The Project Gutenberg EBook of The History of Don Quixote, Vol. II., Part 32, by Miguel de Cervantes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The History of Don Quixote, Vol. II., Part 32 Author: Miguel de Cervantes Saavedra Release Date: July 25, 2004 [EBook #5935] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 32 *** Produced by David Widger DON QUIXOTE Volume II. Part 32. by Miguel de Cervantes Translated by John Ormsby CHAPTER XLVI. OF THE TERRIBLE BELL AND CAT FRIGHT THAT DON QUIXOTE GOT IN THE COURSE OF THE ENAMOURED ALTISIDORA'S WOOING We left Don Quixote wrapped up in the reflections which the music of the enamourned maid Altisidora had given rise to. He went to bed with them, and just like fleas they would not let him sleep or get a moment's rest, and the broken stitches of his stockings helped them. But as Time is fleet and no obstacle can stay his course, he came riding on the hours, and morning very soon arrived. Seeing which Don Quixote quitted the soft down, and, nowise slothful, dressed himself in his chamois suit and put on his travelling boots to hide the disaster to his stockings. He threw over him his scarlet mantle, put on his head a montera of green velvet trimmed with silver edging, flung across his shoulder the baldric with his good trenchant sword, took up a large rosary that he always carried with him, and with great solemnity and precision of gait proceeded to the antechamber where the duke and duchess were already dressed and waiting for him. But as he passed through a gallery, Altisidora and the other damsel, her friend, were lying in wait for him, and the instant Altisidora saw him she pretended to faint, while her friend caught her in her lap, and began hastily unlacing the bosom of her dress. Don Quixote observed it, and approaching them said, "I know very well what this seizure arises from." "I know not from what," replied the friend, "for Altisidora is the healthiest damsel in all this house, and I have never heard her complain all the time I have known her. A plague on all the knights-errant in the world, if they be all ungrateful! Go away, Senor Don Quixote; for this poor child will not come to herself again so long as you are here." To which Don Quixote returned, "Do me the favour, senora, to let a lute be placed in my chamber to-night; and I will comfort this poor maiden to the best of my power; for in the early stages of love a prompt disillusion is an approved remedy;" and with this he retired, so as not to be remarked by any who might see him there. He had scarcely withdrawn when Altisidora, recovering from her swoon, said to her companion, "The lute must be left, for no doubt Don Quixote intends to give us some music; and being his it will not be bad." They went at once to inform the duchess of what was going on, and of the lute Don Quixote asked for, and she, delighted beyond measure, plotted with the duke and her two damsels to play him a trick that should be amusing but harmless; and in high glee they waited for night, which came quickly as the day had come; and as for the day, the duke and duchess spent it in charming conversation with Don Quixote. When eleven o'clock came, Don Quixote found a guitar in his chamber; he tried it, opened the window, and perceived that some persons were walking in the garden; and having passed his fingers over the frets of the guitar and tuned it as well as he could, he spat and cleared his chest, and then with a voice a little hoarse but full-toned, he sang the following ballad, which he had himself that day composed: Mighty Love the hearts of maidens Doth unsettle and perplex, And the instrument he uses Most of all is idleness. Sewing, stitching, any labour, Having always work to do, To the poison Love instilleth Is the antidote most sure. And to proper-minded maidens Who desire the matron's name Modesty's a marriage portion, Modesty their highest praise. Men of prudence and discretion, Courtiers gay and gallant knights, With the wanton damsels dally, But the modest take to wife. There are passions, transient, fleeting, Loves in hostelries declar'd, Sunrise loves, with sunset ended, When the guest hath gone his way. Love that springs up swift and sudden, Here to-day, to-morrow flown, Passes, leaves no trace behind it, Leaves no image on the soul. Painting that is laid on painting Maketh no display or show; Where one beauty's in possession There no other can take hold. Dulcinea del Toboso Painted on my heart I wear; Never from its tablets, never, Can her image be eras'd. The quality of all in lovers Most esteemed is constancy; 'T is by this that love works wonders, This exalts them to the skies. Don Quixote had got so far with his song, to which the duke, the duchess, Altisidora, and nearly the whole household of the castle were listening, when all of a sudden from a gallery above that was exactly over his window they let down a cord with more than a hundred bells attached to it, and immediately after that discharged a great sack full of cats, which also had bells of smaller size tied to their tails. Such was the din of the bells and the squalling of the cats, that though the duke and duchess were the contrivers of the joke they were startled by it, while Don Quixote stood paralysed with fear; and as luck would have it, two or three of the cats made their way in through the grating of his chamber, and flying from one side to the other, made it seem as if there was a legion of devils at large in it. They extinguished the candles that were burning in the room, and rushed about seeking some way of escape; the cord with the large bells never ceased rising and falling; and most of the people of the castle, not knowing what was really the matter, were at their wits' end with astonishment. Don Quixote sprang to his feet, and drawing his sword, began making passes at the grating, shouting out, "Avaunt, malignant enchanters! avaunt, ye witchcraft-working rabble! I am Don Quixote of La Mancha, against whom your evil machinations avail not nor have any power." And turning upon the cats that were running about the room, he made several cuts at them. They dashed at the grating and escaped by it, save one that, finding itself hard pressed by the slashes of Don Quixote's sword, flew at his face and held on to his nose tooth and nail, with the pain of which he began to shout his loudest. The duke and duchess hearing this, and guessing what it was, ran with all haste to his room, and as the poor gentleman was striving with all his might to detach the cat from his face, they opened the door with a master-key and went in with lights and witnessed the unequal combat. The duke ran forward to part the combatants, but Don Quixote cried out aloud, "Let no one take him from me; leave me hand to hand with this demon, this wizard, this enchanter; I will teach him, I myself, who Don Quixote of La Mancha is." The cat, however, never minding these threats, snarled and held on; but at last the duke pulled it off and flung it out of the window. Don Quixote was left with a face as full of holes as a sieve and a nose not in very good condition, and greatly vexed that they did not let him finish the battle he had been so stoutly fighting with that villain of an enchanter. They sent for some oil of John's wort, and Altisidora herself with her own fair hands bandaged all the wounded parts; and as she did so she said to him in a low voice. "All these mishaps have befallen thee, hardhearted knight, for the sin of thy insensibility and obstinacy; and God grant thy squire Sancho may forget to whip himself, so that that dearly beloved Dulcinea of thine may never be released from her enchantment, that thou mayest never come to her bed, at least while I who adore thee am alive." To all this Don Quixote made no answer except to heave deep sighs, and then stretched himself on his bed, thanking the duke and duchess for their kindness, not because he stood in any fear of that bell-ringing rabble of enchanters in cat shape, but because he recognised their good intentions in coming to his rescue. The duke and duchess left him to repose and withdrew greatly grieved at the unfortunate result of the joke; as they never thought the adventure would have fallen so heavy on Don Quixote or cost him so dear, for it cost him five days of confinement to his bed, during which he had another adventure, pleasanter than the late one, which his chronicler will not relate just now in order that he may turn his attention to Sancho Panza, who was proceeding with great diligence and drollery in his government. CHAPTER XLVII. WHEREIN IS CONTINUED THE ACCOUNT OF HOW SANCHO PANZA CONDUCTED HIMSELF IN HIS GOVERNMENT The history says that from the justice court they carried Sancho to a sumptuous palace, where in a spacious chamber there was a table laid out with royal magnificence. The clarions sounded as Sancho entered the room, and four pages came forward to present him with water for his hands, which Sancho received with great dignity. The music ceased, and Sancho seated himself at the head of the table, for there was only that seat placed, and no more than one cover laid. A personage, who it appeared afterwards was a physician, placed himself standing by his side with a whalebone wand in his hand. They then lifted up a fine white cloth covering fruit and a great variety of dishes of different sorts; one who looked like a student said grace, and a page put a laced bib on Sancho, while another who played the part of head carver placed a dish of fruit before him. But hardly had he tasted a morsel when the man with the wand touched the plate with it, and they took it away from before him with the utmost celerity. The carver, however, brought him another dish, and Sancho proceeded to try it; but before he could get at it, not to say taste it, already the wand had touched it and a page had carried it off with the same promptitude as the fruit. Sancho seeing this was puzzled, and looking from one to another asked if this dinner was to be eaten after the fashion of a jugglery trick. To this he with the wand replied, "It is not to be eaten, senor governor, except as is usual and customary in other islands where there are governors. I, senor, am a physician, and I am paid a salary in this island to serve its governors as such, and I have a much greater regard for their health than for my own, studying day and night and making myself acquainted with the governor's constitution, in order to be able to cure him when he falls sick. The chief thing I have to do is to attend at his dinners and suppers and allow him to eat what appears to me to be fit for him, and keep from him what I think will do him harm and be injurious to his stomach; and therefore I ordered that plate of fruit to be removed as being too moist, and that other dish I ordered to be removed as being too hot and containing many spices that stimulate thirst; for he who drinks much kills and consumes the radical moisture wherein life consists." "Well then," said Sancho, "that dish of roast partridges there that seems so savoury will not do me any harm." To this the physician replied, "Of those my lord the governor shall not eat so long as I live." "Why so?" said Sancho. "Because," replied the doctor, "our master Hippocrates, the polestar and beacon of medicine, says in one of his aphorisms omnis saturatio mala, perdicis autem pessima, which means 'all repletion is bad, but that of partridge is the worst of all." "In that case," said Sancho, "let senor doctor see among the dishes that are on the table what will do me most good and least harm, and let me eat it, without tapping it with his stick; for by the life of the governor, and so may God suffer me to enjoy it, but I'm dying of hunger; and in spite of the doctor and all he may say, to deny me food is the way to take my life instead of prolonging it." "Your worship is right, senor governor," said the physician; "and therefore your worship, I consider, should not eat of those stewed rabbits there, because it is a furry kind of food; if that veal were not roasted and served with pickles, you might try it; but it is out of the question." "That big dish that is smoking farther off," said Sancho, "seems to me to be an olla podrida, and out of the diversity of things in such ollas, I can't fail to light upon something tasty and good for me." "Absit," said the doctor; "far from us be any such base thought! There is nothing in the world less nourishing than an olla podrida; to canons, or rectors of colleges, or peasants' weddings with your ollas podridas, but let us have none of them on the tables of governors, where everything that is present should be delicate and refined; and the reason is, that always, everywhere and by everybody, simple medicines are more esteemed than compound ones, for we cannot go wrong in those that are simple, while in the compound we may, by merely altering the quantity of the things composing them. But what I am of opinion the governor should cat now in order to preserve and fortify his health is a hundred or so of wafer cakes and a few thin slices of conserve of quinces, which will settle his stomach and help his digestion." Sancho on hearing this threw himself back in his chair and surveyed the doctor steadily, and in a solemn tone asked him what his name was and where he had studied. He replied, "My name, senor governor, is Doctor Pedro Recio de Aguero I am a native of a place called Tirteafuera which lies between Caracuel and Almodovar del Campo, on the right-hand side, and I have the degree of doctor from the university of Osuna." To which Sancho, glowing all over with rage, returned, "Then let Doctor Pedro Recio de Malaguero, native of Tirteafuera, a place that's on the right-hand side as we go from Caracuel to Almodovar del Campo, graduate of Osuna, get out of my presence at once; or I swear by the sun I'll take a cudgel, and by dint of blows, beginning with him, I'll not leave a doctor in the whole island; at least of those I know to be ignorant; for as to learned, wise, sensible physicians, them I will reverence and honour as divine persons. Once more I say let Pedro Recio get out of this or I'll take this chair I am sitting on and break it over his head. And if they call me to account for it, I'll clear myself by saying I served God in killing a bad doctor--a general executioner. And now give me something to eat, or else take your government; for a trade that does not feed its master is not worth two beans." The doctor was dismayed when he saw the governor in such a passion, and he would have made a Tirteafuera out of the room but that the same instant a post-horn sounded in the street; and the carver putting his head out of the window turned round and said, "It's a courier from my lord the duke, no doubt with some despatch of importance." The courier came in all sweating and flurried, and taking a paper from his bosom, placed it in the governor's hands. Sancho handed it to the majordomo and bade him read the superscription, which ran thus: To Don Sancho Panza, Governor of the Island of Barataria, into his own hands or those of his secretary. Sancho when he heard this said, "Which of you is my secretary?" "I am, senor," said one of those present, "for I can read and write, and am a Biscayan." "With that addition," said Sancho, "you might be secretary to the emperor himself; open this paper and see what it says." The new-born secretary obeyed, and having read the contents said the matter was one to be discussed in private. Sancho ordered the chamber to be cleared, the majordomo and the carver only remaining; so the doctor and the others withdrew, and then the secretary read the letter, which was as follows: It has come to my knowledge, Senor Don Sancho Panza, that certain enemies of mine and of the island are about to make a furious attack upon it some night, I know not when. It behoves you to be on the alert and keep watch, that they surprise you not. I also know by trustworthy spies that four persons have entered the town in disguise in order to take your life, because they stand in dread of your great capacity; keep your eyes open and take heed who approaches you to address you, and eat nothing that is presented to you. I will take care to send you aid if you find yourself in difficulty, but in all things you will act as may be expected of your judgment. From this place, the Sixteenth of August, at four in the morning. Your friend, THE DUKE Sancho was astonished, and those who stood by made believe to be so too, and turning to the majordomo he said to him, "What we have got to do first, and it must be done at once, is to put Doctor Recio in the lock-up; for if anyone wants to kill me it is he, and by a slow death and the worst of all, which is hunger." "Likewise," said the carver, "it is my opinion your worship should not eat anything that is on this table, for the whole was a present from some nuns; and as they say, 'behind the cross there's the devil.'" "I don't deny it," said Sancho; "so for the present give me a piece of bread and four pounds or so of grapes; no poison can come in them; for the fact is I can't go on without eating; and if we are to be prepared for these battles that are threatening us we must be well provisioned; for it is the tripes that carry the heart and not the heart the tripes. And you, secretary, answer my lord the duke and tell him that all his commands shall be obeyed to the letter, as he directs; and say from me to my lady the duchess that I kiss her hands, and that I beg of her not to forget to send my letter and bundle to my wife Teresa Panza by a messenger; and I will take it as a great favour and will not fail to serve her in all that may lie within my power; and as you are about it you may enclose a kiss of the hand to my master Don Quixote that he may see I am grateful bread; and as a good secretary and a good Biscayan you may add whatever you like and whatever will come in best; and now take away this cloth and give me something to eat, and I'll be ready to meet all the spies and assassins and enchanters that may come against me or my island." At this instant a page entered saying, "Here is a farmer on business, who wants to speak to your lordship on a matter of great importance, he says." "It's very odd," said Sancho, "the ways of these men on business; is it possible they can be such fools as not to see that an hour like this is no hour for coming on business? We who govern and we who are judges--are we not men of flesh and blood, and are we not to be allowed the time required for taking rest, unless they'd have us made of marble? By God and on my conscience, if the government remains in my hands (which I have a notion it won't), I'll bring more than one man on business to order. However, tell this good man to come in; but take care first of all that he is not some spy or one of my assassins." "No, my lord," said the page, "for he looks like a simple fellow, and either I know very little or he is as good as good bread." "There is nothing to be afraid of," said the majordomo, "for we are all here." "Would it be possible, carver," said Sancho, "now that Doctor Pedro Recio is not here, to let me eat something solid and substantial, if it were even a piece of bread and an onion?" "To-night at supper," said the carver, "the shortcomings of the dinner shall be made good, and your lordship shall be fully contented." "God grant it," said Sancho. The farmer now came in, a well-favoured man that one might see a thousand leagues off was an honest fellow and a good soul. The first thing he said was, "Which is the lord governor here?" "Which should it be," said the secretary, "but he who is seated in the chair?" "Then I humble myself before him," said the farmer; and going on his knees he asked for his hand, to kiss it. Sancho refused it, and bade him stand up and say what he wanted. The farmer obeyed, and then said, "I am a farmer, senor, a native of Miguelturra, a village two leagues from Ciudad Real." "Another Tirteafuera!" said Sancho; "say on, brother; I know Miguelturra very well I can tell you, for it's not very far from my own town." "The case is this, senor," continued the farmer, "that by God's mercy I am married with the leave and licence of the holy Roman Catholic Church; I have two sons, students, and the younger is studying to become bachelor, and the elder to be licentiate; I am a widower, for my wife died, or more properly speaking, a bad doctor killed her on my hands, giving her a purge when she was with child; and if it had pleased God that the child had been born, and was a boy, I would have put him to study for doctor, that he might not envy his brothers the bachelor and the licentiate." "So that if your wife had not died, or had not been killed, you would not now be a widower," said Sancho. "No, senor, certainly not," said the farmer. "We've got that much settled," said Sancho; "get on, brother, for it's more bed-time than business-time." "Well then," said the farmer, "this son of mine who is going to be a bachelor, fell in love in the said town with a damsel called Clara Perlerina, daughter of Andres Perlerino, a very rich farmer; and this name of Perlerines does not come to them by ancestry or descent, but because all the family are paralytics, and for a better name they call them Perlerines; though to tell the truth the damsel is as fair as an Oriental pearl, and like a flower of the field, if you look at her on the right side; on the left not so much, for on that side she wants an eye that she lost by small-pox; and though her face is thickly and deeply pitted, those who love her say they are not pits that are there, but the graves where the hearts of her lovers are buried. She is so cleanly that not to soil her face she carries her nose turned up, as they say, so that one would fancy it was running away from her mouth; and with all this she looks extremely well, for she has a wide mouth; and but for wanting ten or a dozen teeth and grinders she might compare and compete with the comeliest. Of her lips I say nothing, for they are so fine and thin that, if lips might be reeled, one might make a skein of them; but being of a different colour from ordinary lips they are wonderful, for they are mottled, blue, green, and purple--let my lord the governor pardon me for painting so minutely the charms of her who some time or other will be my daughter; for I love her, and I don't find her amiss." "Paint what you will," said Sancho; "I enjoy your painting, and if I had dined there could be no dessert more to my taste than your portrait." "That I have still to furnish," said the farmer; "but a time will come when we may be able if we are not now; and I can tell you, senor, if I could paint her gracefulness and her tall figure, it would astonish you; but that is impossible because she is bent double with her knees up to her mouth; but for all that it is easy to see that if she could stand up she'd knock her head against the ceiling; and she would have given her hand to my bachelor ere this, only that she can't stretch it out, for it's contracted; but still one can see its elegance and fine make by its long furrowed nails." "That will do, brother," said Sancho; "consider you have painted her from head to foot; what is it you want now? Come to the point without all this beating about the bush, and all these scraps and additions." "I want your worship, senor," said the farmer, "to do me the favour of giving me a letter of recommendation to the girl's father, begging him to be so good as to let this marriage take place, as we are not ill-matched either in the gifts of fortune or of nature; for to tell the truth, senor governor, my son is possessed of a devil, and there is not a day but the evil spirits torment him three or four times; and from having once fallen into the fire, he has his face puckered up like a piece of parchment, and his eyes watery and always running; but he has the disposition of an angel, and if it was not for belabouring and pummelling himself he'd be a saint." "Is there anything else you want, good man?" said Sancho. "There's another thing I'd like," said the farmer, "but I'm afraid to mention it; however, out it must; for after all I can't let it be rotting in my breast, come what may. I mean, senor, that I'd like your worship to give me three hundred or six hundred ducats as a help to my bachelor's portion, to help him in setting up house; for they must, in short, live by themselves, without being subject to the interferences of their fathers-in-law." "Just see if there's anything else you'd like," said Sancho, "and don't hold back from mentioning it out of bashfulness or modesty." "No, indeed there is not," said the farmer. The moment he said this the governor started to his feet, and seizing the chair he had been sitting on exclaimed, "By all that's good, you ill-bred, boorish Don Bumpkin, if you don't get out of this at once and hide yourself from my sight, I'll lay your head open with this chair. You whoreson rascal, you devil's own painter, and is it at this hour you come to ask me for six hundred ducats! How should I have them, you stinking brute? And why should I give them to you if I had them, you knave and blockhead? What have I to do with Miguelturra or the whole family of the Perlerines? Get out I say, or by the life of my lord the duke I'll do as I said. You're not from Miguelturra, but some knave sent here from hell to tempt me. Why, you villain, I have not yet had the government half a day, and you want me to have six hundred ducats already!" The carver made signs to the farmer to leave the room, which he did with his head down, and to all appearance in terror lest the governor should carry his threats into effect, for the rogue knew very well how to play his part. But let us leave Sancho in his wrath, and peace be with them all; and let us return to Don Quixote, whom we left with his face bandaged and doctored after the cat wounds, of which he was not cured for eight days; and on one of these there befell him what Cide Hamete promises to relate with that exactitude and truth with which he is wont to set forth everything connected with this great history, however minute it may be. CHAPTER XLVIII. OF WHAT BEFELL DON QUIXOTE WITH DONA RODRIGUEZ, THE DUCHESS'S DUENNA, TOGETHER WITH OTHER OCCURRENCES WORTHY OF RECORD AND ETERNAL REMEMBRANCE Exceedingly moody and dejected was the sorely wounded Don Quixote, with his face bandaged and marked, not by the hand of God, but by the claws of a cat, mishaps incidental to knight-errantry. Six days he remained without appearing in public, and one night as he lay awake thinking of his misfortunes and of Altisidora's pursuit of him, he perceived that some one was opening the door of his room with a key, and he at once made up his mind that the enamoured damsel was coming to make an assault upon his chastity and put him in danger of failing in the fidelity he owed to his lady Dulcinea del Toboso. "No," said he, firmly persuaded of the truth of his idea (and he said it loud enough to be heard), "the greatest beauty upon earth shall not avail to make me renounce my adoration of her whom I bear stamped and graved in the core of my heart and the secret depths of my bowels; be thou, lady mine, transformed into a clumsy country wench, or into a nymph of golden Tagus weaving a web of silk and gold, let Merlin or Montesinos hold thee captive where they will; whereer thou art, thou art mine, and where'er I am, must be thine." The very instant he had uttered these words, the door opened. He stood up on the bed wrapped from head to foot in a yellow satin coverlet, with a cap on his head, and his face and his moustaches tied up, his face because of the scratches, and his moustaches to keep them from drooping and falling down, in which trim he looked the most extraordinary scarecrow that could be conceived. He kept his eyes fixed on the door, and just as he was expecting to see the love-smitten and unhappy Altisidora make her appearance, he saw coming in a most venerable duenna, in a long white-bordered veil that covered and enveloped her from head to foot. Between the fingers of her left hand she held a short lighted candle, while with her right she shaded it to keep the light from her eyes, which were covered by spectacles of great size, and she advanced with noiseless steps, treading very softly. Don Quixote kept an eye upon her from his watchtower, and observing her costume and noting her silence, he concluded that it must be some witch or sorceress that was coming in such a guise to work him some mischief, and he began crossing himself at a great rate. The spectre still advanced, and on reaching the middle of the room, looked up and saw the energy with which Don Quixote was crossing himself; and if he was scared by seeing such a figure as hers, she was terrified at the sight of his; for the moment she saw his tall yellow form with the coverlet and the bandages that disfigured him, she gave a loud scream, and exclaiming, "Jesus! what's this I see?" let fall the candle in her fright, and then finding herself in the dark, turned about to make off, but stumbling on her skirts in her consternation, she measured her length with a mighty fall. Don Quixote in his trepidation began saying, "I conjure thee, phantom, or whatever thou art, tell me what thou art and what thou wouldst with me. If thou art a soul in torment, say so, and all that my powers can do I will do for thee; for I am a Catholic Christian and love to do good to all the world, and to this end I have embraced the order of knight-errantry to which I belong, the province of which extends to doing good even to souls in purgatory." The unfortunate duenna hearing herself thus conjured, by her own fear guessed Don Quixote's and in a low plaintive voice answered, "Senor Don Quixote--if so be you are indeed Don Quixote--I am no phantom or spectre or soul in purgatory, as you seem to think, but Dona Rodriguez, duenna of honour to my lady the duchess, and I come to you with one of those grievances your worship is wont to redress." "Tell me, Senora Dona Rodriguez," said Don Quixote, "do you perchance come to transact any go-between business? Because I must tell you I am not available for anybody's purpose, thanks to the peerless beauty of my lady Dulcinea del Toboso. In short, Senora Dona Rodriguez, if you will leave out and put aside all love messages, you may go and light your candle and come back, and we will discuss all the commands you have for me and whatever you wish, saving only, as I said, all seductive communications." "I carry nobody's messages, senor," said the duenna; "little you know me. Nay, I'm not far enough advanced in years to take to any such childish tricks. God be praised I have a soul in my body still, and all my teeth and grinders in my mouth, except one or two that the colds, so common in this Aragon country, have robbed me of. But wait a little, while I go and light my candle, and I will return immediately and lay my sorrows before you as before one who relieves those of all the world;" and without staying for an answer she quitted the room and left Don Quixote tranquilly meditating while he waited for her. A thousand thoughts at once suggested themselves to him on the subject of this new adventure, and it struck him as being ill done and worse advised in him to expose himself to the danger of breaking his plighted faith to his lady; and said he to himself, "Who knows but that the devil, being wily and cunning, may be trying now to entrap me with a duenna, having failed with empresses, queens, duchesses, marchionesses, and countesses? Many a time have I heard it said by many a man of sense that he will sooner offer you a flat-nosed wench than a roman-nosed one; and who knows but this privacy, this opportunity, this silence, may awaken my sleeping desires, and lead me in these my latter years to fall where I have never tripped? In cases of this sort it is better to flee than to await the battle. But I must be out of my senses to think and utter such nonsense; for it is impossible that a long, white-hooded spectacled duenna could stir up or excite a wanton thought in the most graceless bosom in the world. Is there a duenna on earth that has fair flesh? Is there a duenna in the world that escapes being ill-tempered, wrinkled, and prudish? Avaunt, then, ye duenna crew, undelightful to all mankind. Oh, but that lady did well who, they say, had at the end of her reception room a couple of figures of duennas with spectacles and lace-cushions, as if at work, and those statues served quite as well to give an air of propriety to the room as if they had been real duennas." So saying he leaped off the bed, intending to close the door and not allow Senora Rodriguez to enter; but as he went to shut it Senora Rodriguez returned with a wax candle lighted, and having a closer view of Don Quixote, with the coverlet round him, and his bandages and night-cap, she was alarmed afresh, and retreating a couple of paces, exclaimed, "Am I safe, sir knight? for I don't look upon it as a sign of very great virtue that your worship should have got up out of bed." "I may well ask the same, senora," said Don Quixote; "and I do ask whether I shall be safe from being assailed and forced?" "Of whom and against whom do you demand that security, sir knight?" said the duenna. "Of you and against you I ask it," said Don Quixote; "for I am not marble, nor are you brass, nor is it now ten o'clock in the morning, but midnight, or a trifle past it I fancy, and we are in a room more secluded and retired than the cave could have been where the treacherous and daring AEneas enjoyed the fair soft-hearted Dido. But give me your hand, senora; I require no better protection than my own continence, and my own sense of propriety; as well as that which is inspired by that venerable head-dress;" and so saying he kissed her right hand and took it in his own, she yielding it to him with equal ceremoniousness. And here Cide Hamete inserts a parenthesis in which he says that to have seen the pair marching from the door to the bed, linked hand in hand in this way, he would have given the best of the two tunics he had. Don Quixote finally got into bed, and Dona Rodriguez took her seat on a chair at some little distance from his couch, without taking off her spectacles or putting aside the candle. Don Quixote wrapped the bedclothes round him and covered himself up completely, leaving nothing but his face visible, and as soon as they had both regained their composure he broke silence, saying, "Now, Senora Dona Rodriguez, you may unbosom yourself and out with everything you have in your sorrowful heart and afflicted bowels; and by me you shall be listened to with chaste ears, and aided by compassionate exertions." "I believe it," replied the duenna; "from your worship's gentle and winning presence only such a Christian answer could be expected. The fact is, then, Senor Don Quixote, that though you see me seated in this chair, here in the middle of the kingdom of Aragon, and in the attire of a despised outcast duenna, I am from the Asturias of Oviedo, and of a family with which many of the best of the province are connected by blood; but my untoward fate and the improvidence of my parents, who, I know not how, were unseasonably reduced to poverty, brought me to the court of Madrid, where as a provision and to avoid greater misfortunes, my parents placed me as seamstress in the service of a lady of quality, and I would have you know that for hemming and sewing I have never been surpassed by any all my life. My parents left me in service and returned to their own country, and a few years later went, no doubt, to heaven, for they were excellent good Catholic Christians. I was left an orphan with nothing but the miserable wages and trifling presents that are given to servants of my sort in palaces; but about this time, without any encouragement on my part, one of the esquires of the household fell in love with me, a man somewhat advanced in years, full-bearded and personable, and above all as good a gentleman as the king himself, for he came of a mountain stock. We did not carry on our loves with such secrecy but that they came to the knowledge of my lady, and she, not to have any fuss about it, had us married with the full sanction of the holy mother Roman Catholic Church, of which marriage a daughter was born to put an end to my good fortune, if I had any; not that I died in childbirth, for I passed through it safely and in due season, but because shortly afterwards my husband died of a certain shock he received, and had I time to tell you of it I know your worship would be surprised;" and here she began to weep bitterly and said, "Pardon me, Senor Don Quixote, if I am unable to control myself, for every time I think of my unfortunate husband my eyes fill up with tears. God bless me, with what an air of dignity he used to carry my lady behind him on a stout mule as black as jet! for in those days they did not use coaches or chairs, as they say they do now, and ladies rode behind their squires. This much at least I cannot help telling you, that you may observe the good breeding and punctiliousness of my worthy husband. As he was turning into the Calle de Santiago in Madrid, which is rather narrow, one of the alcaldes of the Court, with two alguacils before him, was coming out of it, and as soon as my good squire saw him he wheeled his mule about and made as if he would turn and accompany him. My lady, who was riding behind him, said to him in a low voice, 'What are you about, you sneak, don't you see that I am here?' The alcalde like a polite man pulled up his horse and said to him, 'Proceed, senor, for it is I, rather, who ought to accompany my lady Dona Casilda'--for that was my mistress's name. Still my husband, cap in hand, persisted in trying to accompany the alcalde, and seeing this my lady, filled with rage and vexation, pulled out a big pin, or, I rather think, a bodkin, out of her needle-case and drove it into his back with such force that my husband gave a loud yell, and writhing fell to the ground with his lady. Her two lacqueys ran to rise her up, and the alcalde and the alguacils did the same; the Guadalajara gate was all in commotion--I mean the idlers congregated there; my mistress came back on foot, and my husband hurried away to a barber's shop protesting that he was run right through the guts. The courtesy of my husband was noised abroad to such an extent, that the boys gave him no peace in the street; and on this account, and because he was somewhat shortsighted, my lady dismissed him; and it was chagrin at this I am convinced beyond a doubt that brought on his death. I was left a helpless widow, with a daughter on my hands growing up in beauty like the sea-foam; at length, however, as I had the character of being an excellent needlewoman, my lady the duchess, then lately married to my lord the duke, offered to take me with her to this kingdom of Aragon, and my daughter also, and here as time went by my daughter grew up and with her all the graces in the world; she sings like a lark, dances quick as thought, foots it like a gipsy, reads and writes like a schoolmaster, and does sums like a miser; of her neatness I say nothing, for the running water is not purer, and her age is now, if my memory serves me, sixteen years five months and three days, one more or less. To come to the point, the son of a very rich farmer, living in a village of my lord the duke's not very far from here, fell in love with this girl of mine; and in short, how I know not, they came together, and under the promise of marrying her he made a fool of my daughter, and will not keep his word. And though my lord the duke is aware of it (for I have complained to him, not once but many and many a time, and entreated him to order the farmer to marry my daughter), he turns a deaf ear and will scarcely listen to me; the reason being that as the deceiver's father is so rich, and lends him money, and is constantly going security for his debts, he does not like to offend or annoy him in any way. Now, senor, I want your worship to take it upon yourself to redress this wrong either by entreaty or by arms; for by what all the world says you came into it to redress grievances and right wrongs and help the unfortunate. Let your worship put before you the unprotected condition of my daughter, her youth, and all the perfections I have said she possesses; and before God and on my conscience, out of all the damsels my lady has, there is not one that comes up to the sole of her shoe, and the one they call Altisidora, and look upon as the boldest and gayest of them, put in comparison with my daughter, does not come within two leagues of her. For I would have you know, senor, all is not gold that glitters, and that same little Altisidora has more forwardness than good looks, and more impudence than modesty; besides being not very sound, for she has such a disagreeable breath that one cannot bear to be near her for a moment; and even my lady the duchess--but I'll hold my tongue, for they say that walls have ears." "For heaven's sake, Dona Rodriguez, what ails my lady the duchess?" asked Don Quixote. "Adjured in that way," replied the duenna, "I cannot help answering the question and telling the whole truth. Senor Don Quixote, have you observed the comeliness of my lady the duchess, that smooth complexion of hers like a burnished polished sword, those two cheeks of milk and carmine, that gay lively step with which she treads or rather seems to spurn the earth, so that one would fancy she went radiating health wherever she passed? Well then, let me tell you she may thank, first of all God, for this, and next, two issues that she has, one in each leg, by which all the evil humours, of which the doctors say she is full, are discharged." "Blessed Virgin!" exclaimed Don Quixote; "and is it possible that my lady the duchess has drains of that sort? I would not have believed it if the barefoot friars had told it me; but as the lady Dona Rodriguez says so, it must be so. But surely such issues, and in such places, do not discharge humours, but liquid amber. Verily, I do believe now that this practice of opening issues is a very important matter for the health." Don Quixote had hardly said this, when the chamber door flew open with a loud bang, and with the start the noise gave her Dona Rodriguez let the candle fall from her hand, and the room was left as dark as a wolf's mouth, as the saying is. Suddenly the poor duenna felt two hands seize her by the throat, so tightly that she could not croak, while some one else, without uttering a word, very briskly hoisted up her petticoats, and with what seemed to be a slipper began to lay on so heartily that anyone would have felt pity for her; but although Don Quixote felt it he never stirred from his bed, but lay quiet and silent, nay apprehensive that his turn for a drubbing might be coming. Nor was the apprehension an idle one; one; for leaving the duenna (who did not dare to cry out) well basted, the silent executioners fell upon Don Quixote, and stripping him of the sheet and the coverlet, they pinched him so fast and so hard that he was driven to defend himself with his fists, and all this in marvellous silence. The battle lasted nearly half an hour, and then the phantoms fled; Dona Rodriguez gathered up her skirts, and bemoaning her fate went out without saying a word to Don Quixote, and he, sorely pinched, puzzled, and dejected, remained alone, and there we will leave him, wondering who could have been the perverse enchanter who had reduced him to such a state; but that shall be told in due season, for Sancho claims our attention, and the methodical arrangement of the story demands it. End of the Project Gutenberg EBook of The History of Don Quixote, Vol. II., Part 32, by Miguel de Cervantes *** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 32 *** ***** This file should be named 5935.txt or 5935.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/5/9/3/5935/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.