose right above, and fell As falling molten as they pass'd. Some low-built junipers at last, The last that o'er the desert look'd, Thick-bough'd, and black as shapes of hell Where dumb owls sat with bent bills hook'd Beneath their wings awaiting night, Rose up, then faded from the sight: Then not another living thing Crept on the sand or kept the wing. White Azteckee! Dead Azteckee! Vast sepulchre of buried sea! What dim ghosts hover on thy rim, What stately-manner'd shadows swim Along thy gleaming waste of sands And shoreless limits of dead lands? Dread Azteckee! Dead Azteckee! White place of ghosts, give up thy dead: Give back to Time thy buried hosts! The new world's tawny Ishmaelite, The roving tent-born Shoshonee, Who shuns thy shores as death, at night, Because thou art so white, so dread, Because thou art so ghostly white, Because thou hast thy buried hosts, Has named thy shores "the place of ghosts." Thy white uncertain sands are white With bones of thy unburied dead That will not perish from the sight. They drown but perish not,--ah me! What dread unsightly sights are spread Along this lonesome dried-up sea. White Azteckee, give up to me Of all thy prison'd dead but one, That now lies bleaching in the sun, To tell what strange allurements lie Within this dried-up oldest sea, To tempt men to its heart and die. Old, hoar, and dried-up sea! so old! So strewn with wealth, so sown with gold! Yea, thou art old and hoary white With time, and ruin of all things; And on thy lonesome borders night Sits brooding as with wounded wings. The winds that toss'd thy waves and blew Across thy breast the blowing sail, And cheer'd the hearts of cheering crew From farther seas, no more prevail. Thy white-wall'd cities all lie prone, With but a pyramid, a stone, Set head and foot in sands to tell The tired stranger where they fell. The patient ox that bended low His neck, and drew slow up and down Thy thousand freights through rock-built town Is now the free-born buffalo. No longer of the timid fold, The mountain sheep leaps free and bold His high-built summit and looks down From battlements of buried town. Thine ancient steeds know not the rein; They lord the land; they come, they go At will; they laugh at man; they blow A cloud of black steeds o'er the plain. Thy monuments lie buried now, The ashes whiten on thy brow, The winds, the waves, have drawn away, The very wild man dreads to stay. O! thou art very old. I lay, Made dumb with awe and wonderment, Beneath a palm before my tent, With idle and discouraged hands, Not many days agone, on sands Of awful, silent Africa. Long gazing on her mighty shades, I did recall a semblance there Of thee. I mused where story fades From her dark brow and found her fair. A slave, and old, within her veins There runs that warm, forbidden blood That no man dares to dignify In elevated song. The chains That held her race but yesterday Hold still the hands of men. Forbid Is Ethiop. The turbid flood Of prejudice lies stagnant still, And all the world is tainted. Will And wit lie broken as a lance Against the brazen mailed face Of old opinion. None advance Steel-clad and glad to the attack, With trumpet and with song. Look back! Beneath yon pyramids lie hid The histories of her great race. Old Nilus rolls right sullen by, With all his secrets. Who shall say: My father rear'd a pyramid; My brother clipp'd the dragon's wings; My mother was Semiramis? Yea, harps strike idly out of place; Men sing of savage Saxon kings New-born and known but yesterday, And Norman blood presumes to say.... Nay, ye who boast ancestral name And vaunt deeds dignified by time Must not despise her. Who hath worn Since time began a face that is So all-enduring, old like this-- A face like Africa's? Behold! The Sphinx is Africa. The bond Of silence is upon her. Old And white with tombs, and rent and shorn; With raiment wet with tears, and torn, And trampled on, yet all untamed; All naked now, yet not ashamed,-- The mistress of the young world's prime, Whose obelisks still laugh at Time, And lift to heaven her fair name, Sleeps satisfied upon her fame. Beyond the Sphinx, and still beyond, Beyond the tawny desert-tomb Of Time; beyond tradition, loom And lift ghostlike from out the gloom Her thousand cities, battle-torn And gray with story and with time. Her very ruins are sublime, Her thrones with mosses overborne Make velvets for the feet of Time. She points a hand and cries: "Go read The letter'd obelisks that lord Old Rome, and know my name and deed. My archives these, and plunder'd when I had grown weary of all men." We turn to these; we cry: "Abhorr'd Old Sphinx, behold, we cannot read!" And yet my dried-up desert sea Was populous with blowing sail, And set with city, white-wall'd town, All mann'd with armies bright with mail, Ere yet that awful Sphinx sat down To gaze into eternity, Or Egypt knew her natal hour, Or Africa had name or power. XXIII. Away upon the sandy seas, The gleaming, burning, boundless plain. How solemn-like, how still, as when The mighty-minded Genoese Drew three tall ships and led his men From land they might not meet again. The black men rode in front by two, The fair one follow'd close, and kept Her face held down as if she wept; But Morgan kept the rear, and threw His flowing, swaying beard aback Anon along their lonesome track. They rode against the level sun, And spake not he or any one. The weary day fell down to rest, A star upon his mantled breast, Ere scarce the sun fell out of space, And Venus glimmer'd in his place. * * * * * Yea, all the stars shone just as fair, And constellations kept their round, And look'd from out the great profound, And marched, and countermarch'd, and shone Upon that desolation there, Why just the same as if proud man Strode up and down array'd in gold And purple as in days of old, And reckon'd all of his own plan, Or made at least for man alone And man's dominion from a throne. Yet on push'd Morgan silently, And straight as strong ship on a sea; And ever as he rode there lay To right, to left, and in his way, Strange objects looming in the dark, Some like a mast, or ark, or bark. And things half hidden in the sand Lay down before them where they pass'd,-- A broken beam, half-buried mast, A spar or bar, such as might be Blown crosswise, tumbled on the strand Of some sail-crowded stormy sea. XXIV. All night by moon, by morning star, The still, black men still kept their way; All night till morn, till burning day, Hot Vasques follow'd fast and far. The sun shot arrows instantly; And men turn'd east against the sun, And men did look and cry, "The sea!" And Morgan look'd, nay, every one Did look, and lift his hand, and shade His brow and look, and look dismay'd. Lo! looming up before the sun, Before their eyes, yet far away, A ship with many a tall mast lay,-- Lay resting, as if she had run Some splendid race through seas, and won The right to rest in salt flood bay,-- And lay until the level sun Uprose, and then she fell away, As mists melt in the full of day. Old Morgan lifts his bony hand, He does not speak or make command,-- Short time for wonder, doubt, delay; Dark objects sudden heave in sight As if blown out or born of night. It is enough, they turn; away! The sun is high, the sands are hot To touch, and all the tawny plain, That glistens white with salt sea sand, Sinks white and open as they tread And trudge, with half-averted head, As if to swallow them amain. They look, as men look back to land When standing out to stormy sea, But still keep face and murmur not; Keep stern and still as destiny, Or iron king of Germany. It was a sight! A slim dog slid White-mouth'd and still along the sand, The pleading picture of distress. He stopp'd, leap'd up to lick a hand, A hard black hand that sudden chid Him back and check'd his tenderness; But when the black man turn'd his head His poor mute friend had fallen dead. The very air hung white with heat, And white, and fair, and far away A lifted, shining snow-shaft lay As if to mock their mad retreat. The white, salt sands beneath their feet Did make the black men loom as grand, From out the lifting, heaving heat, As they rode sternly on and on, As any bronze men in the land That sit their statue steeds upon. The men were silent as men dead. The sun hung centred overhead, Nor seem'd to move. It molten hung Like some great central burner swung From lofty beams with golden bars In sacristy set round with stars. XXV. Why, flame could hardly be more hot; Yet on the mad pursuer came, Across the gleaming yielding ground, Right on, as if he fed on flame, Right on until the mid-day found The man within a pistol-shot. He hail'd, but Morgan answer'd not, He hail'd, then came a feeble shot, And strangely, in that vastness there, It seem'd to scarcely fret the air, But fell down harmless anywhere. He fiercely hail'd; and then there fell A horse. And then a man fell down, And in the sea-sand seem'd to drown. Then Vasques cursed, but scarce could tell The sound of his own voice, and all In mad confusion seem'd to fall. Yet on push'd Morgan, silent on, And as he rode he lean'd and drew, From his catenas, gold, and threw The bright coins in the glaring sun. But Vasques did not heed a whit, He scarcely deign'd to scowl at it. Again lean'd Morgan! He uprose, And held a high hand to his foes, And held two goblets up, and one Did shine as if itself a sun. Then leaning backward from his place, He hurl'd them in his foemen's face, Then drew again, and so kept on, Till goblets, gold, and all were gone. Yea, strew'd them out upon the sands As men upon a frosty morn, In Mississippi's fertile lands, Hurl out great, yellow ears of corn To hungry swine with hurried hands. XXVI. Lo! still hot Vasques urges on, With flashing eye and flushing cheek. What would he have? what does he seek? He does not heed the gold a whit, He does not deign to look at it; But now his gleaming steel is drawn, And now he leans, would hail again,-- He opes his swollen lips in vain. But look you! See! A lifted hand, And Vasques beckons his command. He cannot speak, he leans, and he Bends low upon his saddle-bow. And now his blade drops to his knee, And now he falters, now comes on, And now his head is bended low; And now his rein, his steel, is gone; Now faint as any child is he, And now his steed sinks to the knee. XXVII. The sun hung molten in mid space, Like some great star fix'd in its place. From out the gleaming spaces rose A sheen of gossamer and danced, As Morgan slow and still advanced Before his far-receding foes. Right on and on the still black line Drove straight through gleaming sand and shine, By spar and beam and mast and stray, And waif of sea and cast-away. The far peaks faded from their sight, The mountain walls fell down like night, And nothing now was to be seen Save but the dim sun hung in sheen Of fairy garments all blood-red,-- The hell beneath, the hell o'erhead. A black man tumbled from his steed. He clutch'd in death the moving sands. He caught the round earth in his hands, He gripp'd it, held it hard and grim.... The great sad mother did not heed His hold, but pass'd right on from him, And ere he died grew far and dim. XXVIII. The sun seem'd broken loose at last, And settled slowly to the west, Half hidden as he fell a-rest, Yet, like the flying Parthian, cast His keenest arrows as he pass'd. On, on, the black men slowly drew Their length, like some great serpent through The sands, and left a hollow'd groove: They march'd, they scarcely seem'd to move. How patient in their muffled tread! How like the dead march of the dead! At last the slow black line was check'd, An instant only; now again It moved, it falter'd now, and now It settled in its sandy bed, And steeds stood rooted to the plain. Then all stood still, and men somehow Look'd down and with averted head; Look'd down, nor dared look up, nor reck'd Of any thing, of ill or good, But bowed and stricken still they stood. Like some brave band that dared the fierce And bristled steel of gather'd host, These daring men had dared to pierce This awful vastness, dead and gray. And now at last brought well at bay They stood,--but each stood to his post; Each man an unencompassed host. Then one dismounted, waved a hand, 'Twas Morgan's stern and still command. There fell a clash, like loosen'd chain, And men dismounting loosed the rein. Then every steed stood loosed and free; And some stepp'd slow and mute aside, And some sank to the sands and died, And some stood still as shadows be, And men stood gazing silently. XXIX. Old Morgan turn'd and raised his hand, And laid it level with his eyes, And look'd far back along the land. He saw a dark dust still uprise, Still surely tend to where he lay. He did not curse, he did not say, He did not even look surprise, But silent turned to her his eyes. Nay, he was over-gentle now, He wiped a time his Titan brow, Then sought dark Ina in her place, Put out his arms, put down his face And look'd in hers. She reach'd her hands, She lean'd, she fell upon his breast; He reach'd his arms around; she lay As lies a bird in leafy nest. And he look'd out across the sands, And then his face fell down, he smiled, And softly said, "My child, my child!" Then bent his head and strode away. And as he strode he turn'd his head, He sidewise cast his brief commands; He led right on across the sands. They rose and follow'd where he led. XXX. 'Twas so like night, the sun was dim, Some black men settled down to rest, But none made murmur or request. The dead were dead, and that were best; The living leaning follow'd him, In huddled heaps, half nude, and grim. The day through high mid-heaven rode Across the sky, the dim red day; Awest the warlike day-god strode With shoulder'd shield away, away. The savage, warlike day bent low, As reapers bend in gathering grain, As archer bending bends yew bow, And flush'd and fretted as in pain. Then down his shoulder slid his shield, So huge, so awful, so blood-red And batter'd as from battle-field: It settled, sunk to his left hand, Sunk down and down, it touch'd the sand, Then day along the land lay dead, Without one candle at his head. XXXI. And now the moon wheel'd white and vast, A round, unbroken, marbled moon, And touch'd the far bright buttes of snow, Then climb'd their shoulders over soon; And there she seem'd to sit at last, To hang, to hover there, to grow, Grow vaster than vast peaks of snow. Grow whiter than the snow's own breast, Grow softer than September's noon, Until the snow-peaks seem'd at best But one wide, shining, shatter'd moon. She sat the battlements of time; She shone in mail of frost and rime, A time, and then rose up and stood In heaven in sad widowhood. * * * * * The faded moon fell wearily, And then the sun right suddenly Rose up full arm'd, and rushing came Across the land like flood of flame. XXXII. The sun roll'd on. Lo! hills uprose As push'd against the arching skies,-- As if to meet the timid sun-- Rose sharp from out the sultry dun, Set well with wood, and brier, and rose, And seem'd to hold the free repose Of lands where rocky summits rise, Or unfenced fields of Paradise. The black men look'd up from the sands Against the dim, uncertain skies, As men that disbelieved their eyes, And would have laugh'd; they wept instead, With shoulders heaved, with bowing head Hid down between their two black hands. They stood and gazed. Lo! like the call Of spring-time promises, the trees Lean'd from their lifted mountain wall, And stood clear cut against the skies As if they grew in pistol-shot. Yet all the mountains answer'd not, And yet there came no cooling breeze, Nor soothing sense of windy trees. At last old Morgan, looking through His shaded fingers, let them go, And let his load fall down as dead. He groan'd, he clutch'd his beard of snow As was his wont, then bowing low, Took up his life, and moaning said, "Lord Christ! 'tis the mirage, and we Stand blinded in a burning sea." O sweet deceit when minds despair! O mad deceit of man betray'd! O mother Nature, thou art fair, But thou art false as man or maid. Yea, many lessons, mother Earth, Have we thy children learn'd of thee In sweet deceit.... The sudden birth Of hope that dies mocks destiny. O mother Earth, thy promises Are fallen leaves; they lie forgot! Such lessons! How could we learn less? We are but children, blame us not. XXXIII. Again they move, but where or how It recks them little, nothing now. Yet Morgan leads them as before, But totters now; he bends, and he Is like a broken ship a-sea,-- A ship that knows not any shore, And knows it shall not anchor more. Some leaning shadows crooning crept Through desolation, crown'd in dust. And had the mad pursuer kept His path, and cherished his pursuit? There lay no choice. Advance he must: Advance, and eat his ashen fruit. Yet on and on old Morgan led. His black men totter'd to and fro, A leaning, huddled heap of woe; Then one fell down, then two fell dead; Yet not one moaning word was said. They made no sign, they said no word, Nor lifted once black, helpless hands; And all the time no sound was heard Save but the dull, dead, muffled tread Of shuffled feet in shining sands. Again the still moon rose and stood Above the dim, dark belt of wood, Above the buttes, above the snow, And bent a sad, sweet face below. She reach'd along the level plain Her long, white fingers. Then again She reach'd, she touch'd the snowy sands, Then reach'd far out until she touch'd A heap that lay with doubled hands, Reach'd from its sable self, and clutch'd With death. O tenderly That black, that dead and hollow face Was kiss'd at midnight.... What if I say The long, white moonbeams reaching there, Caressing idle hands of clay, And resting on the wrinkled hair And great lips push'd in sullen pout, Were God's own fingers reaching out From heaven to that lonesome place? XXXIV. By waif and stray and cast-away, Such as are seen in seas withdrawn, Old Morgan led in silence on, And sometime lifting up his head To guide his footsteps as he led, He deem'd he saw a great ship lay Her keel along the sea-wash'd sand, As with her captain's old command. * * * * * The stars were seal'd; and then a haze Of gossamer fill'd all the west, So like in Indian summer days, And veil'd all things. And then the moon Grew pale, and faint, and far. She died, And now nor star nor any sign Fell out of heaven. Oversoon Some black men fell. Then at their side Some one sat down to watch, to rest ... To rest, to watch, or what you will, The man sits resting, watching still. XXXV. The day glared through the eastern rim Of rocky peaks, as prison bars; With light as dim as distant stars The sultry sunbeams filter'd down Through misty phantoms weird and dim, Through shifting shapes bat-wing'd brown. Like some vast ruin wrapp'd in flame The sun fell down before them now. Behind them wheel'd white peaks of snow, As they proceeded. Gray and grim And awful objects went and came Before them then. They pierced at last The desert's middle depths, and lo! There loom'd from out the desert vast A lonely ship, well-built and trim, And perfect all in hull and mast. No storm had stain'd it any whit, No seasons set their teeth in it. Her masts were white as ghosts, and tall; Her decks were as of yesterday. The rains, the elements, and all The moving things that bring decay By fair green lands or fairer seas, Had touch'd not here for centuries. Lo! date had lost all reckoning, And Time had long forgotten all In this lost land, and no new thing Or old could anywise befall, Or morrows, or a yesterday, For Time went by the other way. The ages have not any course Across this untrack'd waste. The sky Wears here one blue, unbending hue, The heavens one unchanging mood. The far still stars they filter through The heavens, falling bright and bold Against the sands as beams of gold. The wide, white moon forgets her force; The very sun rides round and high, As if to shun this solitude. What dreams of gold or conquest drew The oak-built sea-king to these seas, Ere Earth, old Earth, unsatisfied, Rose up and shook man in disgust From off her wearied breast, and threw And smote his cities down, and dried These measured, town-set seas to dust? Who trod these decks? What captain knew The straits that led to lands like these? Blew south-sea breeze or north-sea breeze? What spiced winds whistled through this sail? What banners stream'd above these seas? And what strange seaman answer'd back To other sea-king's beck and hail, That blew across his foamy track! Sought Jason here the golden fleece? Came Trojan ship or ships of Greece? Came decks dark-mann'd from sultry Ind, Woo'd here by spacious wooing wind? So like a grand, sweet woman, when A great love moves her soul to men? Came here strong ships of Solomon In quest of Ophir by Cathay?... Sit down and dream of seas withdrawn, And every sea-breath drawn away.... Sit down, sit down! What is the good That we go on still fashioning Great iron ships or walls of wood, High masts of oak, or any thing? Lo! all things moving must go by. The sea lies dead. Behold, this land Sits desolate in dust beside His snow-white, seamless shroud of sand; The very clouds have wept and died, And only God is in the sky. XXXVI. The sands lay heaved, as heaved by waves, As fashion'd in a thousand graves: And wrecks of storm blown here and there, And dead men scatter'd everywhere; And strangely clad they seem'd to be Just as they sank in that old sea. The mermaid with her splendid hair Had clung about a wreck's beam there; And sung her song of sweet despair, The time she saw the seas withdrawn And all her home and glory gone: Had sung her melancholy dirge, Above the last receding surge, And, looking down the rippled tide, Had sung, and with her song had died. The monsters of the sea lay bound In strange contortions. Coil'd around A mast half heaved above the sand, The great sea-serpent's folds were found, As solid as ship's iron band. And basking in the burning sun There rose the great whale's skeleton. A thousand sea things stretch'd across Their weary and bewilder'd way: Great unnamed monsters wrinkled lay With sunken eyes and shrunken form. The strong sea-horse that rode the storm With mane as light and white as floss, Lay tangled in his mane of moss. And anchor, hull, and cast-away, And all things that the miser deep Doth in his darkling locker keep, To right and left around them lay. Yea, coins lay there on either hand, Lay shining in the silver sand; As plenty in the wide sands lay As stars along the Milky Way. And golden coin, and golden cup, And golden cruse, and golden plate, And all that great seas swallow up, Right in their dreadful pathway lay.... The hungry and insatiate Old sea, made hoary white with time, And wrinkled cross with many a crime, With all his treasured thefts was there, His sins, his very soul laid bare, As if it were the Judgment Day. XXXVII. And now the tawny night fell soon, And there was neither star nor moon; And yet it seem'd it was not night. There fell a phosphorescent light, There rose from white sands and dead men A soft light, white and fair as when The Spirit of Jehovah moved Upon the water's conscious face, And made it His abiding-place. O mighty waters unreproved! Thou deep! where the Jehovah moved Ere soul of man was called to be! O seas! that were created not As man, as earth, as light, as aught That is. O sea! thou art to me A terror, death, eternity. XXXVIII. I do recall some sad days spent, By borders of the Orient, Days sweet as sad to memory ... 'Twould make a tale. It matters not ... I sought the loneliest seas; I sought The solitude of ruins, and forgot Mine own lone life and littleness Before this fair land's mute distress, That sat within this changeful sea. Slow sailing through the reedy isles, By unknown banks, through unknown bays, Some sunny, summer yesterdays, Where Nature's beauty still beguiles, I saw the storied yellow sail And lifted prow of steely mail. 'Tis all that's left Torcello now,-- A pirate's yellow sail, a prow. Below the far, faint peaks of snow, And grass-grown causeways well below, I touched Torcello. Once a-land, I took a sea-shell in my hand, And blew like any trumpeter. I felt the fig-leaves lift and stir On trees that reached from ruined wall Above my head, but that was all. Back from the farther island shore Came echoes trooping; nothing more. Lo! here stood Adria once, and here Attila came with sword and flame, And set his throne of hollowed stone In her high mart. And it remains Still lord o'er all. Where once the tears Of mute petition fell, the rains Of heaven fall. Lo! all alone There lifts this massive empty throne! The sea has changed his meed, his mood, And made this sedgy solitude. By cattle paths grass-grown and worn, Through marbled streets all stain'd and torn By time and battle, there I walked. A bent old beggar, white as one For better fruitage blossoming, Came on. And as he came he talked Unto himself; for there are none In all his island, old and dim, To answer back or question him. I turned, retraced my steps once more. The hot miasma steamed and rose In deadly vapor from the reeds That grew from out the shallow shore, Where peasants say the sea-horse feeds, And Neptune shapes his horn and blows. I climb'd and sat that throne of stone To contemplate, to dream, to reign; Ay, reign above myself; to call The people of the past again Before me as I sat alone In all my kingdom. There were kine That browsed along the reedy brine, And now and then a tusky boar Would shake the high reeds of the shore, A bird blow by,--but that was all. I watched the lonesome sea-gull pass. I did remember and forget; The past rolled by; I stood alone. I sat the shapely chiselled stone That stands in tall sweet grasses set; Ay, girdle deep in long strong grass, And green Alfalfa. Very fair The heavens were, and still and blue, For Nature knows no changes there. The Alps of Venice, far away Like some half-risen half moon lay. How sweet the grasses at my feet! The smell of clover over sweet. I heard the hum of bees. The bloom Of clover-tops and cherry-trees Were being rifled by the bees, And these were building in a tomb. The fair Alfalfa; such as has Usurped the Occident, and grows With all the sweetness of the rose On Sacramento's sundown hills, Is there, and that mid island fills With fragrance. Yet the smell of death Comes riding in on every breath. Lo! death that is not death, but rest: To step aside, to watch and wait Beside the wave, outside the gate, With all life's pulses in your breast: To absolutely rest, to pray In some lone mountain while you may. That sad sweet fragrance. It had sense, And sound, and voice. It was a part Of that which had possessed my heart, And would not of my will go hence. 'Twas Autumn's breath; 'twas dear as kiss Of any worshipped woman is. Some snails have climb'd the throne and writ Their silver monograms on it In unknown tongues. I sat thereon, I dreamed until the day was gone; I blew again my pearly shell,-- Blew long and strong, and loud and well; I puffed my cheeks, I blew, as when Horn'd satyrs danced the delight of men. Some mouse-brown cows that fed within Looked up. A cowherd rose hard by, My single subject, clad in skin, Nor yet half clad. I caught his eye, He stared at me, then turned and fled. He frightened fled, and as he ran, Like wild beast from the face of man, Across his shoulder threw his head. He gathered up his skin of goat About his breast and hairy throat. He stopped, and then this subject true, Mine only one in lands like these Made desolate by changeful seas, Came back and asked me for a _sou_. XXXIX. And yet again through the watery miles Of reeds I rowed till the desolate isles Of the black bead-makers of Venice are not. I touched where a single sharp tower is shot To heaven, and torn by thunder and rent As if it had been Time's battlement. A city lies dead, and this great gravestone Stands at its head like a ghost alone. Some cherry-trees grow here, and here An old church, simple and severe In ancient aspect, stands alone Amid the ruin and decay, all grown In moss and grasses. Old and quaint, With antique cuts of martyr'd saint, The gray church stands with stooping knees, Defying the decay of seas. Her pictured Hell, with flames blown high, In bright mosaics wrought and set When man first knew the Nubian art, Her bearded saints, as black as jet; Her quaint Madonna, dim with rain And touch of pious lips of pain, So touched my lonesome soul, that I Gazed long, then came and gazed again, And loved, and took her to my heart. Nor monk in black, nor Capuchin, Nor priest of any creed was seen. A sun-browned woman, old and tall, And still as any shadow is, Stole forth from out the mossy wall With massive keys to show me this: Came slowly forth, and following, Three birds--and all with drooping wing. Three mute brown babes of hers; and they-- O, they were beautiful as sleep, Or death, below the troubled deep. And on the pouting lips of these Red corals of the silent seas, Sweet birds, the everlasting seal Of silence that the God has set On this dead island, sits for aye. I would forget, yet not forget Their helpless eloquence. They creep Somehow into my heart, and keep One bleak, cold corner, jewel set. They steal my better self away To them, as little birds that day Stole fruits from out the cherry-trees. So helpless and so wholly still, So sad, so wrapt in mute surprise, That I did love, despite my will. One little maid of ten,--such eyes, So large and lonely, so divine,-- Such pouting lips, such peachy cheek,-- Did lift her perfect eyes to mine, Until our souls did touch and speak; Stood by me all that perfect day, Yet not one sweet word could she say. She turned her melancholy eyes So constant to my own, that I Forgot the going clouds, the sky, Found fellowship, took bread and wine, And so her little soul and mine Stood very near together there. And O, I found her very fair. Yet not one soft word could she say: What did she think of all that day? The sometime song of gondolier Is heard afar. The fishermen Betimes draw net by ruined shore, In full spring time when east winds fall; Then traders row with muffled oar, Tedesca or the turban'd Turk, The pirate, at some midnight work By watery wall,--but that is all. XL. Remote, around the lonesome ship, Old Morgan moved, but knew it not, For neither star nor moon fell down ... I trow that was a lonesome spot He found, where boat and ship did dip In sands like some half-sunken town, And all things rose bat-winged and brown. At last before the leader lay A form that in the night did seem A slain Goliath. As in a dream, He drew aside in his slow pace, And look'd. He saw a sable face, A friend that fell that very day, Thrown straight across his wearied way. He falter'd now. His iron heart, That never yet refused its part, Began to fail him; and his strength Shook at his knees, as shakes the wind A shatter'd ship. His scatter'd mind Ranged up and down the land. At length He turn'd, as ships turn, tempest toss'd, For now he knew that he was lost, And sought in vain the moon, the stars, In vain the battle-star of Mars. Again he moved. And now again He paused, he peer'd along the plain, Another form before him lay. He stood, and statue-white he stood, He trembled like a stormy wood,-- It was a foeman brown and gray. He lifted up his head again, Again he search'd the great profound For moon, for star, but sought in vain. He kept his circle round and round; The great ship lifting from the sand And pointing heavenward like a hand. XLI. And still he crept along the plain, Yet where his foeman dead again Lay in his way he moved around, And soft as if on sacred ground, And did not touch him anywhere. It might have been he had a dread, In his half-crazed and fever'd brain, His mortal foe might wake again If he should dare to touch him there. He circled round the lonesome ship Like some wild beast within a wall, That keeps his paces round and round. The very stillness had a sound; He saw strange somethings rise and dip; He felt the weirdness like a pall Come down and cover him. It seem'd To take a form, take many forms, To talk to him, to reach out arms; Yet on he kept, and silent kept, And as he led he lean'd and slept, And as he slept he talk'd and dream'd. Then shadows follow'd, stopp'd, and stood Bewildered, wandered back again, Came on and then fell to the sand And sinking died. Then other men Did wag their woolly heads and laugh, Then bend their necks and seem to quaff Of cooling waves that careless flow Where woods and long strong grasses grow. Yet on wound Morgan, leaning low, With head upon his breast, and slow As hand upon a dial plate. He did not turn his course or quail, He did not falter, did not fail, Turn right or left or hesitate. Some far-off sounds had lost their way, And seem'd to call to him and pray For help, as if they were affright. It was not day, it seem'd not night, But that dim land that lies between The mournful, faithful face of night And loud and gold-bedazzled day; A night that was not felt but seen. There seem'd not then the ghost of sound. He stepp'd as soft as step the dead; Yet on he led in solemn tread, Bewilder'd, blinded, round and round, About the great black ship that rose Tall-masted as that ship that blows Her ghost below lost Panama,-- The tallest mast man ever saw. Two leaning shadows follow'd him, Their eyes were red, their teeth shone white, Their limbs did lift as shadows swim. Then one went left and one went right, And in the night pass'd out of night; Pass'd through the portals black, unknown, And Morgan totter'd on alone. XLII. And why he still survived the rest, Why still he had the strength to stir, Why still he stood like gnarléd oak That buffets storm and tempest stroke, One cannot say, save but for her, That helpless being on his breast; At rest; that would not let him rest. She did not speak, she did not stir; In rippled currents over her Her black, abundant hair pour'd down Like mantle or some sable gown. That sad, sweet dreamer; she who knew Not any thing of earth at all, Nor cared to know its bane or bliss; That dove that did not touch the land, That knew, yet did not understand. And this may be because she drew Her all of life right from the hand Of God, and did not choose to learn The things that make up earth's concern. Ah! there be souls none understand; Like clouds, they cannot touch the land, Drive as they may by field or town. Then we look wise at this and frown, And we cry, "Fool," and cry, "Take hold Of earth, and fashion gods of gold." ... Unanchor'd ships, they blow and blow, Sail to and fro, and then go down In unknown seas that none shall know, Without one ripple of renown. Poor drifting dreamers sailing by, They seem to only live to die. Call these not fools; the test of worth Is not the hold you have of earth. Lo! there be gentlest souls sea-blown That know not any harbor known. Now it may be the reason is They touch on fairer shores than this. XLIII. And dark-eyed Ina? Nestled there, Half-hidden in her glorious hair, The while its midnight folds fell down From out his great arms nude and brown, She lay against his hairy breast, All motionless as death, below His great white beard like shroud, or snow, As if in everlasting rest. He totter'd side to side to keep Erect and keep his steady tread; He lean'd, he bent to her his head ... "She sleeps uncommon sound," he said, "As if in that eternal sleep, Where cool and watered willows sweep." At last he touch'd a fallen group, Dead fellows tumbled in the sands, Dead foemen, gather'd to the dead. And eager now the man did stoop, Lay down his load and reach his hands, And stretch his form and look steadfast And frightful, and as one aghast And ghostly from his hollow eyes. He lean'd and then he raised his head, And look'd for Vasques, but in vain; He laid his two great arms crosswise, Took breath a time with trembling main, Then peered again along the plain. Lo! from the sands another face, The last that follow'd through the deep, Comes on from out the lonesome place. And Vasques, too, survives! But where? His last bold follower lies there, Thrown straight across old Morgan's track, As if to check him, bid him back. He stands, he does not dare to stir, He watches by his child asleep, He fears, for her: but only her. The man who ever mock'd at death, He hardly dares to draw his breath. Beyond, and still as black despair, A man rose up, stood dark and tall, Stretch'd out his neck, reach'd forth, let fall Dark oaths, and Death stood waiting there. He drew his blade, came straight as death Right up before the follower, The last of Morgan's sable men, While Morgan watched aside by her, And saw his foeman wag his beard And fiercest visage ever seen. The while that dead man lay between. I think no man there drew a breath, I know that no man quail'd or fear'd. The tawny dead man stretch'd between, And Vasques set his foot thereon. The stars were seal'd, the moon was gone, The very darkness cast a shade. The scene was rather heard than seen, The rattle of a single blade.... A right foot rested on the dead, A black hand reach'd and clutch'd a beard, Then neither prayed, nor dreamed of hope ... A fierce face reach'd, a fierce face peer'd ... No bat went whirling overhead, No star fell out of Ethiope.... The dead man lay between them there, The two men glared as tigers glare, The black man held him by the beard. He wound his hand, he held him fast, And tighter held, as if he fear'd The man might 'scape him at the last. Whiles Morgan did not speak or stir, But stood in silent watch by her. Not long.... A light blade lifted, thrust, A blade that leapt and swept about, So wizard-like, like wand in spell, So like a serpent's tongue thrust out ... Thrust twice, thrust thrice, thrust as he fell, Thrust through until it touch'd the dust. Yet ever as he thrust and smote, The black hand like an iron band Did tighten to the gasping throat. He fell, but did not loose his hand; The two fell dead upon the sand. Lo! up and from the fallen forms Two ghosts came forth like cloud of storms. Two tall ghosts stood, and looking back, With hands all bloody, and hands clutch'd, Strode on together, till they touch'd, Along the lonesome, chartless track, Where dim Plutonian darkness fell, Then touch'd the outer rim of hell, And looking back their great despair Sat sadly down as resting there. XLIV. Perchance there was a strength in death; The scene it seem'd to nerve the man To superhuman strength. He rose, Held up his head, began to scan The heavens and to take his breath Right strong and lustily. He now Resumed his load, and with his eye Fixed on a star that filtered through The farther west, pushed bare his brow, And kept his course with head held high, As if he strode his deck and drew His keel below some lifted light That watched the rocky reef at night. How lone he was, how patient she, Upon that lonesome sandy sea! It were a sad, unpleasant sight To follow them through all the night, Until the time they lifted hand, And touched at last a watered land. The turkeys walked the tangled grass, And scarcely turned to let them pass. There was no sign of man, or sign Of savage beast. 'Twas so divine, It seem'd as if the bended skies Were rounded for this Paradise. The large-eyed antelope came down From off their windy hills, and blew Their whistles as they wandered through The open groves of watered wood; Then came as light as if a-wing, And reached their noses wet and brown, And stamped their little feet, and stood Close up before them wondering. What if this were the Eden true, They found in far heart of the new And unnamed westmost world I sing, Where date and history had birth, And man first 'gan his wandering To go the girdles of the earth! It lies a little isle mid land, An island in a sea of sand; With reedy waters and the balm Of an eternal summer air. Some blowy pines toss tall and fair; And there are grasses long and strong, And tropic fruits that never fail: The Manzinetta pulp, the palm, The prickly pear, with all the song Of summer birds. And there the quail Makes nest, and you may hear her call All day from out the chaparral. A land where white man never trod, And Morgan seems some demi-god, That haunts the red man's spirit land. A land where never red man's hand Is lifted up in strife at all. He holds it sacred unto those Who bravely fell before their foes, And rarely dares its desert wall. Here breaks nor sound of strife or sign; Rare times a red man comes this way, Alone, and battle-scarred and gray, And then he bends devout before The maid who keeps the cabin door, And deems her sacred and divine. Within the island's heart, 'tis said, Tall trees are bending down with bread, And that a fountain pure as truth, And deep and mossy bound and fair, Is bubbling from the forest there,-- Perchance the fabled fount of youth! An isle where never cares betide; Where solitude comes not, and where The soul is ever satisfied. An isle where skies are ever fair, Where men keep never date nor day, Where Time has thrown his glass away. This isle is all their own. No more The flight by day, the watch by night. Dark Ina twines about the door The scarlet blooms, the blossoms white, And winds red berries in her hair, And never knows the name of care. She has a thousand birds; they blow In rainbow clouds, in clouds of snow; The birds take berries from her hand; They come and go at her command. She has a thousand pretty birds, That sing her summer songs all day; Small black-hoofed antelope in herds, And squirrels bushy-tail'd and gray, With round and sparkling eyes of pink, And cunning-faced as you can think. She has a thousand busy birds; And is she happy in her isle, With all her feathered friends and herds? For when has Morgan seen her smile? She has a thousand cunning birds, They would build nestings in her hair; She has brown antelope in herds; She never knows the name of care; Why then is she not happy there? All patiently she bears her part; She has a thousand birdlings there, These birds they would build in her hair; But not one bird builds in her heart. She has a thousand birds; yet she Would give ten thousand cheerfully, All bright of plume and loud of tongue, And sweet as ever trilled or sung, For one small fluttered bird to come And sit within her heart, though dumb. She has a thousand birds; yet one Is lost, and, lo! she is undone. She sighs sometimes. She looks away, And yet she does not weep or say. She has a thousand birds. The skies Are fashioned for her paradise; A very queen of fairy land, With all earth's fruitage at command, And yet she does not lift her eyes. She sits upon the water's brink As mournful soul'd as you can think. She has a thousand birds; and yet She will look downward, nor forget The fluttered white-winged turtle dove, The changeful-throated birdling, love, That came, that sang through tropic trees, Then flew for aye across the seas. The waters kiss her feet; above Her head the trees are blossoming, And fragrant with eternal spring. Her birds, her antelope are there, Her birds they would build in her hair; She only waits her birdling, love. She turns, she looks along the plain, Imploring love to come again. Cambridge: Press of John Wilson & Son. End of Project Gutenberg's The Ship in the Desert, by Joaquin Miller *** END OF THIS PROJECT GUTENBERG EBOOK THE SHIP IN THE DESERT *** ***** This file should be named 41955-8.txt or 41955-8.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/1/9/5/41955/ Produced by Greg Bergquist, Mary Akers and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.