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| Chapter 1 | Origin of the Browning Family | 
| Chapter 2 | Robert Browning's Father | 
| Chapter 3 | 1812-1826 | 
| Chapter 4 | 1826-1833 | 
| Chapter 5 | 1833-1835 | 
| Chapter 6 | 1835-1838 | 
| Chapter 7 | 1838-1841 | 
| Chapter 8 | 1841-1844 | 
| Chapter 9 | 1844-1849 | 
| Chapter 10 | 1849-1852 | 
| Chapter 11 | 1852-1855 | 
| Chapter 12 | 1855-1858 | 
| Chapter 13 | 1858-1861 | 
| Chapter 14 | 1861-1863 | 
| Chapter 15 | 1863-1869 | 
| Chapter 16 | 1869-1873 | 
| Chapter 17 | 1873-1878 | 
| Chapter 18 | 1878-1884 | 
| Chapter 19 | 1881-1887 | 
| Chapter 20 | Constancy to Habit | 
| Chapter 21 | Marriage | 
| Chapter 22 | Illness and Death | 
| Conclusion | |
| Index | 
      
 
    
      
 
    
      
 
    
| Transcriber's comments | 
| INTRODUCTORY NOTE | 
| A BLOT IN THE 'SCUTCHEON | 
| ACT I | 
| ACT II | 
| ACT III | 
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
      
 
    
| Introduction— | PAGE | 
| I. The Life of Browning | 7 | 
| II. The Poetry of Browning | 31 | 
| Bibliography | 57 | 
| Chronological Table | 60 | 
| Selections from Browning— | |
| (The figures in parentheses refer to the pages of the Notes.) | |
| Songs from Paracelsus (389) | 65 | 
| Cavalier Tunes (391) | 69 | 
| The Lost Leader (391) | 72 | 
| "How They Brought the Good News" (392) | 73 | 
| The Flower's Name (393) | 76 | 
| Meeting at Night (393) | 78 | 
| Parting at Morning (393) | 78 | 
| Evelyn Hope (393) | 78 | 
| Love Among the Ruins (394) | 81 | 
| Up at a Villa—Down in the City (394) | 84 | 
| A Toccata of Galuppi's (395) | 88 | 
| Old Pictures in Florence (396) | 91 | 
| "De Gustibus—" (399) | 101 | 
| Home-Thoughts, from Abroad (399) | 103 | 
| Home-Thoughts, from the Sea (400) | 104 | 
| Saul (400) | 105 | 
| My Star (402) | 126 | 
| Two in the Campagna (403) | 126 | 
| In Three Days (403) | 129 | 
| The Guardian-Angel (403) | 130 | 
| Memorabilia (404) | 132 | 
| Incident of the French Camp (404) | 133 | 
| My Last Duchess (404) | 135 | 
| The Boy and the Angel (404) | 137 | 
| The Pied Piper of Hamelin (404) | 141 | 
| The Flight of the Duchess (405) | 152 | 
| A Grammarian's Funeral (406) | 183 | 
| "Childe Roland to the Dark Tower Came" (407) | 189 | 
| How It Strikes a Contemporary (409) | 196 | 
| Fra Lippo Lippi (409) | 200 | 
| Andrea Del Sarto (413) | 213 | 
| The Bishop Orders His Tomb at Saint Praxed's Church (414) | 222 | 
| Cleon (416) | 227 | 
| One Word More (417) | 239 | 
| Abt Vogler (419) | 247 | 
| Rabbi Ben Ezra (422) | 253 | 
| Caliban Upon Setebos (423) | 260 | 
| May and Death (425) | 271 | 
| Prospice (425) | 272 | 
| A Face (425) | 273 | 
| O Lyric Love (425) | 274 | 
| Prologue to Pacchiarotto (425) | 275 | 
| House (426) | 276 | 
| Shop (426) | 278 | 
| Hervé Riel (426) | 282 | 
| Good to Forgive (427) | 289 | 
| "Such a Starved Bank of Moss" (427) | 290 | 
| Epilogue to the Two Poets of Croisic (427) | 290 | 
| Pheidippides (427) | 295 | 
| Muléykeh (428) | 302 | 
| Wanting Is—What? (428) | 309 | 
| Never the Time and the Place (428) | 310 | 
| The Patriot (429) | 311 | 
| Instans Tyrannus (429) | 312 | 
| The Italian in England (430) | 315 | 
| "Round Us the Wild Creatures" (431) | 321 | 
| Prologue to Asolando (431) | 321 | 
| Summum Bonum (431) | 323 | 
| Epilogue to Asolando (431) | 324 | 
| Pippa Passes (431) | 325 | 
| Notes | 389 | 
      
 
    
      
 
    
| PAGE | |
| The Pied Piper of Hamelin | 11 | 
| Hervé Riel | 24 | 
| Cavalier Tunes | 31 | 
| “How They Brought the Good News from Ghent to Aix” | 34 | 
| Through the Metidja to Abd-el-kadr | 37 | 
| Incident of the French Camp | 39 | 
| Clive | 41 | 
| Muléykeh | 59 | 
| Tray | 68 | 
| A Tale | 70 | 
| Gold Hair | 75 | 
| Donald | 82 | 
| The Glove | 90 | 
| PAGE | |
| The Pied Piper of Hamelin | Frontispiece | 
| “‘Leave to go and see my wife, whom I call the Belle Aurore’” | 30 | 
| “I galloped, Dirck galloped, we galloped all three” | 34 | 
| “A rider bound on bound full galloping, nor bridle drew until he reached the mound” | 39 | 
| “Hair, such a wonder of flix and floss” | 75 | 
| “And full in the face of its owner flung the glove” | 95 | 
      
 
    
      
 
    
      
 
    
| PAGE | |
| BIOGRAPHICAL SKETCH | ix | 
| PAULINE: A FRAGMENT OF A CONFESSION | 1 | 
| Sonnet: "Eyes, calm beside thee, (Lady, couldst thou know!)" | 11 | 
| PARACELSUS. | |
| I. Paracelsus aspires | 12 | 
| II. Paracelsus attains | 19 | 
| III. Paracelsus | 25 | 
| IV. Paracelsus aspires | 34 | 
| V. Paracelsus attains | 40 | 
| STRAFFORD: A TRAGEDY | 49 | 
| SORDELLO | 74 | 
| PIPPA PASSES: A DRAMA | 128 | 
| KING VICTOR AND KING CHARLES: A TRAGEDY | 145 | 
| DRAMATIC LYRICS. | |
| Cavalier Tunes. | |
| I. Marching Along | 163 | 
| II. Give a Rouse | 163 | 
| III. Boot and Saddle | 163 | 
| The Lost Leader | 164 | 
| "How they brought the Good News from Ghent to Aix" | 164 | 
| Through the Metidja to Abd-el-Kadr | 165 | 
| Nationality in Drinks | 166 | 
| Garden Fancies. | |
| I. The Flower's Name | 166 | 
| II. Sibrandus Schafnaburgensis | 167 | 
| Soliloquy of the Spanish Cloister | 167 | 
| The Laboratory | 168 | 
| The Confessional | 169 | 
| Cristina | 169 | 
| The Lost Mistress | 170 | 
| Earth's Immortalities | 170 | 
| Meeting at Night | 170 | 
| Parting at Morning | 170 | 
| Song: "Nay but you, who do not love her" | 170 | 
| A Woman's Last Word | 171 | 
| Evelyn Hope | 171 | 
| Love among the Ruins | 171 | 
| A Lovers' Quarrel | 172 | 
| Up at a Villa—Down in the City | 174 | 
| A Toccata of Galuppi's | 175 | 
| Old Pictures in Florence | 176 | 
| "De Gustibus—" | 178 | 
| Home-Thoughts, from Abroad | 179 | 
| Home-Thoughts, from the Sea | 179 | 
| Saul | 179 | 
| My Star | 184 | 
| By the Fireside | 185 | 
| Any Wife to Any Husband | 187 | 
| Two in the Campagna | 189 | 
| Misconceptions | 189 | 
| A Serenade at the Villa | 189 | 
| One Way of Love | 190 | 
| Another Way of Love | 190 | 
| A Pretty Woman | 190 | 
| Respectability | 191 | 
| Love in a Life | 191 | 
| Life in a Love | 191 | 
| In Three Days | 192 | 
| In a Year | 192 | 
| Women and Roses | 193 | 
| Before | 193 | 
| After | 194 | 
| The Guardian-Angel | 194 | 
| Memorabilia | 195 | 
| Popularity | 195 | 
| Master Hughes of Saxe-Gotha | 195 | 
| THE RETURN OF THE DRUSES | 197 | 
| A BLOT IN THE 'SCUTCHEON | 216 | 
| COLOMBE'S BIRTHDAY | 230 | 
| DRAMATIC ROMANCES. | |
| Incident of the French Camp | 251 | 
| The Patriot | 251 | 
| My Last Duchess | 252 | 
| Count Gismond | 252 | 
| The Boy and the Angel | 253 | 
| Instans Tyrannus | 254 | 
| Mesmerism | 255 | 
| The Glove | 256 | 
| Time's Revenges | 258 | 
| The Italian in England | 258 | 
| The Englishman in Italy | 260[vi] | 
| In a Gondola | 262 | 
| Waring | 264 | 
| The Twins | 266 | 
| A Light Woman | 267 | 
| The Last Ride Together | 267 | 
| The Pied Piper of Hamelin | 268 | 
| The Flight of the Duchess | 271 | 
| A Grammarian's Funeral | 279 | 
| The Heretic's Tragedy | 280 | 
| Holy-Cross Day | 281 | 
| Protus | 283 | 
| The Statue and the Bust | 283 | 
| Porphyria's Lover | 286 | 
| "Childe Roland to the Dark Tower Came" | 287 | 
| A SOUL'S TRAGEDY | 289 | 
| LURIA | 299 | 
| CHRISTMAS-EVE AND EASTER-DAY. | |
| Christmas-Eve | 316 | 
| Easter-Day | 327 | 
| MEN AND WOMEN. | |
| "Transcendentalism: A Poem in Twelve Books" | 335 | 
| How It Strikes a Contemporary | 336 | 
| Artemis Prologizes | 337 | 
| 
          An Epistle, containing the Strange Medical
          Experience of Karshish, the Arab Physician  | 
        338 | 
| Johannes Agricola in Meditation | 341 | 
| Pictor Ignotus | 341 | 
| Fra Lippo Lippi | 342 | 
| Andrea del Sarto | 346 | 
| The Bishop orders his Tomb at Saint Praxed's Church | 348 | 
| Bishop Blougram's Apology | 349 | 
| Cleon | 358 | 
| Rudel To the Lady of Tripoli | 361 | 
| One Word More | 361 | 
| IN A BALCONY | 364 | 
| Ben Karshook's Wisdom | 372 | 
| DRAMATIS PERSONÃ?. | |
| James Lee's Wife. | |
| I. James Lee's Wife speaks at the Window | 373 | 
| II. By the Fireside | 373 | 
| III. In the Doorway | 373 | 
| IV. Along the Beach | 374 | 
| V. On the Cliff | 374 | 
| VI. Reading a Book, under the Cliff | 374 | 
| VII. Among the Rocks | 375 | 
| VIII. Beside the Drawing-Board | 375 | 
| IX. On Deck | 376 | 
| Gold Hair: a Story of Pornic | 376 | 
| The Worst of It | 378 | 
| Dîs Aliter Visum; or, Le Byron de Nos Jours | 379 | 
| Too Late | 380 | 
| 
          Abt Vogler, after he has been extemporizing upon
          the Musical Instrument of his Invention  | 
        382 | 
| Rabbi Ben Ezra | 383 | 
| A Death in the Desert | 385 | 
| Caliban upon Setebos; or, Natural Theology in the Island | 392 | 
| Confessions | 394 | 
| May and Death | 395 | 
| Deaf and Dumb: a Group by Woolner | 395 | 
| Prospice | 395 | 
| Eurydice to Orpheus: a Picture by Leighton | 395 | 
| Youth and Art | 396 | 
| A Face | 396 | 
| A Likeness | 396 | 
| Mr. Sludge, "the Medium" | 397 | 
| Apparent Failure | 412 | 
| Epilogue | 413 | 
| THE RING AND THE BOOK. | |
| I. The Ring and the Book | 414 | 
| II. Half-Rome | 427 | 
| III. The Other Half-Rome | 441 | 
| IV. Tertium Quid | 456 | 
| V. Count Guido Franceschini | 471 | 
| VI. Giuseppe Caponsacchi | 489 | 
| VII. Pompilia | 508 | 
| VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator | 525 | 
| 
          IX. Juris Doctor Johannes-Baptista Bottinius,
          Fisci et Rev. Cam. Apostol. Advocatus  | 
        540 | 
| X. The Pope | 554 | 
| XI. Guido | 572 | 
| XII. The Book and the Ring | 594 | 
| Helen's Tower | 601 | 
| BALAUSTION'S ADVENTURE, including a Transcript from Euripides, | 602 | 
| 
          ARISTOPHANES' APOLOGY, including a Transcript from
          Euripides, being the Last Adventure of Balaustion  | 
        628 | 
| PRINCE HOHENSTIEL-SCHWANGAU, SAVIOUR OF SOCIETY | 681 | 
| FIFINE AT THE FAIR. | |
| Prologue | 701 | 
| Fifine at the Fair | 702 | 
| Epilogue | 735 | 
| RED COTTON NIGHT-CAP COUNTRY; OR TURF AND TOWERS | 736[vii] | 
| THE INN ALBUM | 773 | 
| PACCHIAROTTO, WITH OTHER POEMS. | |
| Prologue | 802 | 
| Of Pacchiarotto, and how he worked in Distemper | 802 | 
| At the "Mermaid" | 807 | 
| House | 808 | 
| Shop | 809 | 
| Pisgah-Sights | 810 | 
| Fears and Scruples | 811 | 
| Natural Magic | 811 | 
| Magical Nature | 812 | 
| Bifurcation | 812 | 
| Numpholeptos | 812 | 
| Appearances | 814 | 
| St. Martin's Summer | 814 | 
| Herve Riel | 815 | 
| A Forgiveness | 817 | 
| Cenciaja | 820 | 
| Filippo Baldinucci on the Privilege of Burial | 823 | 
| Epilogue | 827 | 
| THE AGAMEMNON OF Ã?SCHYLUS | 830 | 
| LA SAISIAZ | 849 | 
| THE TWO POETS OF CROISIC | 859 | 
| Oh Love! Love | 874 | 
| DRAMATIC IDYLS: FIRST SERIES. | |
| Martin Relph | 875 | 
| Pheidippides | 877 | 
| Halbert and Hob | 879 | 
| Ivan Ivanovitch | 880 | 
| Tray | 887 | 
| Ned Bratts | 887 | 
| DRAMATIC IDYLS: SECOND SERIES. | |
| Prologue | 892 | 
| Echetlos | 892 | 
| Clive | 893 | 
| Muléykeh | 897 | 
| Pietro of Abano | 899 | 
| Doctor —— | 906 | 
| Pan and Luna | 909 | 
| Touch him ne'er so lightly | 910 | 
| The Blind Man to the Maiden | 910 | 
| Goldoni | 910 | 
| JOCOSERIA. | |
| Wanting is—What? | 911 | 
| Donald | 911 | 
| Solomon and Balkis | 913 | 
| Cristina and Monaldeschi | 914 | 
| Mary Wollstonecraft and Fuseli | 916 | 
| Adam, Lilith, and Eve | 916 | 
| Ixion | 916 | 
| Jochanan Hakkadosh | 918 | 
| Never the Time and the Place | 928 | 
| Pambo | 928 | 
| FERISHTAH'S FANCIES. | |
| Prologue | 929 | 
| I. The Eagle | 929 | 
| II. The Melon-Seller | 930 | 
| III. Shah Abbas | 930 | 
| IV. The Family | 932 | 
| V. The Sun | 933 | 
| VI. Mihrab Shah | 934 | 
| VII. A Camel-Driver | 936 | 
| VIII. Two Camels | 937 | 
| IX. Cherries | 938 | 
| X. Plot-Culture | 939 | 
| XI. A Pillar at Sebzevar | 940 | 
| XII. A Bean-Stripe: also Apple-Eating | 942 | 
| Epilogue | 946 | 
| Rawdon Brown | 947 | 
| The Founder of the Feast | 947 | 
| The Names | 947 | 
| Epitaph on Levi Lincoln Thaxter | 947 | 
| Why I am a Liberal | 948 | 
| PARLEYINGS WITH CERTAIN PEOPLE OF IMPORTANCE IN THEIR DAY. | |
| Apollo and the Fates | 948 | 
| With Bernard de Mandeville | 952 | 
| With Daniel Bartoli | 955 | 
| With Christopher Smart | 959 | 
| With George Bubb Dodington | 961 | 
| With Francis Furini | 964 | 
| With Gerard de Lairesse | 970 | 
| With Charles Avison | 974 | 
| Fust and his Friends: an Epilogue | 979 | 
| ASOLANDO: FANCIES AND FACTS. | |
| Prologue | 987 | 
| Rosny | 987 | 
| Dubiety | 987 | 
| Now | 988 | 
| Humility | 988 | 
| Poetics | 988 | 
| Summum Bonum | 988 | 
| A Pearl, a Girl | 988 | 
| Speculative | 988 | 
| White Witchcraft | 989 | 
| Bad Dreams. I. | 989 | 
| Bad Dreams. II. | 989 | 
| Bad Dreams. III. | 990 | 
| Bad Dreams. IV. | 990 | 
| Inapprehensiveness | 991 | 
| Which? | 991 | 
| The Cardinal and the Dog | 991 | 
| The Pope and the Net | 992 | 
| The Bean-Feast | 992 | 
| Muckle-Mouth Meg | 993 | 
| Arcades Ambo | 993 | 
| The Lady and the Painter | 993[viii] | 
| Ponte dell' Angelo, Venice | 994 | 
| Beatrice Signorini | 996 | 
| Flute-Music, with an Accompaniment | 999 | 
| "Imperante Augusto natus est—" | 1001 | 
| Development | 1002 | 
| Rephan | 1003 | 
| Reverie | 1005 | 
| Epilogue | 1007 | 
| APPENDIX. | |
| I. An Essay on Shelley | 1008 | 
| II. Notes and Illustrations | 1014 | 
| III. A List of Mr. Browning's Poems and Dramas, arranged in the order of | |
| first publication in book form | 1023 | 
| INDEX OF FIRST LINES OF POEMS | 1027 | 
| GENERAL INDEX OF TITLES | 1031 |