AN INDEX TO THE COLLECTED WORKS OF
WILLIAM HAZLITT

It was originally intended to add an index at the end of volume xii. of our edition, but so many of Hazlitt’s previously unidentified writings were discovered during the progress of the work, that it was found to be impossible to make volumes xi. and xii. any thicker. A brief index of the titles of Hazlitt’s various essays and papers closed, therefore, volume xii., and the publication of a separate index was designed.

The scope of this index was agreed upon between Arnold Glover and myself; the slips were made under my direction, and it was my intention to have checked them myself. Upon the death of Arnold Glover, however, I had to undertake other work left uncompleted by him, and the labour of checking each entry in the proofs with the twelve volumes indexed has been accomplished by Mrs Arnold Glover.

The book is now published, through the collaboration of Mrs Arnold Glover, Messrs J. M. Dent & Co. and myself, at a price considerably below cost, in order to place it within reach of all lovers of Hazlitt; and in memory of one who spared no pains in his self-chosen task of making the writings of Hazlitt better known, viiione who added so considerably to the known bulk of those writings.

Recognition of the value of his labour has, since his death, been ungrudgingly given him. It remains to be added that he himself would have regarded that labour as incomplete until he had passed the last proof-sheet of this index.

Cambridge, 1st September 1906.

The index is practically confined to the names of persons and things. The names of imaginary persons, characters in novels, plays, etc., are indexed under the first word of the name by which they are usually designated, e.g. Tony Lumpkin, Don Quixote, Dr Faustus. The names of real persons are indexed in the ordinary way. In the very heavy list of Quotations the method adopted has followed so far as seemed possible that in use in the Index to Quotations in Notes and Queries. The list of quotations has been very considerably lightened by leaving out almost all phrases from Shakespeare and Milton: to have added these would have made the list of quotations almost double its present length, so often did Hazlitt quote from these two. Hazlitt’s spelling has been followed where deemed characteristic.

It has been discovered that a short essay has, by mistake, been printed twice in the text (vol. vii. p. 360, and vol. xi. p. 433). Owners of the edition will, perhaps, be so good as to note this fact in their copies.

It is the intention of the surviving editor to keep the notes and index up to date, in case a second impression should be required. He will be obliged if readers will send him any suggestions they may wish to make.

• Beyle, M. H., vi. 285; viii. 411.
• For Sir Thomas Booby, see under
• Sir Thomas, not Booby.
• Bothwell, v. 142.
• Change-Alley, iii. 297.
• Conciones ad Populum, x. 131.
• Destut, etc., read Destutt de Tracy,
• and add vii. 323.
• Dr Slop, viii. 121.
• Ecole des Femmes, viii. 554; xi. 276.
• Excursion, The, vii. 76.
• French Revolution (Burke’s), ix.
• 473 n.; xii. 291.
• For Still substitute Stevenson as the probable author of Gammer Gurton’s Needle.
• Geneva, ix. 216.
• Junius, iv. 217.
• For La Fontaine the fabulist, see
• Under La, not Fontaine.
• Madge Wildfire, viii. 413 n.
• Neapolitan Nobleman, xi. 222.
• Onslow, Arthur, vii. 271.
• Present Discontents, iii. 335.
• For Sterne’s Uncle Toby, See Under
• “My Uncle,” as well as Uncle
• Toby, and add v. 129.
• Stoddart, Dr, xi. 444.

ADDENDA TO QUOTATIONS

• above all pain, all passion, and all pride, ix. 59.
• all this world were one glorious lie, v. 334.
• and doubtless ’mong the grave and good, vii. 366.
• as good as a prologue, viii. 309.
• calm pleasures, vii. 318.
• commanded to shew the knight in love, i. 348.
• constrained by mastery, i. 151.
• deem not devoid of elegance, vii. 317.
• each other’s beams to share, xi. 488.
• earth destroys those raptures, vii. 318.
• elegant Petruchio, etc., i. 344.
• Elysian beauty, vii. 320.
• endure having hot molten lead, etc., vii. 322.
• first garden ... innocence, i. 105.
• for a song, vii. 362.
• gentlemen’s gentlemen, vii. 211.
• glared round his soul, vii. 319.
• grand carnival of this our age, xi. 440.
• Hamlet, to leave the part of, xii. 383.
• he was hurt and knew it not, vii. 354.
• head to the East, vii. 342.
• his face ’twixt tears and smiles, xi. 480.
• his grace looks cheerfully, viii. 183.
• his look made the still air cold, vii. 99.
• huge, dumb heap, viii. 448.
• interlocutions between Lucius and Caius, iv. 276.
• is it to be supposed that it is England, xi. 444.
• leave all and follow it, vii. 315.
• license of the time, i. 235.
• like dew-drops from the lion’s mane, v. 267 n.
• like poppies spread, vii. 308.
• madness, that fine, xii. 340.
• meek mouths ruminant, iii. 239.
• mighty dead, vii. 365.
• mind reflecting ages past, iv. 213.
• mouth with slumbery pout, viii. 478.
• No maid could live near such a man, i. 305.
• No, thou art not my child, viii. 427.
• Not Fate itself could awe, xi. 410.
• now of the planetary, iv. 230.
• Oh, not from you, vii. 339.
• out on the craft, vii. 365 n.
• owes no allegiance, i. 112.
• paint a sunbeam to the blind, etc., v. 237.
• perceive a softness, etc., xi. 522.
• picks pears, etc., ix. 71.
• play at bowls with the sun and moon, ix. 64.
• play with wisdom, xi. 551.
• pomp of elder days, v. 177.
• prevailing gentle arts, iii. 108.
• proper study, etc., vii. 312.
• rejoice when good kings bleed, i. 191.
• right divine, iii. 288.
• roast me these Violantes, viii. 156.
• round which with tendrils, etc., vii. 310.
• sailing with supreme dominion, vii. 339.
• see o’er the stage, etc., vi. 273; xii. 123.
• spin his brains, vii. 319.
• stand all apart, viii. 181.
• still, small, etc., vii. 336.
• strange that such difference, etc., xi. 505.
• sweet passion of love, viii. 261.
• there were two upon the housetops, viii. 393.
• thin partitions do their bounds, etc., viii. 217.
• trees in Sherwood forest, v. 143.
• well of English, etc., vii. 321.
• what was my pride, etc., xi. 455.
• which waste the marrow, xii. 427.
• whose body nature was, vii. 320.
• winged words, xii. 345.
• within our bosoms, etc., ii. 395.
• you ask her crime, vii. 350.

About one-third of the above are additional occurrences of quotations already indexed.

• A. (Mr), vi. 390.
• Aaron (Shakespeare’s Titus Andronicus), i. 357; v. 207.
• Aaron’s Rod, iv. 63.
• Abbot’s Ford, iv. 245.
• Abbott, William, vi. 277; viii. 235, 266, 292, 333, 335, 413, 455; xi. 402.
• —— Mr Speaker (Lord Colchester), iv. 199; xii. 370.
• À Becket, Thomas, v. 143.
• A’Beckett, Gilbert, v. 143.
• Abednego, iii. 265.
• Abel Drugger (Ben Jonson’s The Alchemyst), ii. 76 n., 79; vi. 273, 418; viii. 227, 228; xii. 33.
• Abelard and Eloise (Pope’s), v. 75.
• —— Peter, iv. 213; v. 75; vii. 96; ix. 146, 354; xii. 165.
• Aben Hamet (in Dimond’s Conquest of Taranto), viii. 368.
• Aberdeen, ii. 209; viii. 290; ix. 492.
• Abernethy, John, vi. 62.
• Abhorson (in Shakespeare’s Measure for Measure), i. 346.
• Abimelech Henley (in Holcroft’s Anna St Ives), ii. 128.
• Abinger, Lord (Mr Scarlett), vii. 174 n., 516.
• Abington, Mrs, i. 157; vi. 426, 453; viii. 74, 174, 393; ix. 147; xii. 24.
• Aboam (in Southerne’s Oroonoko), xi. 302.
• Abraham Adams (in Fielding’s Joseph Andrews), viii. 106; x. 328.
• Abruzzi, The Passes of the, ix 255, 259; x. 283, 291.
• Absalom and Achitophel (Dryden), v. 80.
• Abstract Ideas, On, xi. p. v., 1.
• —— —— xi. 1.
• Abstraction, On, xi. 180.
• Academie de Musique, viii. 363.
• Academy, at Bologna, ix. 205, 264.
• —— of Compliments, i. 235.
• —— of Painting (Venice), ix. 273, 274.
• —— of St Luke, x. 280, 296.
• Accusation. See Anglade Family.
• Acetto, Count, ix. 213.
• Achilles, i. 221; iv. 225; v. 15, 54, 64; vii. 255; x. 6, 98; xii. 8.
• Achitophel (Dryden’s), iii. 400; v. 80.
• Achmet (in John Brown’s Barbarossa), viii. 372.
• Acis and Galatea (by John Gay), vii. 103.
• Ackerman, Rudolf, i. 366; viii. 143; ix. 313.
• Acropolis, ix. 379; x. 343; xi. 227, 486.
• Actæon—Hunting (Titian), i. 27, 78.
• Acted Drama in London, Essays on the, viii. 381.
• Actium, i. 229; v. 50; viii. 192.
• Acton, Sir Francis, v. 213.
• Actor, The (Holcroft’s paper), ii. 87.
• Actors and Acting, On, i. 153, 156, 382.
• —— ought to sit in the Boxes? Whether, vi. 272.
• Actors and the Public, xi. 348.
• Acts of Uniformity, xi. 314.
• Adair, Sir R., ii. 169, 214, 227.
• Adam, i. 38, 105 seq., 385, 425; iv. 337; v. 60, 66; vi. 96, 396, 411; vii. 36; xi. 233, 452; xii. 276, 455 n.
• —— (in Shakespeare’s As You Like It), i. 340.
• —— (Michael Angelo’s), ix. 241, 332, 362.
• —— (in Milton’s Paradise Lost), v. 357, 371.
• —— and Eve (Barry’s), ix. 418.
• —— —— (Martin’s), vi. 398; vii. 292 n.; xi. 553.
• —— —— in Paradise (Poussin), vii. 291, 292; ix. 109.
• —— —— driven out of Paradise (Ribera’s), ix. 70.
• Adam Bell (in Holcroft’s The Noble Peasant), ii. 110.
• Adams, Mr (Sec. of the Constitutional Soc.), ii. 153.
• Addington, Henry, Viscount Sidmouth, iii. 3, 38; viii. 17; xii. 206, 450.
• —— Hiley, iii. 238, 300.
• Addison, Joseph, i. 2, 8, 9, 370, 372, 374, 380, 382, 415; ii. 43, 212; iv. 233, 269, 367; v. 78, 319, 373; vii. 6, 36; viii. 22, 89, 97, 98, 99, 101, 105, 158; ix. 276; x. 112, 206, 359; xi. 391, 489, 543, 546; xii. 35, 170, 330, 331, 375.
• Address to the Inhabitants of New Lanark (Robert Owen’s), iii. 121.
• Adela (in Holcroft’s The Noble Peasant), ii. 110.
• Adelaide, or The Emigrants (Sheil’s), viii. 308, 530.
• Adelard (in L. Bonaparte’s Charlemagne), xi. 232.
• Adelinde (in L. Bonaparte’s Charlemagne), xi. 235.
• Adelphi, i. 35; viii. 404, 411, 412; ix. 420, 421, 422; x. 200; xi. 242; xii. 168, 195, 196.
• Adige, The, ix. 277.
• Admetus, iii. 206.
• Admirable Crichton, viii. 459; xii. 34.
• Admiralty, vii. 115.
• Adonis, Gardens of, v. 38.
• Adoration, An (Raphael’s), ix. 73.
• —— of the Angels (Poussin’s), ix. 51.
• —— of the Shepherds (Caracci’s), ix. 26.
• Adrian (Pope), xi. 235.
• Adriana (in Shakespeare’s Comedy of Errors), i. 352.
• Adriano de Armada (in Shakespeare’s Love’s Labour’s Lost), v. 324.
• Adrian’s Villa, ix. 256; xi. 199.
• Adriatic, ix. 200, 264, 266, 284.
• Adventurer, The (Hawksworth’s), vii. 226; viii. 104.
• Adventures of Friar Albert (Chaucer), xii. 30.
• —— at Madrid, or Gallantry (a play), viii. 399.
• Advertisement and Biographical and Critical Notes from the Eloquence of the British Senate, iii. 388.
• Advice to a Patriot; in a Letter addressed to a Member of the Old Opposition, iii. 1.
• Ægeon of Syracuse (Shakespeare’s Comedy of Errors), iv. 341; vi. 58.
• Æmilia (in Two Noble Kinsmen), v. 261.
• —— (Shakespeare’s Othello), i. 201 seq., 293; vi. 303.
• Æneas, i. 416; iii. 461; v. 54; ix. 171; x. 20; xi. 492; xii. 19.
• —— Escaping, etc. (Barry’s), ix. 415.
• —— (in Opera Didona Abandonnata), viii. 197.
• —— and Dido (Guérin’s), ix. 135.
• Æneid (Gawin Douglas’ version), v. 399.
• —— (Virgil’s), xi. 492.
• Ænobarbas (in Shakespeare’s Antony and Cleopatra), see Enobarbus.
• Ænone, v. 203.
• Æschylus, i. 194; iv. 216; v. 56; vi. III; viii. 12; x. 33; xi. 284, 506; xii. 240, 260.
• Æsop. See Fables by Æsop.
• Ætna, v. 122.
• Afrancesadoes (Spaniards), i. 428.
• African (or Negro), i. 69.
• Agamemnon (Æschylus), i. 221; v. 54; x. 81, 94, 98; xi. 284, 421; xii. 240, 260.
• Agar (Welbore Ellis), vi. 369.
• Agatha Friburg (in Kotzebue’s Lovers’ Vows), viii. 335.
• Age of Elizabeth, The Lectures on, etc.; Lecture I.—Introductory, v. 175.
• Agincourt, i. 285, 289, 425.
• Aglaura (Suckling’s), viii. 57.
• Agli, Messer, x. 300.
• Agnes, or the Triumph of Principle, iv. 243 n.
• —— (Mrs Radcliffe’s), viii. 126
• —— (in Lillo’s Fatal Curiosity), ii. 212.
• —— (in Molière’s School for Wives), viii. 76; xi. 276.
• Agnese (opera by Paer), viii. 540.
• Agnolo, Andrea d’. See Andrea del Sarto.
• Agreeable Surprise, The (O’Keeffe’s), viii. 166, 167, 319, 387, 463.
• Agriculture, On (Cowley), viii. 60.
• Aickin, James, ii. 197, 199, 201.
• Aikin, Dr John (Dr A.), ii. 198; xi. 505.
• Ailsa, Craig of, ii. 64.
• Aimwell (Farquhar’s Beaux’ Stratagem), viii. 10, 88.
• Airy, Sir George, viii. 503.
• Ajax, x. 94; xii. 10.
• Akenside, Mark, i. 114; ii. 79; iii. 222; v. 68, 119, 375; xi. 573.
• Aladdin, ix. 269.
• Alastor, or the Spirit of Solitude (Shelley’s), x. 261, 265.
• Albano, Francesco, i. 77; vi. 441; ix. 34, 111, 236.
• —— Hills of, ix. 234, 254, 376.
• Albany, The, xi. 486.
• —— Duke of, ii. 80.
• Albemarle Street, i. 370; iii. 217; iv. 367; xi. 423, 486, 487.
• Albergo di Venezia (an inn), ix. 264.
• Alberigi, Frederigo, i. 163, 331; vii. 303; x. 68; xi. 501.
• Albigeois, The Civil Wars of the, x. 56.
• Alcæus, iv. 271.
• Alcamenes (painter), ix. 466.
• Alcantara (town), iii. 290 n.
• Alceste (in Molière’s Misanthrope), ix. 150–1
• Alcestis, vi. 179; x. 97.
• Alchymist, The (Ben Jonson’s), viii. 45, 227; x. 117, 171.
• Alcibiades, i. 211 seq.; vii. 213; xi. 228.
• Alcides, The (acrobats), vi. 442.
• Alcinous, Gardens of, ix. 325; xi. 514.
• Alderman Gripe (Wycherley’s Love in a Wood), viii. 78.
• Aldermanbury, xi. 441.
• Aldobrand (in Maturin’s Bertram), viii. 306–7.
• Aldridge’s, ii. 174.
• Ale-house Door (Wilkie’s), viii. 140; ix. 15; xi. 252.
• Aleman, Mateo. See Guzman D’Alfarache.
• Aleppo (referred to in Shakespeare’s Othello), xi. 283.
• Alexander and Campaspe (John Lyly’s), v. 197, 201, 202.
• —— Battle of (a picture), ix. 41.
• —— of Aberdeen, ii. 209.
• —— I. of Russia, iii. 56, 160, 306; iv. 189; ix. 479; xi. 415.
• —— the Great, i. 291; ii. 67, 173; iv. 71; v. 124; vi. 106, 107; x. 15, 17, 26, 329; xi. 3, 234, 553; xii. 37, 204.
• Alexander the Great (by Lee, Nathaniel), v. 357; vi. 342; vii. 301.
• —— VI., Pope, Bower’s Life of, ii. 172.
• —— the Spy, ii. 154 n.
• Alexander’s Feast (Dryden’s), iv. 276; v. 81, 372; vi. 204 n.; xii. 347.
• Alfieri, Count, x. 45, 232, 241; xi. 424.
• Alfred (Wilkie’s), ix. 389.
• Algiers, iii. 335, 442.
• Alhambra, The, ix. 349.
• Alice (in Scott’s Old Mortality), iv. 247.
• —— Bridgenorth (in Scott’s Peveril of the Peak), xi. 540.
• Alicia (in Rowe’s Jane Shore), viii. 352.
• Alien Bill, The Scotch, ix. 214.
• —— Office, The, ii. 248.
• Alighieri, Family of the, x. 63.
• Alithea (in Wycherley’s adaptation of Molière’s School for Wives), viii. 76, 153, 554; xi. 276.
• Allan, The bog of, v. 34.
• Allen, Bobbie (Lamb’s schoolfellow), xi. 585.
• Allen-a-Dale (in Scott’s Ivanhoe), iv. 209.
• Allen, John, M.D., ix. 17.
• All Fools (Chapman’s), v. 234.
• All for Love (Dryden’s), viii. 190.
• All-Foxden, vi. 183; xii. 269, 271.
• All in the Wrong (Murphy’s), viii. 164.
• Allston, Washington, xi. 189, 190, 456 n.
• All’s Well that Ends Well (Shakespeare’s), i. 329;
  • also referred to, iii. 437; viii. 330; xi. 296.
• Allworthy (in Fielding’s Tom Jones), vi. 452.
• Almack’s, xi. 343.
• Almanach des Gourmands, The, xi. 501.
• Almeria (Congreve’s Mourning Bride), viii. 75.
• Almeyda (in Dryden’s Don Sebastian), v. 357.
• Alonzo (in Maywood’s Zanga), xi. 398.
• Alphonso VI. of Castile and Leon, x. 57.
• Alps, The, iv. 193; vii. 368; ix. 182, 188, 190, 195, 199, 207, 208, 240, 263, 264, 273, 277, 288, 290, 297, 303, 360; xi. 231; xii. 134.
• Alpuente, Romero (Landor’s), x. 251.
• Alric (in Holcroft’s The Noble Peasant), ii. 110.
• Alsop, Mrs, viii. 252, 355, 361, 369, 370, 412, 524; xi. 277, 305.
• Alsop’s Rosalind, Mrs, viii. 252.
• Altarpiece of St Mark (Tintoretto’s), ix. 113.
• Alton (town), vii. 126.
• Altona (town), ii. 256.
• Alwyn, or the Gentleman Comedian (Holcroft’s), ii. 95 seq., 280.
• Amadis de Gaul (early romance), i. 133; vii. 253; x. 14, 19, 20, 57; xii. 62.
• Amadis of Greece, x. 57.
• Amanda (Vanbrugh’s Relapse), viii. 83.
• Amanthis (in Mrs Inchbald’s Child of Nature), viii. 196.
• Amaryllis, vii. 41.
• —— (in Fletcher’s Faithful Shepherdess), v. 255.
• Ambrogetti, Signor, viii. 365; xi. 308.
• Ambrose Lamela (in Le Sage’s Gil Blas), vii. 380.
• Ambrose (Wilson’s Noctes Ambrosianæ), xii. 367.
• Amelia (Fielding’s), i. 130; vi. 457; vii. 84; viii. 114, 115, 152, 555; x. 32, 33; xi. 501; xii. 64.
• —— Mammonton (in Ups and Downs), xi. 385, 387.
• Amelia, the Princess (George II.’s daughter), x. 159.
• —— Carolina Wilhelmina Skeggs (in Goldsmith’s Vicar of Wakefield), iii. 313.
• —— Wildenheim (in Lovers’ Vows, Mrs Inchbald’s adap. of Kotzebue’s Natural Son), viii. 249, 336.
• American Farmer’s Letters, The, x. 314.
• —— Lion (Kean’s), xi. 332.
• —— Literature—Dr Channing, x. 310.
• —— Revolution, ii. 133; iii. 32 n., 279, 302, 304; vii. 52.
• —— War, The, iii. 250, 420, 422, 424; vi. 385; x. 150–2; xii. 263, 293.
• Americans, ix. 257.
• Amiens, ii. 216; iii. 6, 61, 83, 99; vii. 227 n.
• —— (Shakespeare’s As You Like It), xi. 367, 378; xii. 122.
• Amine (in Arabian Nights), viii. 14.
• Aminta (Tasso’s), x. 73.
• Amintor (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251, 252.
• Amlet, Mrs (Vanbrugh’s Confederacy), viii. 14, 80.
• Ammerbach (philosopher), x. 143.
• Amory, John, i. 52.
• Amours of Peter the Long (L. E. Billardson de Sauvigny), ii. 107.
• Amphion, xi. 282.
• Amphitheatre of Titus, ix. 234.
• —— The (at Verona), ix. 277.
• Amsterdam, vii. 100; ix. 295, 300, 301.
• Amy Robsart (in Scott’s Kenilworth), ii. 314; iv. 248, 251.
• Anabaptists, x. 360.
• Anacharsis (traveller), vii. 255.
• Anacreon, iv. 356; vii. 372 n.
• Anacreon (Herrick’s translation), v. 312.
• Anacreontics (Cowley’s), v. 372; viii. 59.
• Anah (Byron’s), vii. 85.
• Analogy (Butler’s), vi. 224; ix. 415; xii. 266, 346.
• Analytical Review, The, ii. 116.
• Ananias (Raphael’s), ix. 272 n.
• Anastasius, vii. 220.
• Anatomy of Melancholy (Burton’s), iv. 365; vi. 225.
• Ancient Britons (the corps), ii. 176.
• —— Mariner (Coleridge’s), iii. 205; iv. 218; v. 166, 377; viii. 14; xii. 236, 273, 319, 460.
• —— Pistol (Shakespeare’s Henry IV., etc.), i. 425; iii. 54.
• —— and Modern Literature, On Spirit of; On German Drama contrasted with that of Age of Elizabeth, v. 345.
• Ancona, View of (Wilson’s), xi. 199.
• Andalusia, Castle of (O’Keeffe’s), viii. 329.
• Anderson, Dr, v. 124.
• Andes, iv. 193; vii. 255; viii. 415.
• Andrea del Sarto, vi. 11; ix. 25, 51, 226.
• Andromache (Racine’s), viii. 334.
• Andromeda (Guido’s), vi. 441; viii. 253; ix. 61, 237.
• Andrugio (in Marston’s Antonio and Mellida), v. 225.
• Angelica (Congreve’s Love for Love), i. 133; viii. 15, 152, 555.
• —— and Medora (a picture), ii. 212, 227; v. 3; x. 71.
• Angelo (in Shakespeare’s Measure for Measure), i. 346, 347.
• —— Michael. See Michael Angelo.
• Angerstein, John Julius, vi. 174, 346; ix. 9, 35, 75, 113, 439.
• Angerstein’s Collection, ix. 7.
• Angiers, i. 311.
• Anglade Family (or Accusation, by Payne), viii. 279.
• Anglaises pour rire (a play), xi. 366.
• Angler. See Complete Angler.
• Angrisani (Signor), viii. 365, 371; xi. 308.
• Anhalt (in Lovers’ Vows, Mrs Inchbald’s version of Kotzebue’s Natural Son), viii. 249.
• Anjou, Charles of, x. 56.
• Anlaff the Dane (in Holcroft’s The Noble Peasant), ii. 110.
• Anna, Verses upon (Gifford’s), iv. 302; vi. 221.
• —— St Ives (Holcroft’s), ii. 128, 132, 136, 201, 279.
• Annabel (in Holcroft’s The Man of Ten Thousand), ii. 160.
• Annabella (in Ford’s ’Tis a Pity She’s a Whore), v. 269.
• Anne Page (in Shakespeare’s Merry Wives), i. 350; ix. 36.
• —— Queen, i. 8, 138; iii. 405; iv. 212, 217, 367; v. 82, 104, 105; vi. 113, 322, 323, 376, 445; viii. 96; x. 73, 205, 310, 358, 373, 374, 377, 378; xii. 405.
• Annecy (town), i. 17; v. 100; vii. 304.
• Annesley (a novel), x. 392.
• Annual Anthology, iii. 211.
• —— Register, ii. 56.
• Annunciation (Guido’s), ix. 111.
• Annus Mirabilis, The (Dryden’s), v. 81.
• Anselme (in Molière’s L’Avare), xi. 379.
• Anstey, Christopher, viii. 560.
• Antæus, i. 160; iv. 38.
• Antigone (Sophocles), x. 81, 97.
• Antigonus (Shakespeare’s Winter’s Tale), i. 324.
• Anti-Jacobin Review, i. 401; iii. 219, 238, 261, 262, 295; v. 164; x. 139, 158, 225.
• Antinous, The (statue), vii. 167; viii. 149; ix. 107, 350, 378; xi. 228, 486, 542.
• Antipholis (in Shakespeare’s Comedy of Errors), i. 351; iv. 341; vi. 58; viii. 401.
• Antipodes, xii. 279.
• Antiquary (Scott’s), iv. 248; vii. 156; viii. 413, 425; ix. 202; xi. 558.
• Antiquaries, Society of, viii. 335.
• Antiquity, On, vii. 252.
• Antonines, The, ix. 366.
• Antonio (in Middleton’s Witch), v. 218.
• —— (Shakespeare’s Merchant of Venice), i. 321; viii. 179, 250, 374; xi. 417.
• —— (Godwin’s), iv. 210 n.; xii. 326.
• —— and Mellida (Marston’s), v. 224, 225.
• Antony (Shakespeare’s Julius Cæsar and Antony and Cleopatra), i. 197; iv. 183; vii. 264.
• —— and Cleopatra (Shakespeare’s), i. 228; v. 50, 253; viii. 190;
  • also referred to, i. 195; v. 253; viii. 31, 389; ix. 27.
• Antwerp, ix. 110, 300, 302, 492; xii. 48 n.
• A. P. E., vii. 124, 207.
• Ape, Lines on the Story of the (Merry’s), iv. 309 n.
• Apelles (sculptor), vi. 74.
• —— (in Lyly’s Alexander and Campaspe), v. 201.
• Apemantus (Shakespeare’s Timon of Athens), i. 210 et seq.
• Apennines, The, ix. 199, 207, 208, 209, 210, 254, 260, 263, 264, 276, 303; xii. 57, 134.
• Apicius, xii. 141.
• Apocalypse, The, vii. 199; xii. 280, 441.
• Apollo, i. 34, 416; v. 83, 192; vi. 141; vii. 157; x. 349, 350; xi. 544; xii. 341.
• —— (statues), iii. 169; v. 164; vi. 141; ix. 28, 107, 147, 164, 165 n., 169 n., 222, 223, 237, 240, 339, 340, 341, 350, 378, 379, 381, 430, 491–2; x. 341, 342, 344; xi. 196, 227, 228, 493.
• Apollo and Daphne (Titian’s), ix. 74.
• —— giving a Poet a Cup of Water (Poussin’s), vi. 172; ix. 24.
• —— and the Seasons (R. Wilson’s), ix. 392; xi. 198.
• Apollodorus, x. 100.
• Apology for His Own Life (Cibber), viii. 160, 359.
• Apostate, The (by Richard Lalor Sheil), v. 345; viii. 538.
• Apostates, On Modern, iii. 155.
• Apothecary (in Shakespeare’s Romeo and Juliet), ii. 368 n.
• Apparitions, History of (Defoe’s), x. 382.
• Appeal to Honour and Honesty (Defoe’s), x. 369 n.
• —— from the New to the Old Whigs (Burke’s), iii. 32.
• Appius and Virginia (Webster’s), v. 234.
• Appleby, iii. 423; v. 148.
• Application to Study, On, vii. 55.
• Apprentice, The (Murphy’s), viii. 514.
• Apuleius, Lucius, v. 199; vi. 201; x. 17, 18.
• Apullius and Apullia (Turner’s), xi. 190.
• Aquapendente (town), ix. 230.
• Aquinas, Thomas, iv. 217; xii. 35.
• Arabia, v. 88, 340 n.; xi. 560.
• Arabian Nights, i. 46; ii. 347; iv. 337; v. 113; vi. 53, 408; vii. 23, 421 n.; viii. 12, 13, 14; ix. 69; x. 46.
• Aram, Eugene, vi. 314; xii. 34.
• Araminta (Vanbrugh’s Relapse), viii. 83.
• Arbaces (in Beaumont and Fletcher’s King and no King), v. 252.
• —— (in the opera Artaxerxes), viii. 248, 321, 451.
• Arbe, The (river), ix. 292.
• Arbela, The Battle of, vi. 107.
• Arbuthnot, John, iii. 33; iv. 217; v. 78, 104, 105.
• Arcadia, i. 338; ix. 324, 325.
• —— Sir Philip Sidney’s, v. 98, 318, 319, 320, 321, 323, 324, 325, 326; ix. 9, 10, 58; x. 14; xii. 282.
• Arch of Constantine (Claude), ix. 54.
• —— of Constantine, ix. 232.
• Archangel, ii. 251.
• Archbishop of Grenada, The (in Le Sage’s Gil Blas), x. 31.
• Archer (in Farquhar’s Beaux’ Stratagem), viii. 14, 88; xii. 451, 452.
• Archimago (in Spenser), v. 36.
• Archimedes, iii. 151; vi. 377; x. 13; xii. 36.
• Arcite (Chaucer), v. 21, 29, 30, 258.
• Arctic Circle, The, xii. 253.
• Arden of Feversham (play), i. 357.
• —— Forest of, i. 185, 338, 339; xi. 367; xii. 122.
• Arethusa, xii. 200.
• —— (in Beaumont and Fletcher’s Philaster), v. 262.
• Aretine, Peter, iii. 218; iv. 225; v. 186; viii. 10.
• Aretino, Pietro (Titian’s supposed portrait of), ix. 354; xii. 30.
• Arezzo, ix. 262, 302.
• Argenis (Barclay’s), x. 145.
• Arguing in a Circle, xii. 285.
• Argus, The (a newspaper), xi. 386.
• Argyll, Duke of, vi. 521.
• —— 2nd Duke of, John Campbell, iii. 415.
• —— The Duchess of, vi. 450.
• —— in Prison (Northcote’s), vi. 341.
• —— Place, vi. 358.
• Ariadne, vi. 238; vii. 125; xii. 203.
• Ariel (Shakespeare’s Tempest), i. 23, 238, 241, 245; iv. 216; v. 15, 151; viii. 235, 236; ix. 177, 463; x. 116; xi. 179.
• Ariosto, i. 161; iv. 257, 356; v. 3, 35, 45, 224; vi. 425; vii. 94, 252; ix. 29, 239, 266, 301; x. 9, 13, 16, 20, 45, 69, 70, 71, 73, 77, 409; xi. 235, 492.
• Ariosto (Titian’s portrait of), ix. 270; xi. 30.
• —— (Harington’s), v. 186; vi. 319 n.
• Aristarchus, iv. 307.
• Ariste (should be Valère), (in Molière’s L’Ecole des Femmes), xi. 356.
• Aristocracy of Letters, On the, vi. 205.
• Aristophanes, v. 56; viii. 28, 166; x. 99, 100, 112 n.
• —— of Byzantium, i. 183.
• Aristotle, i. 13, 123, 139; iv. 9 n., 143, 144, 283, 285; v. 360; vi. 107, 109, 198; vii. 248, 316; viii. 63, 93, 305; x. 143, 248, 249; xi. 97, 262; xii. 164, 326, 361, 370.
• Arkwright (Sir Richard), ii. 175; vi. 456; vii. 165, 186; ix. 243 n.
• Armelie (in L. Bonaparte’s Charlemagne), xi. 232, 235.
• Armida (Ariosto’s), x. 71.
• Armitage (racket-player), vi. 89.
• Armstrong, John, ii. 169, 183, 194, 195; v. 119, 376; vi. 332.
• Arnaud, Anthony, xi. 289.
• —— Daniel, x. 55.
• Arne, Michael, ii. 86.
• —— Dr Thomas Augustine, ii. 86; viii. 451, 452.
• Arno, The, ix. 211, 212, 221; xii. 134.
• Arnold, S. J., viii. 224, 243, 244, 314, 322, 323, 463, 476.
• Arpasia (in Bajazet), xi. 275.
• Arragon, x. 56.
• Arruntius (in Ben Jonson’s Sejanus), v. 264.
• Arsinoe (in Molière’s Misanthrope), ix. 149.
• Art, Fragments on, ix. 489.
• —— of Walking the Streets. See Trivia.
• Artamène (in Mlle. de Scudéry’s Artamène ou Le Grand Cyrus), xii. 61.
• Artaxerxes (F. A. Arne’s), viii. 192;
  • also referred to in viii. 248, 320, 330, 451, 532; xi. 455 n.
• Arthur, King, x. 20–21, 56; xii. 221.
• —— (in Shakespeare’s King John), i. 306 et seq.; vii. 344.
• Arthur’s Seat, ii. 314; ix. 98, 324, 336, 337.
• —— —— View of (Nasmyth’s), xi. 247.
• Artist, The (a magazine), vi. 416.
• Artists, On the Old Age of, vii. 88.
• Arts, On the Progress of the, i. 372.
• —— are not Progressive, Why the, i. 160; ix. 489;
  • referred to, ix. 478.
• Arundel, Thomas Howard, Earl of, ix. 34.
• Arviragus (in Shakespeare’s Cymbeline), i. 182 seq.; v. 258; xi. 293.
• Ascham, Roger, x. 236–7.
• Ascot Heath, ii. 4, 5, 6.
• Ashburton, Baron. See Dunning, John.
• —— the Inn at, vi. 407.
• Ashby-de-la-Zouch, ii. 14.
• Ashmole, Elias, iii. 141.
• Asia Minor, v. 199.
• Aspasia (Landor’s), ii. 396; vii. 299.
• Aspatia (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251.
• Aspin, Mr, ii. 205.
• Ass (of Apuleius), x. 17, 18.
• Assembly of the Just (Raphael’s), iii. 142; xii. 208.
• —— of Saints (Raphael’s), ix. 380; xi. 227.
• Assignation Scene, The (Hogarth’s), viii. 134.
• Assizi, ix. 261.
• Ass’s Foal, Ode to an (Coleridge’s), v. 164.
• Assumption (Titian’s), ix. 273.
• Astley, John, vii. 111.
• Astley’s, xii. 49.
• Astolpho (Ariosto’s), vii. 252.
• Astræa, xi. 384.
• Astrea and Cleopatra, Histories of, x. 14.
• Astronomical Discourses, Dr Chalmers’s, iv. 230; xii. 279.
• Asturias, xi. 317.
• As You Like It (Shakespeare’s), i. 338;
  • also referred to in i. 185; vii. 260 n.; viii. 513; xi. 396.
• Atala at the Tomb (Girodet’s), ix. 132.
• At-all (in Abbe’s Double Gallant), viii. 162, 360.
• Athalie (Racine’s), x. 106; xi. 452.
• Athanasius, Creed of St, iii. 139, 269.
• Athenæ Oxonienses (Wood’s), iii. 276.
• Athenæum, The, xi. 386.
• Athenians, xi. 312.
• Athens, i. 4, 212; vi. 188, 448; vii. 95, 185, 254; ix. 381, 379, 466, 492; x. 347; xii. 170.
• Atherstone, ii. 14.
• Atkins, Mr (actor), viii. 275.
• —— Mrs, ii. 219.
• Atkinson (in Fielding’s Tom Jones), vii. 214; viii. 114; x. 33.
• Atlas (the horse), ii. 22.
• —— The, vi. 505, 517, 520, 521, 522; ix. 484–5; x. 403; xii. 320, 339, 342, 346, 348, 350, 353, 354, 357, 360, 363, 364, 367, 369, 370, 377, 381, 386, 391, 394, 402.
• Atterbury, Francis, iii. 408; v. 79; vii. 24; viii. 14.
• Attica, ix. 325; xi. 495.
• Atticus (Pope’s), ii. 79, 199.
• Attila, ix. 267.
• —— (Raphael’s), ix. 364.
• Attributes (Samuel Clarke’s), xi. 118.
• Attwood, Mr (actor), ii. 195, 222, 225.
• Audrey (in Shakespeare’s As You Like It), i. 185, 340; iv. 348; v. 146; viii. 167, 252, 319; xi. 367, 397.
• Aufidius (in Shakespeare’s Coriolanus), i. 217; iii. 435; viii. 375.
• Augustus (in Shakespeare’s Antony and Cleopatra), i. 230.
• —— (statue), ix. 165, 221.
• Auld Reekie School, The, viii. 478 n.
• Auld Robin Gray (ballad), v. 141; vii. 253.
• Aumerle (Shakespeare’s Richard II.), i. 273.
• Aurelia, Duchess of Pietro Jacomo (in Marston’s Malcontent), v. 230.
• Aurelio and Miranda (Boaden’s), ii. 218.
• Aurora (newspaper), xi. 386.
• —— (in Le Sage’s Gil Blas), xii. 141.
• —— (Guido’s), ix. 237; xii. 36.
• —— (Poussin’s), vi. 171.
• Ausias (Italian author), x. 56.
• Austerlitz, i. 415; iii. 99, 112; vi. 13, 237.
• Austria, iii. 14, 104, 179.
• —— Archduke of, i. 310, 311.
• —— Emperor of, iii. 106, 107; ix. 277.
• Austrian Catechism, The, xi. 343–4.
• —— Troops, ix. 259.
• Austrians, ix. 187 n.
• Authors, On the Conversation of, vii. 24.
• ——, The Royal Society of, vii. 105.
• Autolycus (in Shakespeare’s Winter’s Tale), i. 155, 326; viii. 230, 388.
• Auvergne, Countess of, i. 292.
• Avare (Molière). See L’Avare.
• Avarice (in Spenser), v. 39.
• Avon, v. 297.
• Aylesbury, iii. 422.
• Ayr, ii. 78.
• Ayrton, William, vi. 195, 201; vii. 37.
• Ayton, Miss Fanny, xi. 378.

• B——, xii. 455 n.
• B., Arthur, ii. 211.
• B——, Col., ii. 194, 196.
• B., Dr, ii. 224.
• B., Duke of, ii. 225.
• B——ll, ii. 176.
• B——r, ii. 215.
• Babilonia, La (Salvator’s), x. 301.
• Babylon, v. 183, 203, 273; vii. 185; ix. 268; xii. 153.
• Baccano (a town), ix. 231.
• Bacchus, v. 81; viii. 28, 231; ix. 216, 220.
• —— and Ariadne (Titian’s), iv. 276; ix. 72.
• Bacon, Lord, i. 23, 82, 123; iii. 293; iv. 45, 200 n., 283, 365; v. 3, 175, 179, 307, 326, 332, 333; vi. 85, 154; vii. 182 n., 262, 306, 320; viii. 58, 100; ix. 28, 186, 243 n.; x. 249, 258, 291, 326; xi. 25, 26, 27, 163, 164, 203, 287, 323; xii. 35 n., 50, 369, 372.
• —— Friar, v. 334.
• —— Roger, vii. 443 n.
• Bacon’s Works, Character of Lord, compared as to Style with Sir Thomas Brown and Jeremy Taylor, v. 326.
• Bagdad, iii. 146.
• Bagnigge Wells, iv. 108; vii. 70; viii. 140; xi. 252.
• Bagot (Henry VI.), i. 295.
• Bagshot, xi. 375; xii. 13.
• Bailie Bradwardine (Scott’s Waverley), viii. 129; xi. 534.
• —— Nicol Jarvie (Scott’s Rob Roy), iv. 248.
• Baillie, Miss Joanna, v. 147, 148, 270; viii. 420 n.
• Baird, Mr (a mate), ii. 248, 249, 252.
• Baker, Mr (actor), viii. 318; x. 382.
• —— Sir George, ii. 174, 175.
• Bakewell, ii. 18.
• Bakhuysen, Ludolf, ix. 20.
• Balaam (in Holcroft’s The Exiles), ii. 201.
• —— (in Kotzebue’s Indian in England), ii. 196.
• Balafre (in Scott’s Quentin Durward), iv. 248.
• Balasteros, Francisco, x. 250.
• Bal Champêtre (Watteau’s), ix. 22, 23.
• Balfour of Burley (Scott’s Old Mortality), iv. 229, 247; viii. 129; xi. 381, 532.
• Ball, John, iii. 194, 303.
• Ballad on a Wedding (Sir John Suckling’s), v. 371; viii. 56.
• Ballads, On the Old English, v. 123.
• Ballantyne Press, vii. 222.
• Ballets, Two New, viii. 353.
• Balmawhapple (in Scott’s Waverley), xii. 91.
• Balmerino, Lord, iii. 285 n.; x. 161, 168.
• Baltimore, viii. 473; xii. 377.
• —— House, viii. 12.
• Banbury, ii. 14.
• —— Mutton, ii. 246.
• Banchieri, Monsignore, iii. 178.
• Bandello, Matteo, x. 9.
• Bandinelli, Baccio (Correggio’s), ix. 43.
• ——, Bartolommeo, ix. 219, 229.
• Bank of a River (Gainsborough’s), xi. 203.
• Banks, Henry, xi. 473.
• —— Sir Joseph, ii. 178, 183, 199, 203; vii. 210.
• —— Mr, ix. 56 n.
• —— Miss, ii. 206.
• —— the Miller (in The Merry Devil), v. 294.
• —— of the Thames (J. Wilson’s), xi. 247.
• —— of the Wye (Wordsworth’s), v. 156.
• Bannister, John, i. 155, 326; ii. 160, 162, 165, 195, 196, 197, 198, 202, 368; vi. 273, 417; vii. 76, 127; viii. 230, 234, 317, 387, 388, 514; xi. 366; xii. 24.
• Bannister’s Farewell, viii. 229.
• Banquo (in Shakespeare’s Macbeth), vi. 410; xi. 316.
• Banstead Downs, vi. 12.
• Baptistery, The, at Florence, ix. 212.
• Barabbas, v. 210.
• Barbara Yellowley (in Scott’s Pirate), xi. 534.
• Barbarelli, Giorgio. See Giorgione.
• Barbarosa (Brown’s), viii. 372.
• Barbaroux, vi. 102.
• Barbauld, Mrs (Anna Letitia), v. 147.
• Barber, Mrs, xii. 139 n.
• —— of Bagdad, The (in Arabian Nights), viii. 13.
• Barberigo Palace, The, ix. 269, 270.
• Barbieri, Giovanni Francesco. See Guercino.
• Barcelona, ix. 185.
• Barclay, Captain, viii. 203.
• Bard (Gray’s), xi. 326 n.; xii. 223.
• —— Bracy (in Coleridge’s Christabel), x. 415.
• Bardolph (in Shakespeare), ii. 72; viii. 33; xii. 7.
• Barebone’s Parliament, iii. 395.
• Baretti, G. M. A., vi. 381.
• —— Reynolds’ Portrait of, ix. 399.
• Bareuth, the Margravine of, vi. 445.
• Barker, Benjamin, xi. 248.
• Barkley, Sir Robert, ii. 224.
• —— Miss, ii. 224.
• Barlow, Joel, iii. 460.
• Barmecide, The, iii. 139; iv. 337; vi. 53; viii. 13.
• Barnaby Brittle (a play founded on Molière), viii. 28.
• Barnard, Mr (actor), viii. 241, 279, 280, 302, 399, 460, 475, 525, 532.
• —— Sir John, iii. 413.
• Barnard’s Inn, ii. 218.
• Barnes, Mrs and Mr, viii. 271, 439.
• Barney o’ Mulchesen (in Leigh’s Where to Find a Friend), viii. 258, 260.
• Baron of Bradwardine (Scott’s Waverley), iv. 247.
• —— Wildenheim (in Mrs Inchbald’s Lovers’ Vows), viii. 335.
• Barrés, The, iii. 420; iv. 237; xii. 293.
• Barrett, George, vi. 380.
• Barrière d’Enfer (a gate), ii. 235.
• Barrois, Monsieur, ii. 268.
• Barrow (artist), vi. 365.
• —— Isaac, iii. 151; v. 147; viii. 26, 63; xii. 346.
• —— Sir John, ix. 247 n.
• Barry, Colonel, ii. 191, 212, 224, 228.
• —— James, ix. 413;
  • also referred to in i. 35, 148, 150; ii. 221; iii. 257; vi. 270, 340, 372; vii. 89; ix. 31, 35, 225, 363 n., 380; x. 199, 200, 280; xi. 226; xii. 186, 194–6, 221, 292.
• —— Mrs, i. 157; viii. 160.
• —— Spranger, viii. 209; xii. 33.
• Barrymore (actor), iii. 206; viii. 410; xi. 277, 305.
• —— Mrs, iii. 206; xi. 364.
• Bartholine Saddletree (in Scott’s Heart of Midlothian), iv. 248; ix. 151; xii. 91.
• Bartholomew Fair, ii. 77 n.; iii. 312; vi. 436; viii. 45, 400; ix. 143, 196, 212; xi. 349, 360, 372; xii. 20.
• Bartlemy Fair. See Bartholomew Fair.
• Bartley, George (actor), viii. 177, 234, 258, 278, 280, 315, 327, 331, 464, 474, 528; xi. 277, 370, 374, 389.
• —— Mrs, viii. 302.
• Bartoline Saddletree. (See Bartholine Saddletree.)
• Bartolommeo, Fra, ix. 226.
• Bartolozzi, Francesco, xi. 392.
• Barton, Bernard, i. 423; x. 405.
• Basedaw, J. B., ix. 483.
• Basil (Miss Baillie’s), v. 147; viii. 555.
• Basile, Madame, i. 90; vii. 304.
• Basingstoke, Mayor’s Feast at, vi. 498.
• Basle, ii. 185; ix. 295, 298.
• Bassanio (in Shakespeare’s Merchant of Venice), viii. 179, 180, 465.
• Bassano II, Jacopo da Ponte, ix. 35, 43, 355, 386.
• Bastard, The (in Shakespeare’s King John), i. 311; viii. 347.
• Bastile, The, i. 105 n., 388, 427; ii. 217; iii. 290; iv. 92, 93, 218; xi. 197; xii. 135, 287.
• Bates, Miss. See Harrop, Miss.
• Bates, William, iii. 266.
• Bates’s (Joah) Company, ii. 79, 212.
• Bath, ii. 87, 199, 260, 267; vii. 306; viii. 405; ix. 277; xii. 139 n.
• Bath Easton Vase, The, ii. 87.
• Bath Guide (Anstey’s), viii. 560.
• Bath, Lord, vi. 378.
• Bath Theatre Royal, viii. 254, 335, 410.
• Bath of Diana (Titian’s), i. 72; ix. 27.
• Bath of Seneca (Luca Giordano’s), ix. 67.
• Baths of Titus, The, ix. 234.
• Bathsheba (Wilkie’s), v. 141.
• Bathurst, Allen, Lord, iii. 408; ix. 140, 187 n.
• Batte, Batte, Masetto (a song), viii. 365, 370; xi. 308.
• Battle of Hexham, The (G. Colman, the younger), ii. 109.
• Battle of Norlingen (Rubens’), ix. 41.
• Battle-piece (Barker’s), xi. 248.
• —— (Giulio Romano’s), ix. 43.
• —— (Salvator Rosa’s), ix. 226; x. 303.
• Baveno, ix. 278.
• Baviad (Gifford’s), i. 380, 385, 396; iv. 304, 309; vi. 221.
• Baxter, Richard, iii. 266; vi. 76, 364; vii. 243, 320, 321; xii. 383.
• Bayes (in Villiers’ The Rehearsal), iii. 97; ix. 319; x. 11, 19, 388.
• Bayle, Pierre, i. 82; xi. 323.
• Beacon, The (a periodical), vi. 518 n.; xi. 534; xii. 259.
• Beaconsfield (the place), iii. 137; iv. 284.
• Beatrice (Dante’s Divina Commedia), x. 87.
• Beatrice (Shakespeare’s Much Ado About Nothing), ii. 110; viii. 32, 401 n.
• —— (in J. P. Kemble’s Pannel), xi. 305.
• Beattie, James, iii. 225; vi. 444, 445.
• —— Mrs, vi. 445.
• Beauclerc, Topham, viii. 103.
• Beau Didapper (in Fielding’s Joseph Andrews), viii. 115; x. 33; xii. 226.
• Beau Mordecai (in Macklin’s Love a la Mode), viii. 387.
• Beau Tibbs (in Goldsmith’s Citizen of the World), viii. 105.
• Beaufre, Madame, xi. 366.
• Beaumont, Francis, v. 295;
  • also referred to in iv. 367; v. 175, 176, 193, 224, 296, 344 n., 346; vi. 192, 193, 203, 218 n.; vii. 134, 229, 320, 321; viii. 48, 69, 89, 264, 353; x. 118, 205, 261; xii. 34.
• —— Sir George, vi. 375; vii. 293; ix. 472; xi. 548.
• —— Sir John, v. 297.
• —— and Fletcher, Ben Jonson, Ford, and Massinger, On, v. 248.
• Beaumont Street, ii. 163.
• Beaunoir, Count de (in Holcroft’s Anna St Ives), ii. 128.
• Beausobre, Isaac de, vi. 76.
• Beauties of Charles II.’s Court (Lely’s), ix. 38.
• Beauty, On, i. 68.
• Beaux’ Stratagem, The (by George Farquhar), ii. 77 n.; viii. 10, 88.
• Beccaria, Cesare Marchese de, xii. 466.
• Beckford, William, ix. 56 n., 59, 60, 349, 350, 351, 352; xii. 84.
• Beckmann, J., ix. 483.
• Beddoes, Dr Thomas, ii. 212; iii. 350 n.; xi. 579.
• Bede, The Venerable, ii. 187.
• Bedford, Duke of, ii. 219; vii. 12, 13, 228, 276.
• Bedlam, i. 139; iv. 196; v. 191; vi. 167, 280.
  • See also Diccon.
• Beecher, Mrs. See Miss O’Neill.
• Beechey, Sir William, ii. 180, 189, 198, 214; vi. 302, 388, 397; ix. 21.
• Bee-Hive, The (by John G. Millingen), viii. 315; xi. 367.
• Beelzebub, iii. 373.
• —— (Milton’s Paradise Lost), v. 61.
• Bees-Inn, ii. 317.
• Beggar of Bethnal-green (by Mr Grimaldi), viii. 351.
• Beggar’s Bush, The. See Kinnaird’s Merchant of Bruges, viii. 264, 265.
• Beggar’s Opera (Gay’s), i. 65; viii. 193, 254; xi. 373;
  • also referred to in i. 80, 154, 394; iii. 131 n., 210, 252; v. 10, 98, 106, 107, 108, 374; vi. 292, 293; viii. 56, 158, 162, 165, 178, 315, 323, 330, 341, 470, 473, 476; x. 153, 311, 355; xi. 317, 533; xii. 57, 130, 169, 355.
• Begri, Signor (Begrey, Pierre Ignace), viii. 326.
• Begum, Sheridan’s Speech on the, iii. 252; viii. 166.
• Behmen, Jacob, iv. 217; vii. 199; viii. 479; x. 138, 141, 145.
• Belcher, Jem, xi. 487; xii. 7, 9.
• —— Tom, xii. 2, 9.
• Belcour (in Cumberland’s West Indian), viii. 511.
• Belfield, Mrs, viii. 241.
• Belhaven, Lord, iii. 403.
• Belief, Whether Voluntary? xii. 439.
• Belinda (in Vanbrugh’s The Provoked Wife), viii. 83.
• —— (Pope’s), i. 26; v. 72, 73; viii. 134; ix. 76; xi. 505.
• Bell, Andrew, i. 123; iii. 297; x. 133, 134.
• Bell of Antermony (Dr John), x. 15, 16.
• —— Mr, ii. 201.
• Bellafront (in Dekker’s The Honest Whore), v. 238, 239, 241, 247; vi. 192.
• Bellario (in Beaumont and Fletcher’s Philaster), v. 262, 296.
• Bellarius (in Shakespeare’s Cymbeline), v. 258; viii. 540.
• Belle’s Stratagem, The (Mrs Cowley), viii. 163; xi. 404.
• Bellini, Gentile, xi. 238.
• Bellochi, Madame, vi. 402.
• Belmore, Mrs (in Mrs Kemble’s Smiles and Tears, or The Widow’s Stratagem), viii. 266.
• Belphœbe (Spenser’s), v. 38; viii. 364; x. 83, 348; xi. 307.
• Belsham, William, ii. 219.
• Belvidera (in Otway’s Venice Preserved), i. 157; v. 354, 355; vii. 306; viii. 210, 307, 391, 397, 459; x. 243; xi. 297, 382, 402, 403, 407; xii. 122.
• Bembo, Cardinal, ix. 238.
• Ben (in Congreve’s Love for Love), vii. 127; viii. 72, 152, 278, 555.
• Ben Jonson (and Shakespeare), On, viii. 30.
• Ben Lomond, iv. 245.
• Benedick (in Shakespeare’s Much Ado), viii. 32.
• Benedict XIV. (Lambertini), vi. 379.
• Benfield, Paul, ii. 176, 222, 226.
• Bengough (actor), viii. 335, 353; xi. 303.
• Bennet, Mr, iii. 236.
• Bennett, Mrs (in Fielding’s Amelia), vi. 457; viii. 114, 115; x. 33.
• Bensley, Robert, ii. 81.
• Benson, William, x. 377.
• Bentevole (in Jephsen’s Italian Lover), viii. 337.
• Bentham, Jeremy, iv. 189; xi. 411;
  • also referred to in i. 139; iv. 200, 225; vi. 151, 356; vii. 49, 50, 129, 186, 240, 250; viii. 411; xi. 414, 415; xii. 86 n., 255, 281, 362, 415, 466, 470.
• Bentinck, Lord William, iii. 179.
• —— William Henry Cavendish. See Portland (Duke of).
• Bentley, Richard, x. 163, 164; xi. 178 n.
• —— Thomas, ii. 203.
• Beppo (Lord Byron’s), vi. 210; viii. 153; xi. 423.
• Berchem, Nicolaas Pietersz, called Berchem or Berghem, ii. 189, 198; ix. 22, 59, 355.
• Berenice, vi. 238; vii. 125; xii. 203.
• Beresfords, The, ii. 169.
• Berg (sculptor), ix. 355.
• Bergami, Bartolomeo, xi. 556.
• Berghem. See Berchem.
• Berinthia (in Vanbrugh’s The Relapse), viii. 80, 83, 153.
• Berkeley, Bishop, George, i. 411; iv. 216, 283; vi. 64, 191 n.; vii. 224, 306, 415 n., 434 n., 448; ix. 19, 289; x. 141, 249; xi. 1, 9, 12, 14, 22 et seq., 32, 42, 65, 100, 101, 108, 109, 112, 129, 130, 173 n., 285, 579; xii. 35, 266, 319, 346, 397 n.
• —— Square, ii. 213, 272.
• Berkshire, ii. 4, 7, 41.
• —— Earl of, iii. 402.
• Berlin, ii. 186; iii. 99; viii. 429, 528; xi. 195.
• Bermudas, v. 372.
• Bernadotte, iii. 106, 107.
• Bernardino Perfetti (Godwin’s), x. 391.
• Berne, ix. 285.
• Bernini, Giovanni Lorenzo (sculptor), vi. 353; vii. 89; ix. 164; x. 292, 296, 298.
• Berquin, Arnauld, ii. 114.
• Berri, Duke of, xi. 390.
• Berry’s, The Miss (Miss B...s), vi. 461.
• Berteche, Monsieur (actor), xi. 366.
• Berthier, Alexander, iii. 192.
• Bertram (Miss Baillie’s), v. 147.
• —— (Maturin’s), viii. 304;
  • also referred to in viii. 335, 352, 368, 416, 421, 478, 530; x. 158 n.; xi. 418.
• Berwick (smack), ii. 300.
• Bessus (in Beaumont & Fletcher’s King and No King), v. 252.
• Bethlem Gabor, the dungeon of (Godwin’s), x. 389.
• Betrothed, The (Scott’s), xii. 88.
• Betsy Thoughtless (Heywood’s), x. 24.
• Betterton, Thomas, i. 8, 157; iii. 389; viii. 96, 160.
• Bettinelli, Xavier, ix. 483.
• Betty Foy (Ballad of), (Wordsworth’s), xii. 270.
• Betty, Old, ii. 47, 48, 49.
• —— William Henry West, iv. 233; vi. 294, 295 n., 342.
• Beverley (in Miss Burney’s Cecilia), vi. 120.
• Beverley, Mrs (in Moore’s The Gamester), vii. 299; viii. 210, 223, 391, 397; xi. 382, 408.
• Bevil, Mr (in Steele’s Indiana), viii. 158.
• Bewdley (the town), ii. 66, 196.
• Bewick, Thomas, iv. 277, 337; vi. 53, 522.
• Bex (a town), ix. 284.
• Bexley Baron. See Vansittart.
• Beyle, Marie Henri, ix. 250, 278; xii. 96 n.
• Bianca (in Middleton’s Women beware Women), v. 214–16.
• —— Capella (Tuscany, Grandduchess of), vi. 453.
• Bibby, Mr (an American), viii. 299 n.
• —— (actor), viii. 318, 351.
• Bible, The, v. 15, 16, 116, 182, 183; vi. 392; viii. 284; x. 124, 125, 132; xi. 312, 452 n., 506.
• Bible (Raphael’s), ix. 240.
• —— Society, i. 139.
• Bienne, Lake of, i. 91, 92; ix. 297.
• Big Ben, iv. 342.
• Bigordi, Domenico. See Ghirlandaio.
• Bilfinger, G. B., ix. 483.
• Billingsgate, ii. 244; iii. 445; iv. 252; vii. 375; ix. 247; xi. 546.
• Billington, Mrs Elizabeth, vi. 292; ix. 472.
• Bills of Mortality, The, vi. 160; vii. 376.
• Bingley, Lord, iii. 422.
• Biographia Literaria (Coleridge’s), i. 401; iii. 243 n.; v. 118; vii. 38.
• Birch (Mr, picture-cleaner), ii. 185, 198, 218, 224.
• —— of Cornhill, iii. 445.
• Bird, Edward, vi. 360; xi. 188, 189, 244.
• Birds (of Aristophanes), viii. 28.
• —— (M. Chantry’s), xi. 248.
• Birmingham, ii. 14, 69, 70; v. 286; ix. 302; x. 149 n.; xii. 267.
• Biron (in The Fatal Marriage), viii. 210, 397; xi. 407.
• —— (in Shakespeare’s Love’s Labour’s Lost), viii. 553; xi. 360.
• Birth of Flattery (Crabbe’s), xi. 606.
• Birthday Odes (Cibber’s), viii. 160, 359.
• —— Ode (Southey’s), x. 242.
• Bishop, Sir Henry Rowley, viii. 254.
• Bishop’s-gate Street, vii. 212.
• Bitter pangs (a glee), ii. 190.
• Black Breeches, alias Hercules, xii. 214.
• Black Bull, The, xii. 277.
• Black Dwarf (Scott’s), iv. 246, 248; vii. 339, 343, 345; viii. 129, 422.
• Black Eyed Susan (Gay’s), ii. 243; v. 109.
• Black Forest, The, ix. 298.
• Black George (in Fielding’s Tom Jones), vi. 452, 457; viii. 114.
• Black, Dr Joseph, ii. 178, 415.
• Black Lion Inn, ii. 59.
• Black Ousel (song), viii. 275.
• Black Prince, i. 100.
• Blackamoor’s Head Inn, ii. 19.
• Blackheath, ii. 270, 344.
• Blacklock, Thomas, v. 122.
• Blackmore, Sir Richard, i. 425; v. 108, 164; vi. 180; vii. 185; xi. 123, 489.
• Blacksmith of Antwerp, O’Keeffe’s Farce, viii. 534.
• Blackstone, Sir William, Judge, iv. 296; vi. 197; vii. 374, 380; viii. 107; x. 27.
• Blackwall (London), xii. 275.
• Blackwood, Mr William (publisher), iv. 245, 246, 361; vii. 66, 123, 183, 380; ix. 233, 451; xi. 360; xii. 258, 272, 275, 284, 314, 315.
• Blackwood’s Magazine, i. 384; iv. 206, 419; vi. 222, 299, 478–9, 494, 498, 508, 518; vii. 137 n., 378; viii. 479; ix. 247; x. 221, 407, 411; xi. 322, 484, 547, 610; xii. 255, 259, 297, 384, 455.
• Blair, Robert, iv. 346.
• Blake, Robert (Admiral), vi. 380.
• —— William, vii. 95.
• Blanc, Mont, vii. 368; ix. 279, 283, 288, 291–4, 296.
• —— —— (Shelley’s), x. 270.
• Blanch, in Shakespeare’s King John, xi. 411.
• Blanchard in Tuckitomba, xi. 365.
• —— William, viii. 251; xi. 305, 374.
• Blanche Mackay (in Planché’s Carronside), xi. 388, 389.
• Bland, Mrs, viii. 237.
• Blefuscu (in Swift’s Gulliver’s Travels), v. 111.
• Blenheim Palace, vi. 14, 172, 174, 188, 444; ix. 53, 71, 113, 144 n., 387; xi. 228 n.
• Blifil (in Fielding’s Tom Jones), iii. 172; iv. 169; vi. 452, 457; vii. 231, 363; viii. 113, 165, 506, 560; xi. 436; xii. 63.
• Blind Fiddler (Wilkie’s), vi. 259 n.; viii. 140, 141; xi. 250, 251, 253.
• Blind-Man’s-Buff (Wilkie’s), ix. 15.
• Blondeau (in Pigeons and Crows), viii. 468.
• Blondel (in Romance of Richard Cœeur de Lion), x. 54.
• Bloody Brother, The (Beaumont and Fletcher’s), v. 261.
• Bloomfield, Robert, v. 95–7, 377; xii. 53 n.
• Bloomsbury Square, vii. 249; xi. 344.
• Blossom, lines to (Donne’s), viii. 51.
• Blount, Martha, v. 71; xi. 432, 507.
• —— Patty, xii. 31, 32.
• Blowing Hot and Cold (Jordaens’), ix. 21.
• Blücher, Gen., iii. 63; vii. 156 n.; ix. 465; xi. 195, 197.
• Blue Anchor, xii. 272.
• Blue Beard, viii. 14; x. 393.
• Blue Stocking (Moore’s M.P. or the), viii. 239.
• —— —— Affair, xi. 386.
• Bluemont, Lady, xii. 276.
• Boa constrictor, iii. 448.
• Boaden, James, ii. 199, 218; vi. 341, 342.
• Boar-hunt (Snyder’s), ix. 54.
• Boarding House, The (by Samuel Beazley), viii. 239.
• Bob Acres (in Sheridan’s School for Scandal), viii. 165, 388, 508; xii. 24.
• Bobadil (in Ben Jonson’s Every Man in his Humour), iii. 65; v. 198; vi. 275; viii. 44, 310.
• Bobby, Master (in Sterne’s Tristram Shandy), i. 135.
• Boccaccio, Giovanni, i. 25, 80, 138, 161, 163, 164, 331, 332; v. 13, 19, 29, 30, 32, 45, 76, 82, 186, 189, 240, 346, 347; vi. 121 n., 369, 393; vii. 93, 227, 303; viii. 94, 110, 133; ix. 75, 211; x. 30, 45, 67, 68, 69, 75, 76, 77, 409; xi. 256, 424, 501, 505, 517; xii. 30, 43, 67, 134, 323.
• Boccarelli (a composer), vi. 432.
• Boconnock (a town), iii. 414.
• Bodleian, The, vi. 188.
• Bohemia, i. 346; viii. 283; xi. 451, 452.
• Boileau Nicolas (sieur Despréaux), ii. 166; v. 106; viii. 29; x. 232, 250.
• Bois de Boulogne, The, ix. 158.
• Boissy (town), i. 18; v. 100.
• Boleyn, Ann, ix. 23; x. 244.
• Bolingbroke (in Shakespeare’s Richard II.), i. 272–3, 275–6, 294, 296; viii. 76, 224.
• —— Henry St John, Viscount, iii. 337, 409, 410; iv. 90 n.; v. 76, 77; vii. 117; xii. 31, 50, 155 n.
• Bolivar, Simon, x. 255; xi. 385.
• Bologna. See also Domenichino, vi. 239; ix. 197, 205, 206, 207, 208, 211, 263, 264, 275, 282, 409, 417; xii. 48 n.
• —— John of, painter. See John of Bologna.
• —— la dotta, ix. 207.
• Bolsena (town), ix. 231.
• Bolton, Duchess of, xii. 35.
• Bonchamps, General, vii. 331.
• Bond, Oliver, ii. 188, 190.
• Bond Street, ii. 212, 222, 227; iii. 132; vi. 162, 375; vii. 212; viii. 250; xi. 343, 385, 441, 486; xii. 226, 277, 329.
• Bondman, The (Massinger’s), v. 266.
• Bonduca (Beaumont and Fletcher’s), v. 261.
• Bone, Henry, vi. 241.
• —— R. T., xi. 247.
• Boniface, v. 293.
• Bonnafoux, Messrs, ix. 183, 199.
• Bonnar, Charles, ii. 113.
• Bonneville, Nicholas de, ii. 107, 108, 109, 112, 113, 163, 268.
• —— (place), ix. 294.
• Bonney, Mr, ii. 151.
• Bonomi, Joseph, x. 201.
• Booby, Sir Thomas (in Fielding’s Joseph Andrews), vii. 363.
• Book of the Church (Southey’s), iv. 267; xii. 305.
• Book of Martyrs, the (Foxe’s), iii. 265.
• Book of Sports (James the First’s), xii. 20.
• Books, On Reading Old, vii. 220.
• Boors Merry Making (Ostade’s), ix. 26.
• —— (Teniers’), ix. 35.
• Booth (Fielding’s), vii. 84; xii. 64.
• —— David, iv. 393.
• —— Henry (Earl of Warrington), iii. 400.
• —— Junius Brutus, i. 157; ii. 75, 78, 91, 103; viii. 160, 354, 355, 357, 368, 404, 410, 428, 430, 440, 441, 450, 472.
• —— Miss, viii. 235, 254.
• Booth’s Company, ii. 72, 75, 79.
• —— Duke of Gloster, viii. 354.
• —— Iago, viii. 355.
• —— Richard III., viii. 355, 357.
• Border Minstrelsy, The (Scott’s), v. 155.
• Borghese Palace, The, ix. 238.
• —— Princess, The, vi. 382; vii. 113.
• Borgia, Cæsar, ii. 172.
• —— Portrait of (Raphael’s), ix. 238.
• —— Lucretia, vi. 401; ix. 238; xii. 36.
• Borgo de Renella, The, x. 282.
• Boringdon, Lord John, vi. 349, 376.
• Born, Bertrand de (Vicompte Hautefort), x. 54.
• Borodino (a conspirator), iii. 113.
• Borough (Crabbe’s), iv. 351, 352; viii. 454; xi. 606.
• Boroughbridge, iii. 405.
• Boroughmongers, iv. 338.
• Borromees, The Isles, ix. 278.
• Borromeo, The Marquis of, ix. 278.
• Boscow (a town), ii. 167.
• Bosola (in Dekker’s Duchess of Malfy), v. 246.
• Bossu, René le, x. 8.
• Bossuet, Jacques Benigne, vii. 321; ix. 119.
• Bostock, John, vi. 488.
• Boston (U.S.A.), viii. 473; x. 316; xii. 377.
• Bosville, William, ii. 199.
• Boswell, James, i. 138, 174; ii. 178; 181, 183, 184, 187, 190; vi. 205 n., 366, 401, 505; vii. 36; viii. 103; xi. 221; xii. 27, 31.
• Botany Bay, v. 163; viii. 405; xi. 554.
• Botany Bay Eclogues (Southey’s), v. 164.
• Both, Jan, ix. 20.
• Botherby, Mr (William Sotheby), xii. 276.
• Bothwell (Scott’s Old Mortality), iv. 247; viii. 129.
• Botley (town), i. 425; iv. 337; vi. 53, 102; vii. 25.
• Bottle Imp, The (by Richard Brinsley Peake), xii. 229.
• Bottom (in Shakespeare’s Midsummer Night’s Dream), i. 61, 379, 424–5; ii. 59; iii. 85; viii. 275, 276, 420; xi. 338.
• Boucher, François, vi. 130 n.
• Bouilly, M., ii. 235.
• Boulevards, The, ix. 143, 153, 192; xii. 146, 170 n., 189.
• Boulton-le-Moors, vii. 174 n.
• Bourbonnois, The, ix. 179, 180.
• Bourbons, i. 99; iii. 31, 33, 39, 46, 52, 61, 62, 63, 80, 81, 82, 97, 99, 100, 101, 105, 108, 109, 118, 123, 130, 132, 169, 171, 172, 216, 227, 228, 263, 279, 295, 313, 314, 435, 446; iv. 249, 307, 320, 359, 360; vi. 150, 189, 197, 324; vii. 34, 128; viii. 174, 309, 319, 322, 323; ix. 104, 157, 181, 244; x. 220, 233, 250; xi. 196, 339, 417, 509, 529; xii. 104, 236, 320, 457, 460.
• —— and Bonaparte, The, iii. 52.
• Bourdon, Sebastian, ix. 110.
• Bourgeois, Sir Peter Francis, ii. 181, 184, 198; vi. 120; ix. 18, 20.
• —— Gentilhomme (Molière), v. 2; viii. 28, 193; x. 107; xi. 355, 383.
• Bouton, Charles Marie, ix. 124.
• Boutterwek, Professor, x. 46.
• Bouverie, Mr, ii. 190.
• Bow-bells, vii. 254.
• Bowdich, Thomas Ed., ix. 255.
• Bow Street, ii. 173; xii. 120.
• Bower, Archibald, ii. 172.
• —— of Bliss, The (Spenser’s), v. 36, 38.
• Bowes, George, ii. 73.
• Bowkitt (dancing-master), vi. 417.
• Bowles, William Lisle, xi. 486;
  • also referred to in iv. 217, 259; v. 379; x. 138.
• Bowling, Lieutenant, viii. 116.
• Boxhill, xii. 146.
• Boy Lamenting the Death of his Favourite Rabbit (W. Davison’s), xi. 248.
• Boyardo, Matteo Maria, x. 69.
• Boyce, Miss, viii. 184, 515.
• Boyd, Walter, ii. 176, 226.
• Boydell, Alderman John., vi. 362, 434; viii. 515.
• Boyer (artist), ix. 167.
• Boyle, Miss, viii. 333, 336, 534.
• Boyle’s Rosalind, Miss, viii. 336.
• Boys with Dogs fighting (Gainsborough’s), xi. 204.
• Bracebridge Hall (Irving’s), iv. 367.
• Bracegirdle, Mrs, i. 157; viii. 160.
• Brachiano. See Duke of Brachiano.
• Bradamante (Tasso’s), x. 71.
• Bradshaw, President, vi. 418.
• Bradwardine. See Cosmo Comyne Bradwardine.
• Braes of Yarrow, The (by William Hamilton), v. 142.
• Braham, John Abraham, vii. 70; viii. 225, 226, 229, 297, 326, 451, 452, 453, 459, 461, 470, 528, 559; ix. 152; xi. 370, 378.
• Brahmins, vi. 81.
• Brain-worm (in Ben Jonson’s Every Man in His Humour), viii. 45, 310, 311.
• Brakenbury (in Shakespeare’s Richard III.), xi. 193, 399.
• Bramhall, Bishop, xi. 54, 579.
• Bramhead (Mr), ii. 175.
• Brancaccia, Cardinal, x. 283.
• Brandenburg-House, vi. 386.
• Brandes (German dramatist), ii. 116.
• Brandreth, Jeremiah, iii. 280.
• Branghtons, The (Miss Burney’s, in Evelina), vi. 157, 160; vii. 72; viii. 124; x. 42; xi. 442.
• Brass (in Vanbrugh’s Confederacy), viii. 80.
• Brazen Horses, The (at the Tuilleries), ix. 113.
• —— —— (at Venice), ix. 274.
• Breakfast-table (Wilkie’s), ix. 36.
• Breaking the Ice (Jas. Burnett’s), xi. 247.
• Bremen, ii. 195.
• Brenda (in Scott’s Pirate), xi. 536.
• Brennoralt (Suckling’s), viii. 57.
• Brenta, The, ix. 266; xii. 51.
• Brentford, i. 350; viii. 140; ix. 42; xi. 252.
• Brescia, ix. 275, 277.
• Breton, Mr, ii. 213, 225.
• Breughel, see Brueghel.
• Brewer, Anthony, v. 292.
• Brian, Mr (picture collector), ix. 33 n.
• Brian de Bois-Guilbert (in Scott’s Ivanhoe), viii. 426.
• Brian Perdue (Holcroft’s), ii. 236.
• Briareus, xii. 221.
• Bride of Abydos, The, x. 15.
• Bride of Lammermuir, The (Scott’s), xii. 141.
• Bridewell, iv. 312; viii. 143.
• Bridge at Llangollen (Wilson’s), xi. 199.
• Bridge of Sighs at Venice, The, ix. 275; xi. 422.
• Bridge St. Association, vi. 190; xii. 267.
• Bridget Allworthy (in Fielding’s Tom Jones), viii. 113.
• Bridgewater, vi. 186; xii. 269, 274.
• —— Duke of, ix. 33 n.
• —— Mrs, ix. 447.
• Brigg (town), vii. 169, 177; ix. 255, 280, 281.
• Brighton, ii. 200; iii. 246; viii. 354, 355, 405; ix. 89, 90, 91, 94; xi. 497.
• Brigs of Ayr, The (Burns), v. 132.
• Brill, Paul, ix. 66.
• Brisk, Mr (Congreve’s Double Dealer), viii. 72.
• Bristol, ii. 212; iii. 421; vi. 95; vii. 10; ix. 98; xi. 418; xii. 10, 270, 274.
• Bristol Channel, The, xii. 272.
• —— Countess of. See Chudleigh, Elizabeth.
• —— Lord, iii. 399.
• Bristow, Miss C., viii. 235, 244.
• British Gallery, The, i. 157; vi. 171 n., 173; viii. 133; ix. 12, 472; xi. 201, 202, 453.
• —— Institution, The, xi. 242, 246, 248;
  • also referred to in i. 25, 77; ix. 13, 75, 392, 401 n., 464, 471, 476; x. 196; xi. 187; xii. 327.
• —— ——, The Catalogue Raisonné of the, i. 140, 146; ix. 311.
• —— Museum, i. 144; ix. 168 n.
• —— Novelists (Cooke’s), vii. 223.
• —— Poets, Dr Johnson’s Lives of, v. 46; viii. 58.
• Britomart (Spenser’s), v. 38.
• Britton, John, vi. 213, 492.
• —— Thomas. See Small-Coal Man’s Musical Parties.
• Brobdignag (Swift’s Gulliver’s Travels), v. 112; x. 131; xi. 483.
• Brocard, Mademoiselle, vi. 415; xi. 371.
• Brodum, Dr, xii. 297.
• Broken Heart, The (Ford’s), v. 269, 273.
• —— Sword (play), viii. 535.
• Brompton, ii. 196; xii. 353.
• Bromsgrove, ii. 66, 196.
• Bronzino (painter), ix. 225.
• Brooke (Fulke Greville), Lord, iv. 216; xii. 34.
• Brookes’s, ii. 200.
• Brother Jonathan, x. 313.
• —— the Younger (in Milton’s Comus), viii. 231.
• Brothers, Richard, ii. 226.
• —— The (Cumberland’s), ii. 206.
• Brougham, Henry, Lord, iii. 128, 214, 234, 240; iv. 225, et seq., 318, 337; vi. 87; vii. 505; xi. 465, 468, 469, 470; xii. 275, 459.
• Brougham, Henry, Esq., M.P., the speech of, iii. 127, 132.
• Broughton (the fighter), xii. 14.
• Brouwer, Adrian, ix. 20.
• Brown, Charles Brockden, vi. 386; x. 310, 311.
• —— Mr, vi. 379.
• —— Mountain, The (in Cervantes’ Don Quixote), vii. 465.
• —— Thomas, iii. 311, 319; vii. 368; viii. 176 n.
• —— William, v. 98, 122, 311.
• —— William George, ii. 204, 225, 228.
• Browne, Sir Thomas, v. 326;
  • also referred to in iv. 365, 367; v. 131, 333, 339, 341, 343; vi. 225, 245; vii. 36, 320, 443 n.; viii. 480; xi. 559, 572; xii. 27, 150.
• Brownrigg, Mrs, iii. 220, 238; vii. 350.
• Bruce, James, ix. 349.
• —— Mr, xi. 554.
• —— Michael, v. 122.
• Bruckner, Rev. John, iv. 402.
• Brueghel, Jas., ix. 349, 354.
• —— Peter Peters, ix. 354.
• Brueys, François Paul, ii. 214.
• Bruges, viii. 265.
• Bruin (in Butler’s Hudibras), viii. 65.
• Brummell, George Bryan (Beau Brummell), ix. 464; xii. 124.
• Brunet, Jean-Joseph Mira, called, ix. 154, 174.
• Bruno, Jordano (or Jordanus), iii. 139; xii. 403.
• —— (in Pocock’s Ravens, or the Force of Conscience), xi. 305.
• Brunswick, Duke of, iii. 461; xi. 555.
• —— House of, iii. 159, 285; iv. 206, 249; vi. 155; vii. 34; xii. 288.
• Brunton, Miss, vi. 277; viii. 454, 461, 513; xi. 396, 401, 402, 404.
• Brunton’s Rosalind, Miss, xi. 396.
• Bruscambille (in Sterne’s Tristram Shandy), vii. 221.
• Brussells, ii. 173; xi. 289.
• Bruton Street, ix. 158.
• Brutus, i. 435; ii. 361; iv. 205; vi. 176; ix. 373.
• —— (David’s), ix. 134.
• —— exhorting the Romans (Eastlake’s), xi. 243, 247.
• —— (in Buonaparte’s Charlemagne), xi. 234.
• —— (Shakespeare, Julius Cæsar), i. 157; iii. 170; v. 52; vi. 274; vii. 344; viii. 379, 410.
• —— the latter, Ode to (Cowley’s), viii. 58.
• —— the Trojan, vii. 255, 341; x. 20 and 21.
• Bubble (in Cooke’s Greene’s Tu Quoque), v. 289, 290.
• Buccaneers, History of the (Captain Burney’s), iii. 290.
• Bucephalus (a horse), xi. 3.
• Buchan, Dr A. P., ii. 237, 238.
• —— Earl of, ix. 422.
• Buck, Mr, ii. 78.
• Buckhurst, Lord (afterwards Earl of Dorset), v. 193.
• Buckingham, Duke of, iii. 394, 400; iv. 350; v. 78; vii. 96; viii. 22, 69; ix. 354; xii. 161 n., 286.
• —— —— (in Shakespeare’s Richard III.), viii. 182, 183, 354.
• —— Duchess of, and her Children, Vandyke, vi. 14; ix. 72.
• —— J. S., vii. 184; xi. 386.
• —— House, vi. 438.
• Buckinghamshire, iii. 397; xi. 303.
• Buffamalco (artist), xii. 274 n.
• Bull, Bishop, vi. 76.
• —— calf, viii. 33.
• —— (Paul Potter’s), ix. 301.
• Buller, Judge (Sir Francis), ii. 186, 199.
• Bullock, William, i. 8, 157.
• Bully Bottom (in Shakespeare’s Midsummer Night’s Dream), x. 216.
• Bulmer, Mrs Mary Ann, viii. 241.
• Bulwer, x. 404.
• Bunbury, Sir Charles, vii. 111, 211.
• Bunbury, Lady Sarah, vi. 454; vii. 111.
• Bunce (in Scott’s Pirate), xi. 535.
• Buncle, John, i. 51;
  • also referred to in iii. 142; vii. 35.
• Bundle (in Dibdin’s Waterman), ii. 79.
• Bunker’s Hill, vi. 322.
• Bunn, Mrs, viii. 391, 393.
• Bunyan, John, ii. 43; iv. 365; v. 14, 94; x. 24; xii. 33.
• Buona, Figliola (Italian opera), ii. 86.
• Buonaparte, Napoleon, iii. 52, 380;
  • also referred to in i. p. xxxi., 45, 97, 139, 415, 425, 429; ii. 172, 173, 175, 176, 185, 187, 188, 196, 199, 204, 211, 300, 304, 305, 331, 333, 343, 383; iii. 7, 34, 36, 39, 50, 57, 58, 59, 60, 63, 65, 68, 72, 76, 78 n., 80, 82, 83, 84, 93, 95, 99, 100, 101, 105, 107, 108, 109, 111, 112, 119, 120 n., 126, 140, 154, 158, 159, 168, 169, 179, 181, 221, 227, 228, 235, 246, 295, 435, 447; iv. 92, 296, 324, 359; v. 66, 128, 153, 154; vi. 93, 102 n., 106, 109, 110, 196, 241, 292, 319, 382, 387, 393, 401, 428; vii. 86, 94, 96, 101, 122, 166, 203, 227 n., 314 n., 324 n.; viii. 526; ix. 104, 133 n., 159, 175, 186, 191, 203, 239, 244, 290, 352, 355, 466; x. 123, 232, 233, 236, 254, 316, 324, 328, 329; xi. 195, 196, 230, 242, 339, 391, 422, 423, 444, 448, 519, 553; xii. 104, 135, 146, 165, 189, 193, 206, 217, 221, 242, 291, 310.
• —— Analysis of the Character of (Dr Channing’s), x. 328.
• —— and Muller, iii. 154.
• —— Family, The, xi. 417.
• —— Lucien, ix. 254, xi. 230 et seq., 237, 238, 239.
• —— Napoleon, Life of (Hazlitt’s), i. p. xxvii.
• Buonaparte’s Collection, etc., Lucien, xi. 237.
• —— Pillar, ix. 157.
• Buonaparte and the President of the Senate (Landor’s), x. 245.
• Burbage, Richard, v. 282.
• —— St., vi. 86.
• Burchell (in Goldsmith’s Vicar of Wakefield), iii. 313; viii. 257.
• Burdett, Sir Francis, iv. 318;
  • also referred to in ii. 202, 204, 205, 214, 222, 224; iii. 236; iv. 236, 318, 324, 325; vii. 271; xi. 120, 124; xii. 202, 203.
• Burford Bridge, iv. 229 n.
• Burger, G. A., ix. 483.
• Burgh, James, iv. 85, 89, 93, 94; xii. 470 n.
• Burghersh, Lord, ix. 212, 214.
• Burgoyne, Colonel, iii. 422.
• Burial of our Lord (Coventry’s), xi. 244.
• Burke, Edmund, i. 83, 104, 105 n., 127, 139, 148, 383, 387, 391, 394, 400, 427, 430, 434; ii. 157, 158 n., 180; iii. 17, 32 n., 96, 98, 132, 133, 135, 136, 169, 170, 187 n., 210, 253, 257, 281, 291, 293, 294, 299, 303, 304, 310, 312, 324, 343, 346 n., 349, 389, 393, 395, 401, 418, 420, 422, 425, 444, 445, 466; iv. 96, 166, 201, 217, 237, 283, 284, 298, 319, 334; v. 7, 15 n., 120, 318, 323, 327; vi. 33, 36, 51, 130, 146, 154, 163, 267, 286, 322, 348, 365, 366, 367, 401, 414, 420, 421, 450, 460; vii. 10, 12, 13, 14, 46, 53, 77, 89, 100, 112, 115, 117, 118, 126, 128, 164, 184, 198, 265, 266, 267, 268, 269, 273, 275, 276, 374; viii. 69, 85, 99 n., 100, 103, 107, 160, 322, 340, 417; ix. 37, 58, 157, 281, 347, 415, 416, 417, 418, 419, 420, 421, 464, 472, 474; x. 26, 64 n., 150, 151, 152, 153, 154, 178, 181, 213, 291, 367, 370, 380; xi. 46, 48, 197, 208, 257, 324, 442, 445, 458, 460, 518, 523, 530; xii. 33, 132, 215, 264, 274, 286, 289, 290, 291, 292, 293, 328, 346, 355, 369, 370, 395, 410, 413.
• Burke, Character of Mr, iii. 250, 325.
• —— Richard, ix. 417.
• —— William, iii. 257; ix. 417.
• Burleigh House, v. 34; vi. 9, 14; ix. 62, 68; xi. 485.
• Burleigh and Spenser, vii. 362.
• Burnet, Bishop (in Landor’s Imaginary Conversations), x. 245.
• —— Bishop (Gilbert), iv. 95, 212.
• Burnett, James, xi. 246, 247.
• —— John, xi. 245, 246, 247.
• —— Thomas, ix. 229.
• Burney, Dr Charles, i. 35, 425 n.; iii. 255; vi. 73, 209; vii. 66; ix. 399, 421; xii. 195, 259.
• —— Fanny. See D’Arblay, Madame.
• —— James (Admiral), vi. 491; vii. 37; x. 405.
• —— Martin Charles (M.B.), vi. 196, 490; vii. 37.
• —— Sarah Harriet, vi. 491.
• Burneys, the, vi. 209; vii. 132, 492.
• Burnham, Bucks, xi. 303.
• Burning Bush, The, xii. 263.
• Burn’s Justice, v. 97.
• Burns (pamphleteer), ii. 224.
• Burns, Robert, i. 93 n.; ii. 436; iii. 254; iv. 244, 358 n.; v. 95, 122 n., 126, 127, 367, 369, 376; vi. 21, 45, 100, 491; vii. 363; ix. 211; xi. 313, 327, 435; xii. 36, 193, 255, 258.
• —— and the Old English Ballads, On, v. 123.
• Burr (in Dryden’s Wild Gallant), viii. 68.
• Burrell, Miss, viii. 275, 404, 461.
• Burton, Robert, iv. 365; vi. 245; vii. 16.
• Burton-upon-Trent, ii. 14.
• Bury Hills, ii. 30.
• Busaco (a town), iii. 113.
• Busca, Madame, ii. 281.
• Bushy (in Shakespeare’s Richard II.), i. 295.
• —— Park, ix. 42.
• Bussy D’Ambois (Chapman’s), v. 230.
• Bustles, The (in Leigh’s Where to find a Friend), viii. 258, 260.
• Busy Body, The (by Susannah Centlivre), viii. 270;
  • also referred to in viii. 11, 69, 155, 156, 332, 502.
• Butler, Bishop Joseph, iv. 216; vi. 224, 225; vii. 434 n., 468 n., 469 n.; ix. 415; x. 249; xi. 141; xii. 35, 96, 98, 99, 266, 274, 283, 346.
• —— (in Scott’s Heart of Midlothian), iv. 247.
• —— Rev. Weeden, i. 366.
• —— Samuel (poet), v. 369, 372; vi. 70, 285, 317; viii. 16, 62, 67; xi. 435; xii. 449, 450.
• Buxton, a town, ii. 18.
• —— Jedediah, vi. 46.
• Byron, Admiral, vii. 211.
• —— Lord, iv. 253, et seq.; xi. 486;
  • also referred to in iii. 254; iv. 244, 268, 274, 278, 312, 343, 356, 359, 361; v. 152, 153, 154, 155, 369, 378; vi. 45, 192, 193, 209, 210, 219, 254, 269, 278, 287, 291, 333, 334, 335, 336, 374, 391, 393, 401, 415, 419, 424, 425, 426, 452, 454, 491; vii. 17, 53, 85, 104, 105, 112, 303, 306, 312 n., 313, 319, 320, 368, 372 n., 378, 379, 380, 381; viii. 421, 474; ix. 106, 109, 157, 164, 165 n., 234, 238, 246, 258, 267, 275, 284, 324, 326, 447, 448, 467; x. 13, 169, 202, 233, 260, 296, 327, 329, 411, 416; xi. 247, 422, 483, 536, 544, 546; xii. 22, 23, 39, 44, 94, 155 n., 161, 169, 170 n., 179, 203 n., 240, 325, 338, 341, 355, 371.
• —— and Wordsworth, xii. 328.
• —— Elegy on Death of (Moore’s), vii. 314; ix. 106.
• —— Lady, xi. 383 n.
• —— Lord, and his Contemporaries (Leigh Hunt’s), xi. 372.
• —— Memoirs of (Moore’s), vii. 314, 368.
• Byron, Miss, x. 39; xi. 546; xii. 62, 63.
• Byshe, Edward, ix. 483.

• C——, xii. 380.
• Cxxx, Mr, iv. 241.
• C., Sir L., ii. 217, 227.
• Cabbala, v. 334; vii. 242, 317.
• Cacafogo, viii. 234.
• Cacus’ Oxen, vi. 152 n.
• Cade, Jack, vi. 280 n.
• Cadell, Thomas, the younger, ii. 228.
• Cadenobia (town), ix. 278.
• Cadmus, xi. 39; xii. 30.
• Cadore, ix. 267.
• Caernarvon, Earl of, iii. 400.
• Caernarvonshire, iii. 394.
• Cæsar, vii. 253; xii. 249, 257, 371.
  • See also Julius.
• —— (in Beaumont and Fletcher’s False One), v. 253.
• Café des Milles Colonnes, ix. 152; x. 212.
• Café del Piazza (at L’Ariccia), ix. 253.
• Cain, xi. 234.
• —— after the murder of Abel (Paul Guérin’s), ix. 136.
• —— and Abel (Titian’s), ix. 273.
• —— (Byron’s), iv. 260; xii. 179.
• Cairn of Derncleugh, iv. 246.
• Cairo, ii. 178; ix. 255.
• Caius, Dr, i. 350.
• Calabria, ix. 255.
• Calais, ii. 211; iii. 319 n.; vi. 188, 340, 360; vii. 228 n.; viii. 331; ix. 201 n., 302.
• Calamy, Edmund, iii. 265, 266; iv. 217; vii. 321.
• Calantha (in Ford’s Broken Heart), v. 270, 273.
• Calcutta, Black Hole of, ix. 184.
• Calderon, x. 79, 118, 271.
• Caleb, Old (in Scott’s Bride of Lammermuir), xii. 141.
• Caleb Williams (Godwin’s), iv. 201, 208; vi. 408; viii. 128, 130, 131, 241, 342, 343, 419; x. 311, 385, 386, 393, 394, 395, 398, 399, 400; xii. 274, 281, 347.
• Caledonian Chapel, iv. 224, 225, 228; vii. 129, 225; xii. 275–6, 280.
• Calendar of Nature (Leigh Hunt), viii. 477.
• Calianax (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251.
• Caliari, Paolo. See Veronese, Paul.
• Caliban (in Shakespeare’s The Tempest), i. 346, 425; iii. 287; iv. 189; v. 48, 187; vi. 161; viii. 231, 236, 283; x. 116; xi. 416, 417, 418.
• Calista (in Rowe’s Fair Penitent), vii. 306; viii. 287.
• Callcott, Sir Augustus Wall, vi. 438.
• Callisthenes (Landor’s Imaginary Conversations), x. 248.
• Callum Beg (in Scott’s Waverley), viii. 129.
• Calm, A (W. Vandervelde’s), ix. 20.
• Calmet, Augustin, vi. 76.
• Calonne, Mr, ix. 55.
• Calton Convening Room, The, ix. 324, 325.
• —— Hill, ii. 314; iv. 245; ix. 324, 337; xi. 560; xii. 253.
• Calvin, John, ix. 226.
• Calypso, ix. 103.
• Camacho (in Cervantes’ Don Quixote), iii. 41; v. 113; viii. 109; x. 29.
• Camberwell, vii. 71, 212.
• Cambiaso, ix. 35.
• Cambridge, ii. 8, 9, 49, 50, 217; iii. 398, 418, 423; iv. 412; v. 273; vi. 205; viii. 301, 319; ix. 69; xi. 448; xii. 351.
• —— Carrier, viii. 55.
• —— Hill (Newmarket), ii. 30, 38, 40.
• —— History of the University (Dyer’s), xii. 165 n.
• —— paper, ii. 190.
• Cambridge, Richard Owen, viii. 489.
• —— Sonnet to (Lamb’s), v. 284 n.
• Camden, Lord, iii. 127, 419; vii. 316.
• Camelford, Thomas Pitt, 2nd Lord, ii. 221; iv. 235; vi. 120.
• Cameronians, vii. 180.
• Camilla (Miss Burney’s), vi. 186; viii. 123; x. 41; xii. 269.
• Camille-Desmoulins, xii. 305.
• —— Jourdan, xii. 305.
• Caminade, Alexandre François, ix. 125.
• Camoens, Luis de, i. 33.
• Camp, The (by Richard Tickell), ii. 85.
• Campagna, The, vi. 295; ix. 236, 256, 276, 376; x. 206.
• Campaign (Addison’s), v. 13.
• Campanile of St Mark at Venice, ix. 274.
• Campbell, Dr George, viii. 62.
• —— John, 2nd Duke of Argyll, iii. 415.
• —— Miss, xi. 402, 403, 404, 405.
• —— Mr, and Mr Crabbe, iv. 343.
• —— Thomas, iv. 343 et seq., 353, 354; v. 150, 369, 377; ix. 490; x. 13; xi. 494, 496, 502.
• —— Mr (M.P.), iii. 411.
• Campidoglio Collection, ix. 239.
• Camporese, Madame, viii. 365; xi. 300.
• Cana, Marriage of (Paul Veronese’s), ix. 274.
• Canaletti (Antonio Canal), vi. 95; ix. 60, 269.
• Candide (Voltaire’s), i. 116; v. 114; viii. 216; ix. 178; xi. 125, 364.
• Candido (in Dekker’s Honest Whore), v. 239.
• Candour, Mrs (Sheridan’s School for Scandal), viii. 164, 251.
• Canino, Prince of (Lucien Buonaparte). See Buonaparte, Lucien.
• Cankwood (town), ii. 166.
• Canning, Rt. Hon. George, i. 378, 379; ii. 208; iii. 92 n., 110, 203, 213, 214, 219, 237, 238, 241, 262, 291, 295, 301, 425; iv. 308, 320; vi. 87, 109, 153, 154, 155, 198, 270, 271, 395, 396, 462, 475; vii. 51, 91, 183, 268, 273 n., 279 n., 379; viii. 24; ix. 187 n., 244; x. 139; xi. 243, 304, 334, 447, 476, 478, 479, 551; xii. 275, 284, 290.
• —— Character of, xi. 334.
• Cannock, ii. 15.
• Cannon, Robert, ii. 91.
• Cannonian, The, ii. 91.
• Canova, Antonio, vi. 353, 382; vii. 113, 368; ix. 165, 168, 203, 225; 240, 366, 373; xi. 486.
• Cant and Hypocrisy, On (A Fragment), xii. 330, 336.
• Canterbury, ii. 85.
• —— Tales (Chaucer’s), i. 11; iv. 276; v. 22; vii. 255; viii. 151; ix. 367; x. 75, 76.
• Canton, viii. 105.
• —— (in Colman and Garrick’s Clandestine Marriage), viii. 163.
• Capel Street (Dublin), ii. 62, 63.
• Caper (in Fielding’s Widow’s Choice), viii. 159.
• Capet, Hugh. See Hugh Capet.
• Capitol, viii. 457; ix. 232, 373; xi. 421, 422.
• Capri, x. 231.
• Captain (a ship), 464.
• —— Absolute (in Sheridan’s The Rivals), viii. 508.
• —— Allan Lindsay (in Planché’s Carronside), xi. 388, 389.
• —— Bibber (in Jones’ The Green Man), viii. 468.
• —— Brazen (in Farquhar’s The Recruiting Officer), viii. 286.
• —— Macheath (in Gay’s The Beggar’s Opera), iii. 131 n.; v. 108; viii. 194, 255, 256, 470, 473; xi. 349, 374, 533; xii. 57.
• —— Macintire (in Scott’s Antiquary), viii. 413.
• Captain Macmorris (in Shakespeare’s Henry V.), i. 291.
• —— Mervin (in Miss Burney’s Evelina), ix. 139 n.
• —— Neville (in Pigeons and Crows), viii. 469.
• —— Otter (in Ben Jonson’s The Silent Woman), viii. 40.
• —— Sentry (Addison), xii. 35.
• —— Singleton (Defoe’s), x. 381.
• —— Whiffle (in Smollet’s Roderick Random), iii. 218; vii. 378.
• Captive Bee, The, or The Little Filcher (Herrick), v. 313.
• Capulet (Shakespeare’s Romeo and Juliet), i. 251.
• Caradori, Madame, xi. 370.
• Caravaggio (painter), x. 292.
• Card-players (Wilkie’s), viii. 141; ix. 389; xi. 253.
• Cardan, Jerome, vi. 76.
• Cardi, Ludovico. See Cigoli.
• Cardinal Beaufort (Reynolds’), ix. 401.
• —— Bentivoglio (Vandyke’s), ix. 111, 226.
• —— Blessing a Priest (Paul Veronese’s), ix. 26.
• —— Pierre, x. 55.
• Carduel (Carlisle), x. 21.
• Careless (a horse), ii. 22, 23.
• —— Husband (Cibber’s), viii. 161, 360.
• Carew, Killigrew and (Vandyke’s), ix. 39.
• —— Miss, viii. 275, 426, 451, 453, 459, 460.
• —— Thomas, iv. 361; v. 311; viii. 54.
• Carignani, Prince, ix. 197.
• Carl John (Jean Baptiste Jules Bernadotte), iii. 62.
• Carleton, Sir Dudley (Viscount Dorchester), iii. 394.
• Carlisle, ii. 75.
• —— Countess of (Vandyke’s), ix. 38.
• —— Lord, vi. 376; vii. 293, 376; xi. 548.
• Carlisle, Sir Anthony, ii. 170, 175, 178, 195, 198, 201, 205, 238; x. 341.
• —— St., Soho, ii. 228.
• Carlton House, i. 366; iii. 62, 110, 112, 119, 236, 258, 304; xi. 546.
• Carmarthen, Lord, ii. 105.
• Carmen Annuum (Southey’s), iii. 49, 92 n.
• —— Nuptiale, The Lay of the Laureate, by Robert Southey, Esq., iii. 109, 114, 220.
• —— Seculare (Horace’s), iii. 49.
• —— Triumphale (Southey’s), iii. 49, 99.
• Carnot, Lazare Nicolas Marguerite, iv. 323.
• Caroline (Holcroft’s), ii. 204.
• —— of Litchfield, ii. 107.
• —— Queen, iii. 114; x. 219; xi. 554.
• Carpathia, Travels in (by Hacquet), vii. 175 n.
• Carr, Captain, ii. 126.
• —— Holwell, vii. 293; xi. 548.
• —— Lady (Vandyke’s portrait), ix. 61.
• Carracci, Annibale, v. 124; vi. 14, 74, 173, 363; vii. 126; ix. 7, 9, 10, 14, 31, 32, 112, 197, 206, 237, 386, 409, 465; x. 278; xi. 188, 238, 243.
• —— Ludovico, vi. 363; vii. 126; ix. 7, 9, 10, 112, 355, 386, 409; xi. 278.
• Carrasco, The Batchelor (in Cervantes’ Don Quixote), iv. 53.
• Carron-Side, or the Fête Champêtre (by Mr Planché), xi. 387, 388.
• Carteret, George, Lord, iii. 411.
• —— John, Lord, iii. 410.
• Carthage, iii. 81; x. 71; xii. 99, 103.
• Carthagena, v. 88.
• Cartoons (Buffamalco’s), xii. 274 n.
• —— (Gribelin’s engravings of), vi. 185.
• Cartoons (Raphael’s), i. 9; iv. 244; vii. 36; viii. 148; ix. 12, 36, 42, 43–8, 70, 164, 365, 366, 380, 389, 402; xi. 216, 226, 352, 590.
• Cartwright, Major John, iv. 325; vi. 59.
• Caryl, Joseph, vii. 317.
• Casatella and Villa of Mæcenas (Wilson’s), ix. 25.
• Casaubon, Isaac, x. 243.
• Cassandra, i. 133; ii. 396; vii. 299; xii. 61, 265.
• Cassel, ix. 300.
• Cassiopeia, vii. 125.
• Cassius (in Shakespeare’s Julius Cæsar), v. 52; vi. 274; vii. 344.
• Castalio (in Otway’s The Orphan), viii. 263.
• Castiglione, Count, i. 163; ii. 180; v. 186; vii. 287; ix. 412.
• Castile, xi. 317.
• Castiza (in Tourneur’s Revenger’s Tragedy), v. 246.
• Castle of Andalusia (by O’Keeffe), viii. 329.
• —— of Indolence, (Thomson’s), v. 88, 374; vii. 66, 371; xii. 175, 332.
• —— of Otranto (Walpole’s), viii. 127.
• —— of St Aldobrand. See Maturin’s Bertram, viii. 308.
• —— of Udolpho (Mrs Radcliffe’s), viii. 126.
• —— Rack-rent (Maria Edgeworth’s), ii. 128; viii. 123, 466.
• Castlereagh, Lady, xii. 356.
• —— Lord, i. 45, 103, 379, 425; iii. 36, 59, 75, 76, 82, 102, 103, 108, 121, 122, 125, 158, 164, 179, 181, 192, 231, 232, 233, 234, 235, 236, 237, 240, 241, 246, 261, 291, 312, 314, 315; iv. 281; vi. 89, 109; vii. 13, 14, 214, 215, 220, 496; viii. 351; ix. 30, 315, 465 n.; x. 229; xi. 465, 470, 474, 474 n.; 551; xii. 215, 250, 310, 356.
• Castle Spectre (Monk Lewis’s), xii. 271.
• Castles (Government Spy), iii. 232, 234, 240, 261.
• Catacombs, Paris, ix. 161.
• Catalani, Madam Angelica, vi. 220, 404; vii. 160, 161; viii. 193; xi. 351, 454.
• Catalogue Raisonné of the British Institution, On the, i. 140, 146; ix. 311;
  • also referred to in i. 425; vii. 39; x. 196; xi. 509.
• Catalonia, x. 56.
• Cathedral of Milan, ix. 278.
• —— Rouen, ix. 98.
• Cathelineau (Vendéan Chief), vii. 331, 332.
• Catherine, Empress, iii. 107; iv. 189.
• Catiline, v. 186, 265; ix. 217, 373.
• Catley, Nan (Ann Catley), ii. 88.
• Cato, i. 155; ii. 361; iv. 205; vi. 274, 279; viii. 376, 379, 407; ix. 373; x. 211.
• —— (Addison’s), i. 157, 425; ii. 162; v. 356; viii. 89; xi. 391.
• —— St. Conspiracy, A, ix. 226.
• Catuelan, Count de, ii. 107.
• Causes Célèbres, vii. 339; viii. 279.
• —— of Methodism, On the (by Hunt), i. 378.
• Cavaliere Punto Michino, and Mr Denis Eusebius Talcranagh (Landor’s), x. 250.
• Cavallo, Monte, ix. 237.
• Cavanagh, John, vi. 86–89, 286; vii. 71.
• Cave of Despair (Spenser’s), v. 38, 42, 43; x. 74.
• —— of Mammon, (Spenser’s), v. 38, 42, 193; vi. 113; x. 74.
• Cavendish’s Negotiations of Cardinal Wolsey, xi. 601.
• Cavendish, George, iii. 278.
• —— Square, ii. 203; ix. 158.
• Cawdron, Mr, ii. 147.
• Cawse, Miss, xi. 388, 389.
• Cecilia, or Memoirs of an Heiress (Fanny Burney’s), vi. 120, 157, 411; viii. 123; x. 16, 41; xi. 326 n.; xii. 65.
• Cecilia (in Sophia Lee’s The Chapter of Accidents), viii. 529.
• Cecrops, ix. 217.
• Cedric the Saxon (in Scott’s Ivanhoe), viii. 426.
• Ceiling at Parma, The, xii. 357.
• Celadon and Amelia (Thomson’s), v. 90;
  • (Wilson’s), ix. 393; xi. 200.
• Celia (in Shakespeare’s As You Like It), i. 340; viii. 252.
• Célimène (Molière), viii. 29; ix. 147, 149, 150, 151; x. 108; xi. 354.
• Celleno (Spenser’s), x. 74.
• Cellini, Benvenuto, i. 93; ix. 219, 220, 355; xii. 209.
• Cenis, Mont, ii. 224, 275; vii. 89; ix. 182, 183, 191, 193, 194, 195, 279, 280.
• Censorship, On the (Chateaubriand’s), ix. 99 n.
• Centlivre, Mrs, vi. 364; viii. 155, 161, 332, 360, 502.
• Cephalonia, iv. 261.
• Cephalus and Aurora (N. Poussin’s), ix. 311.
• Cerdon (Butler’s), viii. 65.
• Ceres, iv. 310; ix. 216.
• Certificate of Merit, iii. 256.
• Certosa, x. 282.
• Cervantes-Saavedra, Miguel de, i. 161, 314; ii. 171 n.; iii. 64, 142; iv. 208; v. 45; vi. 409, 426; vii. 120; viii. 31, 107, 108, 109, 112, 125; x. 27, 28, 29, 31, 43, 56, 77, 118; xi. 256.
• Cevallos, Pedro, iv. 310.
• Chairing the Member (in Hogarth’s Marriage à la Mode), i. 30; viii. 137; ix. 81.
• Chaldæa, iv. 59.
• Chalk Farm, viii. 463.
• Challenge for Beauty, A (Heywood’s), v. 214.
• Chalmers, Captain, ii. 67.
• —— Dr Thomas, xii. 275;
  • also referred to in i. 391, 392; iv. 228, 229–31; xi. 324.
• Chalon, Alfred Edward, xi. 245.
• Chamber of Deputies, The, ix. 157.
• Chambéry (a town), i. 91; v. 103; xi. 182, 183, 190.
• Chamont (in Otway’s The Orphan), viii. 263.
• Chamouni, ix. 283, 288, 290, 292, 293, 294, 296.
• Champagne, Philippe de, ix. 110, 129.
• Champion, The (a periodical), i. 441–2; iii. 438, 454; vi. 481; viii. 174, 512 et seq.; ix. 459, 470, 481; x. 419; xi. 198, 202, 205, 208, 210, 216, 223, 230, 234, 237, 242, 246, 248, 249.
• Champions of Christendom, The Seven (by Richard Johnson), vii. 253.
• Champ de Mars, ix. 160.
• Champs Elysées, ii. 233; ix. 130 n., 159, 160.
• Chancery, Court of, iv. 326, 328.
• —— Lane, iii. 267; vii. 68; xii. 1, 2.
• Chances, The (by Beaumont and Fletcher), v. 261; viii. 48, 49.
• Change-house, iv. 247.
• Channing, Dr William Ellery, x. 310, 316.
• Chantry, Sir Francis Legatt, vi. 270, 326; vii. 89, 329, 367; ix. 127, 168, 330, 435, 490; xi. 248; xii. 271.
• Chapel Brompton, ii. 166.
• Chapman, George, v. 223;
  • also referred to in v. 176, 181, 193, 230 et seq., 247; vi. 164; viii. 371.
• Chappel in le Firth, ii. 18.
• Character of Lord Bacon’s Works, compared as to Style with Sir Thomas Brown and Jeremy Taylor, v. 326.
• —— On Personal, vii. 230.
• Characters of Shakespeare’s Plays. See Shakespeare’s Plays, Characters of.
• —— of the Players (Armstrong’s), v. 119.
• Characteristics, in the Manner of Rochefoucauld’s Maxims, ii. 351;
  • also referred to in ii. 352–3; vii. 123, 491.
• Characteristics (Shaftesbury’s), iii. 400; vi. 12, 41.
• Chariclea, vi. 201; x. 16.
• Charing-Cross, iv. 324; vi. 101, 379; vii. 271; xii. 361.
• Charinus (in Chariclea), x. 17.
• Charity (Vandyke’s), ix. 21.
• Charlemagne, iii. 105; x. 57, 329; xi. 230; xii. 204, 221.
• —— ou l’Église Délivrée (L. Bonaparte’s), xi. 230, 234;
  • also referred to in ix. 254.
• Charlemont, Lady, xi. 496.
• Charles I., iii. 117, 284, 393, 396, 402; iv. 58; v. 82, 173, 192, 265, 345; vi. 155, 410; vii. 109, 322; viii. 49, 54, 162; x. 243, 334, 374; xii. 288.
• —— —— (drama by Shelley), x. 271.
• —— —— (Vandyke’s portraits of), i. 150; ix. 39, 73, 475.
• Charles II., i. 7, 44, 134, 138, 155, 156; iii. 112, 310, 399, 400, 402; iv. 58, 217; v. 82, 106, 176, 251, 345; vi. 120, 176, 200, 335, 399, 410, 430; vii. 127, 185, 243, 321, 322, 363; viii. 37, 54, 62, 70, 94, 96, 155, 162; ix. 22, 67; x. 118, 188, 205, 363; xi. 272, 276, 355, 435, 440, 579; xii. 356.
• —— the Second (Payne’s), xi. 381.
• —— V., i. 163; vi. 303; vii. 126; ix. 412; x. 278.
• —— IX., xii. 461.
• —— X., vi. 403; ix. 159; xii. 204, 456, 457, 458, 459, 460, 461.
• —— XII., v. 124.
• —— Oakley (in G. Colman’s The Jealous Wife), viii. 505, 532.
• —— Surface (in Sheridan’s The School for Scandal), ii. 123; viii. 165, 251, 292, 511; xi. 393.
• Charlotte (in Bickerstaffe’s The Hypocrite), viii. 247.
• —— (in Goethe’s Sorrows of Werther), i. 70.
• —— The (a ship), ii. 245.
• —— The Princess, iii. 109, 278; vi. 454; viii. 313; xi. 425.
• Charmettes, vii. 367, 371; ix. 190.
• Charon, vi. 141; xii. 35.
• Charter-House, The, vi. 383.
• Chartres, v. 77.
• —— Duke and Duchess of, ii. 107.
• Chartreuse, Grand, ix. 189; xii. 334.
• Chase of Diana (Correggio’s), ix. 204.
• Chateau de Toune, i. 90.
• Chateaubriand, Le Vicomte, vii. 331; ix. 99 n., 128, 133.
• Chatham, Lord, iii. 326, 327, 328 n., 336, 339, 340, 341, 346 n., 389, 414, 416, 417, 418; iv. 210, 237; vii. 268, 269; x. 248, 249, 382; xi. 465; xii. 50.
• —— Character of Lord, iii. 321.
• Chatillon (town), iii. 97.
• Chatterley, Mr and Mrs, viii. 329, 474; xii. 362.
• Chatterton, Thomas, v. 122, 123, 124, 125, 126, 376; vi. 411; xii. 35.
• —— Life of (Anderson’s), v. 123.
• Chaucer, Geoffrey, i. 11, 23, 84, 161, 162, 224, 225, 226, 332, 358, 399, 400; iii. 385; iv. 244, 276; v. 13, 19, 45, 46, 50, 51, 52, 68, 82, 99, 146, 195, 196, 240, 261, 367–71; vi. 418; vii. 133, 227, 240, 255, 270, 280; viii. 144; 284; ix. 74; x. 13, 69, 73–7, 171, 408; xi. 226, 269, 272, 505, 506, 573; xii. 29, 30, 206, 265, 327, 348.
• —— Life of (Godwin’s), iv. 210; vi. 378, 418; x. 399.
• —— and Spenser, On, v. 19.
• Chaudet, Antoine Denis, ix. 167.
• Chauncey, Dr, vii. 306.
• Cheap Living (by Reynolds), ii. 201.
• Cheapside, i. 248; vi. 379; viii. 276; xi. 386.
• Cheats of Scapin (Molière’s), vi. 419; xi. 366.
• Chebar, River of, iii. 144, 145.
• Cheevers, William, ii. 30, 31.
• Chelsea, iii. 132.
• —— pensioners, xi. 375.
• Cheltenham waters, The, ii. 194.
• Chepstow Castle, iii. 220.
• Cherry (Farquhar’s Beaux’ Stratagem), viii. 14, 88.
• Chertsey, vi. 292.
• Cheshire, ii. 12, 14, 17, 18, 166, 167, 267; iii. 400.
• —— Mrs (in O’Keeffe’s Agreeable Surprise), viii. 319.
• Chester, ii. 65.
• —— John, xii. 272, 274.
• Chesterfield, Philip Dormer Stanhope, Earl of, i. 41, 44; vi. 163, 303; viii. 143; x. 248, 249; xi. 272.
• —— House, xii. 132.
• —— Lady, vi. 200.
• ——, ii. 18.
• Cheviot (in Kenney’s The World), viii. 229.
• —— Hills, ii. 110.
• Chevy Chase (old ballad), ii. 16; x. 172.
• Chiffinch (in Scott’s Peveril of the Peak), ix. 279.
• Child, Head of a (Andrea del Sarto’s), ix. 51.
• —— of Nature, The (Mrs Inchbald’s), viii. 196.
• —— Sleeping (Murillo’s), ix. 26.
• Childe Harold’s Pilgrimage (Byron’s), xi. 420;
  • also referred to in, iv. 256, 257; v. 153; vii. 379, 381; ix. 165, 234, 258, 467; xii. 23, 329.
• Childers (the horse), ii. 22.
• Children in the Fiery Furnace, The, vii. 57.
• Children in the Wood (picture), ix. 474.
• Children in the Wood, The (Morton’s), viii. 229, 388.
• —— —— The story of the, vii. 252; x. 393.
• —— of Charles I. (Vandyke’s), ix. 39.
• —— of the Mist, The (Scott’s), iv. 248; x. 207.
• Children’s Friend, The (by M. Berquin), ii. 114.
• Chili, iv. 189.
• Chimboraco (mountain), iv. 357.
• China, iii. 357; vi. 187, 328, 376.
• —— Emperor of, ix. 60.
• Chinese, i. 46; iv. 143.
• —— converted to Christianity (Kneller’s), ix. 41.
• Chirk (town), vi. 186.
• Chiron and Achilles (Barry’s), ix. 420.
• Chloe (in Fletcher’s Faithful Shepherdess), v. 254.
• Choice, The (Pomfret’s), v. 373.
• Choleric Fathers, The (Holcroft’s), ii. 111.
• Chrestomathic School (Bentham’s), iv. 190; vii. 247, 249.
• Christ, i. 145; v. 183; xi. 491; xii. 37, 38.
• —— and St Thomas (Jacquot’s), ix. 167.
• —— bearing His cross (Domenichino’s), ix. 35.
• —— —— (Morales’), ix. 26.
• —— in the Garden (Correggio’s), ix. 12.
• —— in the Mount (Claude’s), ix. 53.
• —— Picture of, at Assisi, ix. 261.
• —— —— (Carlo Dolci’s), ix. 67.
• —— Rejected (West’s), ix. 323.
• Christ-Church Meadows, ix. 69.
• Christ’s Agony in the Garden (Haydon’s), xi. 481–3.
• —— Entry into Jerusalem (Haydon’s), x. 201; xi. 482, 484.
• —— Hospital, iv. 215, 365.
• Christabel (Coleridge’s), iii. 205; iv. 219; v. 166; viii. 166; x. 411, 418, 420; xi. 580.
• Christian (Bunyan’s Pilgrim’s Progress), iii. 130; v. 14; vii. 222.
• Christian, Ned, ix. 451.
• Christie, James (picture-dealer), ii. 202, 221, 224; ix. 352.
• Christopher Higgins (in Ups and Downs), xi. 387.
• —— Sly (in Shakespeare’s Midsummer Night’s Dream), i. 64; iii. 119; viii. 12, 552; xi. 377.
• Chronicle (Geoffrey of Monmouth’s), x. 20.
• Chronicles (Froissart’s), i. 87, 100; vii. 229; xii. 16.
• Chrysophus, xi. 73.
• Chubb, Thomas, vii. 223.
• Chudleigh, Elizabeth, Countess of Bristol, and Duchess of Kingston, vi. 515.
• Church (racket-player), vi. 89.
• —— of England, iv. 200; xii. 386, 402.
• —— of Saint John and Saint Paul, The, Venice, ix. 271.
• Churchill, Charles, v. 119, 375.
• —— Miss, vi. 200.
• Chute, John, x. 159.
• Cibber, Colley, i. 55, 156, 157, 158, 180, 300, 440; iii. 113, 258, 311; v. 247; vi. 15, 445; viii. 90, 158, 160, 161, 162, 173, 330, 359, 361, 537; x. 134; xi. 399.
• —— Mrs, i. 157.
• Cicero, Marcus Tullius, i. 135, 140, 197, 397; iii. 336, 422, 463; iv. 283, 384; v. 186, 195, 265; vi. 61, 111, 462; vii. 14; ix. 373; x. 249, 251; xi. 73, 336; xii. 164, 168, 429, 441.
• —— at his Villa (Wilson’s), xi. 198.
• —— (Middleton’s), ii. 173, 176, 190, 194.
• Cid, The (Southey’s), iv. 268; ix. 203; xi. 328, 329, 333.
• Cider-Cellar, vi. 199, 208; vii. 70.
• Cignani, Conte Carlo, vi. 346.
• Cigoli (Cardi, Lodovico), ix. 226.
• Cimabue, Giovanni, vii. 254; ix. 409; xii. 36, 38.
• Cimarosa, Domenico, xi. 300.
• Cimon and Iphigene (Boccacio’s), i. 332; x. 68.
• Cincinnatus, iv. 257; ix. 373; x. 211.
• Cinderella, vi. 165; viii. 428, 436, 437; xii. 120.
• Cipriani, Giambattista, vii. 96; ix. 355, 420.
• Circe, viii. 231; x. 12.
• Circumcision (Bassano’s), ix. 35.
• Cirencester, iii. 408.
• Citizen of the World (Goldsmith’s), v. 120; viii. 104.
• City Shower (Swift’s), v. 109.
• —— Wives’ Confederacy (Vanburgh’s), vi. 414; viii. 31.
• Civil and Criminal Legislation, Project for a New Theory of, xii. 405.
• —— Government, Treatise on (Locke’s), x. 249.
• Clackmannan, Baron (Lord Erskine), iv. 335.
  • See Erskine.
• Clairfait, General, ii. 179.
• Clandestine Marriage (by Geo. Colman the elder and Garrick), vi. 95; vii. 210; viii. 163.
• Clapham, vii. 73; ix. 300.
• Clara (in Mrs Centlivre’s The Wonder), viii. 156.
• —— (Holcroft’s), ii. 266.
• —— (Mrs Radcliffe’s), viii. 126.
• Clare (in Merry Devil), v. 293, 294.
• Claremont, Mr (actor), viii. 251.
• Clarence, Duke of, iv. 93 n.
• Clarendon, Edward Hyde, Earl of, iv. 212; vii. 229.
• —— Lady, iii. 400; vi. 41.
• Clarens, ix. 281, 285, 296; xii. 25.
• Clarissa Harlowe (Richardson’s), i. 133; ii. 130; iii. 157; iv. 371; v. 15; vi. 236, 380, 400, 441, 448; vii. 227, 311; viii. 83, 120, 153, 556; ix. 237, 434; x. 38; xii. 63, 154 n., 155 n., 435.
• Clarke, Dr, ix. 467.
• —— Jack, ii. 24, 25, 26, 28, 29, 31, 35, 36, 37, 48, 49, 50, 54.
• —— Mrs, iii. 218; xi. 556; xii. 276 n.
• —— Samuel, iv. 216; xi. 118.
• —— Tom, ii. 31.
• Clarkson, Thomas, iv. 333.
• Classical Education, On, i. 4.
• Claud Halcro (in Scott’s The Pirate), xi. 535.
• —— Lorraine, i. 79, 142, 148, 149, 442; ii. 361, 402; iv. 217, 274; v. 11, 98, 178, 343; vi. 8, 13, 19, 25 n., 39, 45, 92, 128 n., 163, 173, 201, 212, 320, 458; vii. 36, 56, 114, 120, 121, 177; viii. 125, 364, 474; ix. 13, 22, 30, 35, 53, 54, 57, 59, 65, 66, 107, 108, 109, 113, 128, 164, 238, 289, 317, 318, 351, 389, 392, 394, 427, 464–5, 477; x. 179, 187, 192, 197, 278, 281, 300, 303; xi. 191, 198, 201, 202, 212, 213, 238, 246, 336 n., 373, 458, 541; xii. 36, 155 n., 202, 208, 274 n., 327, 337, 347, 349, 350, 372, 439.
• Claudian Gate, The, at Rome, ix. 234.
• Claudio (in Shakespeare’s Measure for Measure), viii. 283.
• Clause (in Kinnaird’s Merchant of Bruges), viii. 264, 265.
• Claverhouse (Scott), iv. 247, 251; viii. 129.
• Clavigo (by Goethe), ii. 163.
• Clease, Thomas, ii. 167.
• Clement VII. (Giulio Romano’s), ix. 34.
• —— —— (Titian’s), ix. 34.
• Clementi, Muzio, ii. 70, 164, 178, 188, 199, 212, 226.
• Clementina (in Richardson’s Sir Chas. Grandison), vi. 236; vii. 227; viii. 120; x. 39; xii. 62, 63.
• Cleopatra (Shakespeare’s Antony and Cleopatra), i. 257, 357; ii. 396; v. 50, 209; vii. 299; viii. 389; xi. 295.
• Cleora (in Massinger’s Bondman), v. 266.
• Clerical Character, On the, iii. 266, 271, 277.
• Clerk of Oxenforde, The (Chaucer’s Canterbury Tales), v. 30.
• Clerkenwell Sessions House, ii. 148.
• Cleveland, Duchess of, i. 44; vi. 430; vii. 212 n.; xi. 272; xii. 356.
• —— (in Scott’s Pirate), xi. 532, 533.
• —— House, ix. 33 n., 50, 55.
• —— Lady (Vandyke’s), ix. 73.
• —— Row, ix. 479.
• Cleves, ix. 299.
• ——Princess of, vii. 308; viii. 326.
• Clifford’s Inn, xii. 164 n.
• Clifton Coke (in Holcroft’s Anna St Ives), ii, 128, 131.
• Clise-Horn, The, ix. 280, 281.
• Clitophon and Leucippe, x. 24.
• Clive, Lord, vii. 350.
• —— Mrs, i. 157; ii. 77 n.; vi. 275; xii. 33.
• Cloak Lane, ii. 201.
• Clootz, Anacharsis, iii. 75.
• Clorin (in Fletcher’s Faithful Shepherdess), v. 255, 256.
• Clorinda (in Cibber’s Double Gallant), viii. 361.
• Cloten (in Shakespeare’s Cymbeline), xii. 196.
• Clothilde, vii. 175.
• Clotilda (in Maturin’s Bertram), viii. 306.
• Cloudesley (Godwin’s), x. 386, 389, 391, 392, 393.
• Clown Pompey (in Shakespeare’s Measure for Measure), viii. 283.
• Clowns, The (in Marlowe’s Dr Faustus), v. 207.
• Cloyne, Bishop of. See Berkeley (Bishop).
• Clyde, The, iii. 122, 124.
• Clym of the Clough (in Holcroft’s The Noble Peasant), ii. 110.
• Clytemnestra (Guérin’s), ix. 136.
• Coates (correctly Cotes, Francis), iii. 307.
• —— Robert, viii. 200, 209.
• Cob (in Ben Jonson’s Every Man in his Humour), viii. 45, 311.
• Cob’s Wife (Ben Jonson’s Every Man in his Humour), viii. 45, 311.
• Cobbett, William, iv. 334;
  • referred to in i. 5, 139, 424–6, 432; iii. 40, 207 n., 224, 300, 375; iv. 342, 343 n.; vi. 87, 102, 154, 161, 182, 190, 198, 244, 384, 422, 423; vii. 62, 376; x. 220; xi. 528, 539, 540, 556; xii. 7, 51, 206, 301, 302–3, 348, 354, 360, 370.
• —— Character of, vi. 50.
• Cobbetts, The, iii. 206.
• Cobbett’s Weekly Political Register, i. 424 n.; iii. 300; iv. p. xi., 399, 401 et seq.; xii. 206.
• Cobham, Thomas, viii. 298, 299.
• Coblentz, ix. 299.
• Cobler, The (mountain), ii. 329.
• Coburg Theatre, The, vi. 160; viii. 394, 404, 409; ix. 278; xi. 370.
• Cobweb (in Shakespeare’s Midsummer Night’s Dream), i. 61, 244; viii. 275.
• Cock and the Fox, The (Chaucer’s), v. 33.
• —— Lane Ghost, iii. 138.
• Cockayne, Land of, ix. 90.
• Cocke (in Still’s Gammer Gurton’s Needle), v. 286.
• Cockermouth, ii. 72, 73, 75.
• Cockney School, vi. 99.
• —— The word, vii. 66.
• —— Watty, viii. 539.
• Cockpit, The, viii. 145.
• Cocles defending the Bridge (Le Brun’s), ix. 25.
• Codrus, iv. 205; xi. 319.
• Cœlebs, vi. 196.
• Cœlum Britannicum (Carew’s), viii. 54.
• Coffee-House Politicians, On, vi. 189.
• Coghlan, A Catholic Bookseller, ii. 177.
• Coigley, ii. 176, 192, 205.
• Coke, Sir Edward, i. 80; iii. 393, 415; v. 175.
• —— Thomas William, iii. 285 n.
• Col de Peaume, ix. 290, 291.
• Colburn, Henry, xi. 348, 386; xii. 375.
• Colchester, Lord. See Abbott, Mr Speaker.
• Cold-Bath-Fields’ Prison, vii. 378.
• Cole, Mr, ii. 143 n., 144, 228.
• Cole-Orton, iv. 274.
• Coleridge, Berkeley, iv. 216 n.
• —— Derwent, iv. 216 n.
• —— Hartley, iv. 216 n.
• —— Samuel Taylor, iv. 212; xi. 411;
  • referred to in i. 38, 95, 383 n., 387, 388, 401; ii. 428; iii. 135, 149, 157, 159, 170, 200, et seq., 243, 249, 253, 295, 312, 350 n., 448; iv. 202, 225, 233, 268, 269, 286, 341; v. 88, 131, 165, 339, 340 n., 341 n., 363, 377, 379; vi. 58, 87, 110, 183, 203, 224–5, 251, 281, 294–5, 305, 314, 362, 369, 442; vii. 15, 23, 29, 35 et seq., 41, 102, 198, 226, 228, 265, 289, 313, 347, 374, 482, 513; viii. 247, 352, 368, 416, 421, 479, 480 n., 534; ix. 338 n.; x. 120, 135, 157, 162, 225, 410–11 et seq.; xi. 354, 412 et seq., 416, 502 n., 509, 514, 532, 536, 568, 570, 585; xii. 56, 259, 260 et seq., 319, 339, 359, 364, 373, 436, 460.
• Coleridge’s Christabel, x. 411; xi. 580.
• —— Lay Sermon, iii. 152; x. 120;
  • also referred to in i. 441.
• —— Lectures at Bristol, xi. 416;
  • also referred to in iii. 435.
• —— Literary Life, x. 135.
• ——Memorabilia of, xii. 346.
• Colin Clout (in Spenser), v. 38.
• Colin Macleod (in Cumberland’s Faithless Lover), ii. 83.
• College of Heralds, The, xii. 44.
• —— of Physicians, The, xii. 246.
• —— of Somasco, The, x. 277, 287.
• Colles, Mrs (? Mrs Cole), ii. 273.
• Collier, Jeremy, viii. 89, 155.
• Collins, Anthony, vii. 72.
• —— earth (a paint), vi. 431.
• —— Richard, ix. 31.
• —— William, v. 104; also referred to in i. 252; iv. 277; v. 8, 126, 374; vi. 72; viii. 71; xii. 450.
• —— William (painter), ix. 406; xi. 191.
• Colloquies (of Erasmus), vi. 245.
• Colman, George, the elder, ii. 103, 109, 169, 170, 172, 173; vi. 443–4; viii. 163, 164, 241, 316, 342, 343, 505.
• —— Geo., the younger, xi. 374.
• Colmar (town), ix. 298.
• Colnaghi, Paul, ii. 188; ix. 8.
• Colocotroni, General, x. 232, 251.
• Cologne, ix. 299; xii. 57.
• Colonel Bath (in Fielding’s Amelia), vii. 84; viii. 114; x. 33.
• —— Briton (in Mrs Centlivre’s The Wonder), viii. 156, 333; xi. 402.
• —— Feignwell (in Mrs Centlivre’s Bold Stroke for a Wife), viii. 388.
• —— Jack (Defoe’s), viii. 107 n.; x. 381, 382; xii. 142.
• —— Mannering (Scott’s Guy Mannering), iv. 248; viii. 292.
• —— O’Donolan (in Mrs Kemble’s Smiles and Tears), viii. 266, 267.
• —— Oldboy (in Bickerstaffe’s Lionel and Clarissa), ii. 83.
• —— Standard (in Farquhar’s Trip to Jubilee), viii. 86.
• —— Standfast (in Cibber’s Double Gallant), viii. 361.
• Colonel Trent (Fielding’s), viii. 114; x. 33.
• Colonna, Cape, xi. 495.
• Colosseum, The, vi. 429; ix. 232, 234.
• Colour-Grinder (R. T. Bone’s), xi. 247.
• Colquhoun, Patrick, iii. 148.
• Columbus, Christopher, xii. 30, 262.
• Comachio, The Gulph of, ix. 264.
• Combe, Dr Andrew, vii. 156 n.
• Comedy of Errors (Shakespeare’s), i. 351;
  • also referred to in v. 199; viii. 31, 401.
• —— On Modern, i. 10.
• Comic Writers, etc., of Great Britain, Lectures on the, viii. 5.
• —— —— viii. 531; xi. 571, 576, 577.
• —— —— of the Last Century, On the, viii. 149.
• Commentaries (Cæsar’s), vi. 107, 191, 304.
• Committee, The (Sir Robert Howard’s), viii. 69.
• Commodore Trunnion (Smollett’s Peregrine Pickle), vii. 223; xii. 378.
• Common-Place Critics, On, i. 136.
• —— places, xi. 540;
  • also referred to in i. 434; vii. 507; xi. p. vii., 540.
• —— Sense, xii. 377.
• —— —— (Paine’s), iv. 334; vi. 51.
• Commonwealth (Plato’s), v. 3.
• —— of England, History of the (Godwin’s), iv. 212; x. 399.
• Como, ix. 278.
• Compagnons du Lys, iii. 171; xi. 288; xii. 448.
• —— d’Ulysse, viii. 20; xi. 288; xii. 452.
• Company at the Opera, The, xi. 369.
• Complaint, The (Wordsworth’s), v. 156.
• —— of a Poor Indian Woman, The (Wordsworth’s), xii. 270.
• Complete Angler (Walton’s), i. 56, 57 n.; ii. 370, 371; iv. 277; v. 98, 99, 298; vii. 26, 161; xii. 19, 177.
• Complete Tradesman, The (Defoe’s), x. 366.
• Compton, Mr, ii. 199.
• Comus (Milton’s), viii. 230;
  • also referred to in ii. 80, 180; v. 43, 239, 255, 300 n., 315; vi. 224; x. 74, 118.
• Conciones ad Populum (Coleridge’s), i. 388; iii. 139; v. 167; vii. 265; x. 149; xi. 412, 417.
• Concordat, The, x. 329.
• Condillac, Etienne Bonnot de, iv. 378 n.; vii. 454 n.; xi. 1, 7, 29, 88, 117, 165, 173 n., 181, 182, 579; xii. 104.
• Condorcet, M. J. A. Nicolas Caritat, iii. 369, 382; iv. 20, 30, 33, 105, 106, 108, 112, 116; xi. 579; xii. 170.
• Conduct of Life; or, Advice to a Schoolboy, On the, xii. 423.
• Confederacy, The (Vanbrugh’s), viii. 77, 80, 81, 83, 555.
• Confession, The (in Liber Amoris), ii. 292.
• Confessions of an Opium-eater, The (De Quincey’s), x. 222.
• —— (Rousseau’s), i. 17, 90, etc.; v. 100; vi. 24; vii. 368, 429; xii. 58 n.
• Confidant (Crabbe’s), iv. 353.
• Congleton, ii. 18.
• Congress, Whether the Friends of Freedom can entertain any Sanguine Hopes of the Favourable Results of the Ensuing, iii. 103.
• Congreve, William, viii. 70;
  • also referred to in i. 12, 155, 176, 313; ii. 410; v. 79, 231; vi. 364; vii. 28, 127, 322; viii. 14, 31, 35, 37, 38, 71, 152, 153, 155, 161, 251, 278, 360, 470, 505, 510, 552, 555; x. 118, 188, 205; xi. 276, 311 n., 346; xii. 22.
• Connoisseur, The (a journal), ii. 109; vii. 226; viii. 104.
• Connor, Charles, viii. 427, 469, 475.
• Conquest, The Norman, iii. 77; vi. 367.
• —— of Taranto (Dimond’s), viii. 366.
• Conrade and Gulnare (Singleton’s), xi. 247.
• Conscious Lovers (Steele’s), viii. 33, 90.
• Consciousness, Essay on (Fearn’s), vi. 65, 260; xi. 181 n.
• Consistency of Opinion, On, xi. 508.
• Conspiracy of Catiline (Salvator Rosa’s), ix. 226.
• Constable, Archibald, publisher, iv. 245; vi. 513.
• —— John, ix. 126.
• Constance (Chaucer’s), v. 21, 28, 82, 370; x. 76; xi. 505.
• —— (Shakespeare’s King John), i. 306 et seq., 425; viii. 346; xi. 410.
• Constancy (Shakespeare’s sonnet), i. 360.
• Constant Couple. See Trip to the Jubilee.
• —— Benjamin, iii. 36; vi. 102 n.; viii. 79.
• Constantia (in Gallantry), viii. 399, 400.
• Constantine, Conversion of, iii. 142.
• Constantine’s Arch, viii. 457; ix. 232.
• —— Bath, ix. 238.
• Constantinople, iv. 75; vi. 73; ix. 230; x. 19; xi. 495; xii. 401.
• Constitution Hill, ii. 190.
• —— of 1792, The, iii. 290.
• Constitutional Association, xi. 322, 513.
• —— Society, ii. 152, 153, 206.
• Contempt of the Clergy, On the (Echard’s), viii. 107; x. 27; xii. 148.
• Contention between a Nightingale and a Musician (Strada’s), v. 318.
• Contingent Remainders, Treatise on (Fearn’s), vii. 26.
• Contrast (in Burgoyne’s Lord of the Manor), xi. 316.
• Controversial Works (Baxter’s), xii. 383.
• Controversy, The Spirit of, xii. 381.
• Contucci, Andrea. See Sansovino.
• Convention of Paris, xi. 302.
• Conversation of Authors, vii. 24, 35.
• —— of Lords, On the, xii. 38.
• —— between Oliver Cromwell and Walter Noble, The (Landor’s), x. 243.
• —— —— King James I. and Isaac Casaubon, The (Landor’s), x. 243.
• Conversations as Good as Real, xii. 363, 369.
• —— Lord Byron’s, vi. 374.
• —— (Captain Medwin’s), vii. 343.
• —— Northcote’s, Mr, vi. 331.
• Conversion of Saint Paul (Rubens’), ix. 52.
• Convocation of Saints (Raphael’s), ix. 365.
• Conway, William Augustus, viii. 177, 200, 209, 231, 232, 239, 263, 275; xi. 361, 362.
• Cooke, George Frederick, i. 299; viii. 166, 181, 182, 292.
• —— John, vii. 222, 223.
• Cooper, Ab., xi. 248.
• —— (actor), viii. 480, 484; xi. 376, 379, 385.
• —— J. Fenimore, vi. 386, 422; x. 310, 312, 313.
• —— Richard, ix. 121.
• —— Thomas, of Manchester, vi. 513; vii. 173 n., 174 n., 451 n.
• Cooper’s Hill (Denham’s), v. 84, 372.
• Copeland, Miss, viii. 413 n.
• Copenhagen, ii. 229; x. 123.
• Copenhagen-house, vi. 88; vii. 71.
• Copmanhurst, The Hermitage of, viii. 425.
• Copper Captain, The (in Fletcher’s Rule a Wife and Have a Wife), vi. 275; viii. 49, 234; xii. 24.
• Corbaccio (Ben Jonson’s), viii. 44.
• Corbould, Mr, ii. 197.
• Corcoran, Peter, viii. 480 n.
• Cordelia (in Shakespeare’s Lear), i. 258; v. 5, 225; viii. 430, 444, 447, 450; xi. 295.
• Corderoy, Mrs (in Ups and Downs), xi. 385, 387.
• Corelli, Archangelo, ii. 176.
• Corinna, iv. 205; viii. 153, 555.
• —— (in Vanburgh’s Confederacy), viii. 77, 80, 82, 83.
• Corinth, ix. 325.
• Coriolanus (Shakespeare’s), i. 214, viii. 347;
  • also referred to in i. 155, 195; iii. 169, 435; v. 186, 356; vi. 500; viii. 31, 178, 198, 374, 376, 385, 391, 402, 414; xi. 206, 488, 601; xii. 73.
• Cork (the town), ii. 182; ix. 413, 414, 415, 416.
• —— Earl of, x. 150.
• Cornbury, Lord, v. 77; viii. 555; xii. 31.
• Corneille, Pierre, ii. 179; vii. 311, 323; viii. 29; x. 105, 106.
• Cornelia (in Webster’s White Devil), v. 243.
• Cornelius (in Shakespeare’s Cymbeline), i. 186.
• Cornet Hector Lindsay (in Planché’s Carronside), xi. 388–9.
• Cornwall, ii. 224; iii. 395, 414; vi. 390.
• —— Barry, v. 379; vi. 203.
• —— Duke of, i. 264; viii. 448.
• Cornwallis, Earl, ii. 200, 212.
• Coronation Anthem (Handel’s), xi. 455.
• —— of Napoleon (David’s), ix. 30.
• Corporal Foss (in The Poor Gentleman), xi. 376.
• —— Trim (Sterne’s Tristram Shandy), iii. 372; iv. 23; v. 105; vi. 191 n., 235; vii. 223; viii. 121; ix. 427; x. 39; xi. 283.
• Corporate Bodies, On, vi. 264.
• Corporation and Test Acts, xi. 473; xii. 405.
• Correggio, Antonio Allegri da, i. 24, 78, 161; ii. 187, 365, 406; v. 45, 297; vi. 11, 13, 16, 74, 282, 316, 318, 335, 353, 361, 371, 394, 399, 400, 509; vii. 57, 94, 108, 118, 119, 126, 284; ix. 10, 12, 14, 15, 25, 26, 31, 35, 41, 43, 51, 70, 74, 107, 113, 163, 203, 204, 206, 224, 237, 313, 342, 347, 349, 369, 382, 383, 384, 399, 400, 409, 410, 427; x. 77, 192; xi. 197, 212, 214, 218, 241 n., 464, 482; xii. 36, 38, 356, 357, 426.
• Correspondent, The (a newspaper), iii. 153, 181.
• Corresponding Society, The, ii. 153.
• Corri, Miss R., viii. 465, 470.
• Corsair (Byron’s), iv. 257; v. 153; x. 15; xi. 247.
• Corsica, xi. 236.
• Corsini pictures, The, ix. 239.
• Corso, The, Florence, ix. 212.
• —— The (at Rome), ix. 233; xii. 462.
• Cortes, Fernando, iii. 106, 159, 216, 295; vii. 149; xi. 414, 551.
• Cortona, ix. 239, 253, 262, 302.
• Cortot, Jean Pierre, ix. 167.
• Corvino (in Ben Jonson’s Volpone), viii. 40, 44.
• Coryate, Thomas, v. 162; vii. 255.
• Cosi fan Tutti (Mozart’s), viii. 325, 326; xi. p. viii.
• Cosmo Comyne Bradwardine (in Scott’s Waverley), ix. 367; xii. 91.
• Cossacks, The, iii. 63; xi. 196, 197.
• Cossé, L., xi. 246.
• Cosway, Maria, vi. 400; ix. 254.
• —— Richard, vi. 333, 354, 380, 381, 432; vii. 90, 95, 96; ix. 354, 355; xii. 439.
• Cotes, Francis, iii. 307.
• Cottage Child at Breakfast (W. Collins’), xi. 246.
• —— Children (Gainsborough’s), xi. 203.
• Cottar’s Saturday Night (Burns’), v. 126, 137, 183; xi. 313, 452 n.
• Cotton, Charles, i. 57 n.; v. 122; viii. 94.
• —— Sir Robert, iii. 393.
• Cottrells, The Miss, vi. 343, 450. 507.
• Council Chamber of the Senate, The, Venice, ix. 274.
• Count (in Fielding’s Jonathan Wild), iii. 234.
• —— Basset (Cibber’s), viii. 37.
• —— Camaldole (in Godwin’s Cloudesley), x. 386.
• —— Conolly Villars (in Holcroft’s School for Arrogance), ii. 117.
• —— Egmont (Goethe’s), v. 363; x. 119.
• —— Fathom (Smollett’s), i. 12; iii. 103, 125, 181, 233, 291; v. 277; viii. 117, 127, 151; x. 35; xi. 374.
• —— Hottentot (Burgoyne’s, in Richard Cœur de Lion), viii. 196.
• —— Julian, Tragedy of (Landor’s), x. 255.
• —— La Ruse (Fielding’s), xi. 136.
• —— Lunenberg (Sheil’s Adelaide, or the Emigrants), viii. 309, 310.
• —— Maldecini, The (in Thomson’s The Dumb Savoyard and his Monkey), xi. 363.
• —— Ugolino (Michael Angelo’s), v. 18; x. 63.
• —— —— (Dante’s), v. 18; vi. 466; ix. 401; xi. 368, 406; xii. 30.
• —— —— (Reynolds’), v. 18; vi. 348; vii. 275; ix. 400; x. 63.
• Countess of Cumberland, Epistle to the (Daniel’s), v. 371.
• —— Dowager Delamere (in Ups and Downs), xi. 385, 387.
• —— Pillar, The, v. 148.
• Countess of Servan (in Payne’s Anglade Family), viii. 280.
• Country Cousins (a play), viii. 428, 430, 434.
• —— Girl, The (Wycherley’s), vi. 68, 463; viii. 524; xi. 274, 276.
• —— People, Character of the, xi. 309.
• —— Scene (Cossé’s), xi. 246.
• —— Wife, The (Wycherley’s), viii. 29, 76; x. 108.
• Cour des Fontaines, The (an inn), ix. 177.
• Courier, The (newspaper), i. 388; iii. 47 n., 76, 97, 98, 107, 110, 122, 124, 126, 135, 148, 206, 211, 214, 284, 435–6; iv. 214, 218; vi. 196, 294 n.; viii. 332, 335, 336, 340; x. 158 n., 219; xi. 416, 417, 420, 547; xii. 133.
• —— and Times Newspapers, On the, iii. 58.
• —— and the Wat Tyler, The, iii. 200.
• Court of Honour, The (in The Tatler), i. 9; viii. 98.
• —— Influence, On, iii. 254, 259.
• —— Journal, The, a Dialogue, xii. 354.
• Courteney (? Courtenay, John), iii. 419.
• Courtney, Mr, ii. 205, 214, 217.
• Courtneys, The, vi. 367.
• Coutts, Thomas, xi. 496.
• Covenanters, vii. 180.
• Covent Garden Theatre, i. 65, 157, 194, 248; ii. 78, 100, 101, 111, 113, 116, 159, 162, 163, 182, 194, 196, 207; vi. 294; vii. 308; viii. 176, 190, 192, 193, 195, 227, 230, 234, 237, 247, 250, 252, 253, 256, 261, 266, 275, 276, 281, 291, 292, 297, 298, 302, 315, 317, 318, 319, 332, 334, 335, 336, 338, 341, 342, 345, 347, 353, 354, 355, 357, 358, 362, 370, 373, 374, 386, 391, 401, 410, 413, 422, 425, 426, 427, 428, 430, 431, 432, 436, 439, 442, 452, 464, 465, 466, 526, 529, 530, 531, 539; ix. 463; xi. 277, 303, 304, 359, 362, 365, 369, 370, 373, 375, 376, 381, 382, 386, 388, 394, 396, 401, 403, 407, 410, 419, 499; xii. 17, 120, 121, 122 n., 124, 140 n.
• Coventry, ii. 10, 11, 14; ix. 302.
• —— Cross, ii. 11.
• —— C., xi. 244.
• —— Emily, xii. 364.
• Coviello of the Carnival, the, x. 279.
• Covigliaijo, ix. 199, 209.
• Cowley, Abraham, i. 133; v. 84, 125, 300, 372; vi. 110, 236; viii. 24, 57–62, 94, 463, 496; ix. 326; x. 64, 98; xi. 574; xii. 34, 124.
• —— (Butler Suckling, Etherege, etc.), viii. 49.
• —— Mrs, viii. 163.
• Cowper, Lord, ii. 225.
• —— William, v. 85; also referred to in i. 40; iii. 243, 266, 271; iv. 217, 351; v. 63, 369, 376; vi. 210, 248; viii. 51; x. 162, 327; xi. 249, 305, 306, 486, 492, 495, 503; xii. 240, 251, 273, 346.
• Cowslip (O’Keefe’s Agreeable Surprise), vi. 417; viii. 167, 319, 468.
• Coy Mistress, To his (Marvell’s), v. 314, 372.
• Coypel (painter), ix. 397.
• Crab (a dog), iii. 109.
• Crabbe, George, iv. 343; xi. 603;
  • also referred to in iv. 348 et seq.; v. 95, 96, 97, 98, 377; viii. 24; ix. 200; x. 264, 327; xi. 536; xii. 368.
• Crabtree (in Sheridan’s School for Scandal), viii. 251; xi. 393; xii. 24.
• Cracovius, iii. 266.
• Craig Campbell (in Holcroft’s Love’s Frailties, or Precept against Practice), ii. 159.
• Craig-Crook, ii. 314.
• Craigie Burn Wood (in Scott’s Antiquary), viii. 413.
• Cranach, Lucas, ix. 354.
• Cranmer, Thomas, ix. 23.
• Crashaw, Richard, v. 311, 318; viii. 49, 53.
• Crawfurd, Mrs, viii. 393.
• Crayon, Geoffrey. See Irving, Washington.
• Crazy Kate (in Cowper’s Task), v. 92.
• Creation (Sir R. Blackmore’s), xi. 489.
• —— Haydn’s, viii. 298.
• —— The (Milton), v. 183.
• Crébillon, Prosper J. de, ii. 179; iv. 217; vi. 49; vii. 311.
• Credibility of the Gospel History (Lardner’s), iii. 266.
• Crellius, iii. 266.
• Cremona Fiddles, ii. 164.
• Creskeld, Mr (Member of Parliament), iii. 395.
• Crespi, Giuseppe Maria, ix. 20.
• Cressida (Chaucer’s), v. 20;
  • (Shakespeare’s) xi. 295.
• Crete, x. 7.
• Crewe, Mrs, ii. 84, 86.
• —— Park, ii. 167.
• Cribb, Tom (pugilist), iv. 223, 334; vi. 50; ix. 242; xii. 7, 9, 12.
• Crichton, James (The Admirable Crichton), vi. 46; x. 335; xii. 277.
• Criminal Law (? Hazlitt’s), xi. p. viii.
  • See also xii. 405.
• Crisis, The (Holcroft’s), ii. 83, 84, 85, 86.
• Cristall, Joshua, ix. 309.
• Crites (in Ben Jonson’s Cynthia’s Revels), v. 303.
• Critic, The (Sheridan’s), ii. 260; viii. 164.
• Critical Essays (Pope’s), v. 69;
  • (Addison’s) viii. 99.
• —— Review, The (a periodical), ii. 269.
• Criticism, On, vi. 214.
• —— Essay on (Pope’s), i. 41; v. 73, 74, 373.
• Critics, Upon (Butler’s), viii. 68.
• Critique of Pure Reason, The (Kant’s), vii. 37; xii. 164 n.
• Critique de l’Ecole des Femmes (Molière’s), viii. 29, 77; x. 108.
• Crivelli, Signor, viii. 365; xi. 300.
• Crockery (in Jameson’s Exit by Mistake), iii. 304; viii. 322, 468.
• Croft, Herbert, v. 122, 123, 124.
• Croker, Right Hon. John Wilson, i. 379, 384; iii. 48, 103, 110, 162, 206, 230, 231, 278; iv. 241, 308; vi. 89, 212, 284, 360; vii. 100, 101 n., 102, 115, 123, 165, 376; viii. 453, 479; ix. 185, 244, 246; xi. 344, 384, 385, 547, 551; xii. 276 n., 294, 310.
• —— Mr. See Talking Potato.
• Croley (Croly, George), vii. 104, 105; xi. 360; xii. 283.
• Crompton, Mr, ii. 164.
• Cromwell, Oliver, i. 153, 428; ii. 157; iii. 168, 310, 390, 398; iv. 61; v. 83; vi. 38, 85, 93, 106, 110, 111, 177, 178, 303, 410, 411; viii. 61, 62, 233; x. 243; xi. 221; xii. 33, 310.
• —— Sonnet to (Milton’s), i. 428.
• —— Richard, iii. 399.
• Cropper, John (of Liverpool), vi. 190.
• Crosby House, viii. 514.
• Crossbite (Wycherley’s Love in a Wood), viii. 78.
• Crouch, Mrs Anna Maria, vi. 352.
• Crouchback, Edmund, x. 335.
• Crowdero (in Butler’s Hudibras), viii. 65, 67.
• Crown Prince of Poland, The (in Pocock’s John du Bart), viii. 254.
• Crowning with Thorns, The (in the Louvre), ix. 112.
• —— of the Virgin (Correggio’s), ix. 204.
• —— —— (Raphael’s), ix. 240, 273, 365.
• Crucified Jesus (Horneck’s), ii. 43.
• Crucifixion, xi. 312.
• —— the (Carraci’s), ii. 225.
• —— (Rubens’), ix. 299.
• Crudities (Coryate’s), v. 162; vii. 255.
• Cubit, Mr (singer), ii. 86, 259.
• Cuckold’s Point in Essex, vi. 167; vii. 240.
• Cuckoo, Lines to a (Wordsworth’s), v. 156.
• —— Song (in Shakespeare’s As You Like It), viii. 252, 337.
• Cudworth, Ralph, iv. 216.
• Culpepper, Nicholas, ii. 251.
• Cumberland, i. 53, 92; iv. 4; ix. 216, 393; xi. 200, 311, 512.
• —— Duchess of, The, vi. 449.
• —— Gate, xii. 134.
• —— Richard, i. 320; ii. 197, 207; v. 363; vii. 101 n.; viii. 164, 166; ix. 349; x. 16; xii. 276 n.
• Cunningham, John, ii. 80, 81; v. 122; vi. 448, 449.
• Cupid, v. 41; vi. 201; vii. 202.
• —— tormenting the Soul (after Chaudet), ix. 167.
• —— in search of Venus’ Doves (Prior’s), v. 106.
• —— at Whitehall (Rubens’), ix. 387.
• —— and Psyche (Gérard’s), ix. 137.
• —— —— (Raphael’s), ix. 239, 365.
• —— —— (Titian’s), ix. 74.
• Curate, The (in Still’s Gammer Gurton’s Needle), v. 286.
• Curfew, The (Tobin’s), v. 345.
• Curll, Edmund, vi. 418; xii. 330.
• Curran, John Philpot, xii. 353; also referred to in i. 393; iii. 312, 425; iv. 212, 319; vii. 41; viii. 21; ix. 34 n.; xi. 383 n.; xii. 349.
• Currie, Mr, xii. 405.
• Curtail (Holcroft’s), ii. 204.
• Curtis, Sir William, vi. 112; vii. 271; xi. 352, 474.
• Curzon Street, xii. 132.
• Cut Finger (Wilkie’s), viii. 140; xi. 252.
• Cuthbert, John, xii. 14.
• Cuthell (publisher), ii. 171.
• Cutter of Coleman Street (Cowley’s), viii. 61.
• Cuvier, Georges, ix. 120.
• Cuyp, Aelbert, ix. 19, 36, 51.
• Cymbeline (Shakespeare’s), i. 179;
  • also referred to in i. 394; v. 258; x. 116.
• Cymon (Dryden’s), vi. 371;
  • (Garrick’s) viii. 261.
• Cynthia (in Lyly’s Midas and Endymion), v. 199.
• Cynthia’s Revels (Ben Jonson’s), v. 265, 303, 306.
• Cyprus, i. 205; v. 55; xi. 294.
• Cyropædia (Greek prose romance), x. 16.

• D——, vi. 456.
• Daddy Ratton (in Scott’s Heart of Midlothian), vii. 137 n.
• Dædalus, x. 346.
• Daisy, To a (Wordsworth), v. 156.
• D’Alembert, Jean le Rond, vi. 111; viii. 29, 552.
• Dalkeith Palace, ii. 325.
• Dalmatia, ix. 267.
• Dalrymple, Alexander, ii. 178.
• Damas, Monsieur, ix. 149.
• Dame Chat (in Still’s Gammer Gurton’s Needle), v. 286.
• —— Hellenore (in Spenser), viii. 303.
• —— Lorenza Sephora (Le Sage’s Gil Blas), vii. 223.
• Damiani, Signor, ii. 177.
• Damon and Musidora (in Thomson’s Seasons), v. 90.
• Dampiere, Marquise de, ii. 107, 280 n.
• Damsel of the Idle Lake, The (Spenser’s), viii. 27.
• Danae (Caracci’s), ix. 31.
• —— (Correggio’s), ix. 480, 482.
• Danaides, x. 387.
• Dance, George (Sir Nathaniel Holland), vi. 359, 374, 442.
• —— (William?), ii. 79.
• —— of Bacchanals (Poussin’s), ix. 14.
• —— of Death, The, x. 264.
• Dancing (Davies’ Poem), viii. 53.
• Dan Cupid (in Holcroft’s Old Clothesman), ii. 190, 194.
• Dandy Dinmont (in Scott’s Guy Mannering), iv. 248.
• —— School, The, xi. 344.
• Danger (Collins), v. 8.
• D’Angouleme, Duchess, iii. 444.
• Daniel, iii. 265.
• —— (Michael Angelo’s), ix. 362.
• —— in the Lion’s Den (Barry’s), ix. 415.
• —— Arnaud, x. 55.
• —— P. A., i. 452.
• —— Samuel, v. 309, 371.
• Daniell, Lady, vii. 111.
• Danish Zealand, iii. 68.
• Dansomanie (Étienne Nicolas Méhul’s), xi. 299; also referred to in viii. 325–6, 437, 537.
• Dante, i. 23, 37, 161; ii. 229; iv. 257, 276, 302; v. 15, 17, 18, 19, 45, 56, 65, 66, 186; vi. 425, 455; vii. 61, 94; viii. 414 n.; ix. 219, 250, 251, 252, 401, 474; x. 45, 55, 60, 61, 62, 63, 67, 77, 87, 112 n., 408; xi. 235, 368, 406; xii. 30, 134.
• Daphne, iv. 213; xii. 200.
• Daphnis and Chloe (Longus’), x. 14.
• Dapperwit (in Wycherley’s Love in a Wood), viii. 78.
• Dapple (in Cervantes’ Don Quixote), vii. 223; viii. 8, 108, 109; x. 27, 28.
• D’Arblay, Madame, v. 146; vi. 157, 186, 209, 411; vii. 72, 73, 482; viii. 123, 124, 125, 560; ix. 490; x. 24, 41, 42, 43, 44; xi. 385, 442; xii. 65, 86.
• Dares and Entellus (Virgil’s), ix. 166.
• Darius, iii. 461; xii. 204.
• Darlemont (in Holcroft’s Deaf and Dumb), ii. 235.
• Darlington, ii. 79.
• Darnley (in David Rizzio), viii. 460.
• Dartmoor, vi. 407.
• D’Artois, Jacques (Flemish painter), ii. 221.
• Darwin, Erasmus, v. 146; xi. 504.
• Dashwoud (Murphy’s Know Your Own Mind), viii. 164.
• Datchet, ix. 36.
• Daudel, Madame, xi. 356.
• Daughter of the Dawn, The (a picture), ix. 237.
• Dauntless (in Bannister’s The World), viii. 229.
• Davenant, Dr Charles, ii. 219, 415; iv. 90 n.
• —— Sir William, viii. 54.
• Davenport, Mrs, viii. 255, 262, 319, 427, 428; xi. 370, 374, 404.
• Daventry, ii. 14.
• David, i. 57; v. 183.
• —— (Michael Angelo’s), ix. 219, 220, 241; xii. 134.
• —— and Bacchus (Michael Angelo’s), x. 354.
• —— Jacques Louis, v. 265; ix. 30, 110, 120, 122, 129, 133, 134, 167; xi. 213, 240 n., 241 n.; xii. 190.
• David Deans (in Scott’s Heart of Midlothian), iv. 247; vii. 181; xi. 559; xii. 383.
• —— Gellatly (in Scott’s Waverley), iv. 247; viii. 129.
• —— Ritchie (in Scott’s Black Dwarf), viii. 129.
• —— Rizzio (by Colonel Hamilton), viii. 456, 459; xi. 316.
• —— Simple (by Sarah Fielding), viii. 123 n.
• Davie (Burns), v. 139.
• Davies (actor), xi. 374.
• —— George. See Harley George Davies.
• Davies, Signora Cecilia, vi. 404.
• —— John (a racquet player), vi. 89, 451, 522; vii. 273.
• —— Sir John, v. 34; viii. 49, 53.
• Davila, Enrico Caterino, ix. 187 n.
• Da Vinci. See Leonardo da Vinci.
• Davis, Mr (an actor), ii. 69.
• —— Lockyer, ii. 104 n.
• Davison, Mrs, viii. 229, 258, 260, 316; xi. 376, 387, 393, 409.
• —— Thomas, vi. 236.
• —— W., xi. 248.
• Davy, Sir Humphry, iii. 54; vi. 85; vii. 226.
• Dawe, George, vi. 270.
• Day, Alexander, vi. 347, 348; vii. 89; ix. 475 n.
• —— of Judgment, The, xi. 313.
• —— and New Times. See New Times.
• —— and Night, Figures of (Michael Angelo’s), ix. 240.
• De Bausset, Baron, xii. 135.
• De Cive (Hobbes’s), xi. 48.
• D’Enghien, Duc, xi. 577; referred to in iii. 82.
• De F., Mademoiselle Hersilie (Raymond Gayrard’s), ix. 167.
• De Genlis, Madame, ii. 268, 281.
• D’Holbach, Baron, i. 434.
• De l’Allemagne (Madame de Stael’s), x. 119.
• —— l’Amour (Beyle’s), ix. 250.
• —— l’Esprit (Helvetius’), vii. 454 n.; xi. 254.
• —— Lolme, John Louis, vii. 380; viii. 107; x. 27.
• —— Mandeville, Bernard, i. 9, 403; ii. 372; iv. 2, 269, 298, 334, 351; vi. 50, 353, 387; vii. 166 n., 309, 467; viii. 94 n., 99; xi. 143, 254, 543; xii. 96, 98, 177, 228, 308, 426.
• —— Marveil, Arnaud, x. 55.
• —— Methodo (Descartes’), x. 143.
• —— Montfort (Miss Baillie’s), v. 147.
• —— Natura Humana (Hobbes’s), x. 143.
• De Nemours, The Duc, xii. 62.
• —— Piles, Roger, ix. 477.
• —— Quincey, Thomas, iv. 399.
• —— Stael, Madame, viii. 552, 557, 558; ix. 311, 490.
• —— Thou, George Augustus. See Thuanus.
• —— Thoyras, x. 145.
• —— Tivoli, Rosa (Philipp Peter Roos), vi. 419.
• —— Troyes, Chretien, x. 57.
• —— Vaquieras, Rambaud, x. 55.
• —— Vere (by R. P. Ward), xi. 374.
• —— Very, Monsieur, xii. 141.
• —— Wint, Peter, ix. 309; xi. 249.
• —— Witt, John, ii. 415.
• Dead Christ (A. Caracci’s), ix. 238.
• —— —— (Guido’s), ix. 207.
• —— Man restored to Life by touching the Bones of Elisha (Allston’s), xi. 189.
• Deaf and Dumb (Holcroft’s), ii. 230, 235.
• —— —— Politician, The (a play), xi. 387.
• —— Lover, The (Farren’s), viii. 480, 484.
• Deal (town), ii. 126.
• Dean Street, ii. 183.
• Death (Drelincourt on), vi. 430.
• —— of Abel, The (Solomon Gessner’s), xii. 273.
• —— of Abercrombie, The (song), ix. 152.
• —— of Adonis (Cambiasi’s), ix. 35.
• —— of Ananias (Raphael’s), ix. 44.
• —— of Cardinal Beaufort (Reynolds’), vi. 403; ix. 23.
• —— of Clorinda (Lodovic Lana’s), vi. 237.
• —— of a Fawn, On the (Marvell’s), v. 372.
• —— and the Lady (a ballad), ii. 42.
• —— of Nelson, The (song), viii. 229, 370.
• Death of Oliver Cromwell (Waller’s), v. 371.
• —— on the Pale Horse (West’s), v. 33; vi. 290 n.; ix. 318.
• —— On the Punishment of, xii. 466.
• —— of St. Jerome (Domenichino’s), ix. 240.
• —— of Socrates (Martine’s), ix. 182.
• —— of an Unfortunate Lady, Elegy on the (Pope’s), v. 373.
• —— Verses on his own (Swift’s), v. 374.
• —— of the Virgin (Durer’s), ix. 35.
• —— of Wolfe (West’s), ix. 55.
• Deborah, The Song of, xi. 321.
• —— (in F. Reynolds’ The Will), viii. 253.
• —— Woodcock (in Bickerstaffe’s Love in a Village), viii. 329.
• Debrett’s, John (Whig Resort in Piccadilly), ii. 169–227 passim.
• Decade Philosophique, La (periodical), ii. 223.
• Decalogue, xi. 313, 490.
• Decameron (Boccaccio’s), i. 332; ix. 196, 211; x. 67, 68, 69; xii. 30, 43, 130, 164.
• Decamp, Mr (actor), viii. 229, 247.
• Deckar, Thomas, v. 223;
  • also referred to in iv. 310; v. 176, 181, 185, 191, 193, 234, 240, 266, 345; vi. 167, 192, 218 n.; vii. 122, 320; x. 205; xii. 34.
• Dee, The River, vi. 186.
• Defeat of Goliath (Volterra’s), ix. 110.
• Defence of National Debt (? Hazlitt’s), xi. p. vii.
• —— of Poetry (Sir Philip Sidney’s), v. 326.
• —— of the People of England (Milton’s), viii. 233.
• Defensio pro populo Anglicano (Milton’s), iii. 299.
• Definitions, Specimen of a Dictionary of, ix. 484.
• Defoe, Daniel, iv. 334; v. 14; vi. 50, 430; vii. 70; viii. 107 n.; x. 27 n., 382; xii. 142, 400, 403.
• —— —— Life and Times of (Wilson), x. 355.
• —— Sophia, x. 382.
• Delacroix, Eugène, ix. 137.
• Delaval (in Mrs Kemble’s Smiles and Tears), viii. 266.
• Del Piombo, Sebastian, ix. 11.
• —— Popolo, The Gate, ix. 231.
• Delft (town), ix. 301.
• Delille, The Abbé, x. 250.
• —— Jacques, ix. 146.
• Della-Cruscan, iv. 309, 356; v. 148, 300; vi. 221, 254; vii. 318; ix. 354, 409; x. 127; xii. 346.
• Delphi, The Temple of, x. 17.
• Delphine (De Stael’s), vii. 220.
• Deluge, The (Byron’s description), iv. 258; ix. 109.
• —— (Girodet’s), ix. 132; xi. 241.
• —— (Poussin’s), vi. 171; ix. 109, 384, 491; xi. 197, 201 n., 242.
• Delvilles, The (Miss Burney’s), vi. 157; xi. 385; xii. 65.
• Democratic Lectures, iii. 206.
• Democritus, x. 232.
• Demosthenes, iii. 395; vi. 111; x. 248; xii. 168.
• Denbighshire, iii. 413.
• Denham, Sir John, v. 84, 372.
• Denman, Rev. Mr, vii. 73.
• Denmark, iii. 68; iv. 93.
• —— Court of, viii. 185.
• —— King of, iii. 62; x. 303.
• —— Prince of, vi. 376.
• Denner, Balthasar, ii. 402; vi. 133, 134, 241; vii. 56; ix. 41; xi. 218, 462.
• Dennett (The Misses), vi. 160, 161; viii. 351, 352, 353, 404, 411, 436, 437, 454, 478, 479, 535.
• Dennis, John, v. 356; vi. 464; viii. 89, 322.
• Dent de Jamant, The, ix. 285, 296; xii. 25.
• Deptford, Kent, vi. 484.
• Depth and Superficiality, On, vii. 346.
• Derby, ii. 14; iii. 280.
• —— The Countess of (in Scott’s Peveril of the Peak), xi. 537.
• Derbyshire, ii. 14; ix. 279; xi. 540.
• Dérivis, Henri Étienne, ix. 171.
• Dermody, Thomas, ii. 279.
• Derwent River, iv. 270.
• Des Noyers, Mons., i. 30; viii. 137; ix. 81.
• Descartes, René, x. 143; xi. 286, 288, 289.
• Descent of Liberty, The (Leigh Hunt’s), vii. 122.
• Description of a Pig (Southey’s), v. 164.
• Desdemona (in Shakespeare’s Othello), i. 16, 105, 180, 200, 293; v. 6; vii. 306; viii. 189, 214, 216, 217, 218, 272, 340, 528, 519, 534, 560; x. 116; xi. 291, 294, 295, 405.
• Desenfans, Noel Joseph, ii. 189, 198; ix. 19, 24, 25, 55; xi. 205 n.
• Desert, The Great, ix. 349.
• Deserted Daughter, The (Holcroft’s), ii. 159, 161, 162, 201, 229.
• —— Village, The (Goldsmith’s), v. 376.
• Deshayes (dancer), i. 72.
• Destouches, Mons., ii. 117.
• Destut Tracy, Comte de, ix. 186; xii. 104.
• Deucalions, The, v. 162.
• Devil’s Ditch, The, ii. 37, 40, 52.
• —— Elixir, The (Edward Fitzball’s), xii. 229.
• Devin du Village, The (Rousseau’s), vi. 444; ix. 170.
• Devonshire, ii. 143, 164; iii. 423; vi. 345, 367; ix. 185; x. 416.
• —— Duke of, ii. 22.
• —— Duchess of, ii. 105; xii. 455.
• —— The Duchess of (Vandyke’s), ix. 61.
• —— House, ii. 175.
• Devotion (Laschallas’), xi. 245, 246.
• Dialogue between Roger Ascham and Lady Jane Grey (Landor’s), x. 236.
• —— between Queen Elizabeth and Burleigh (Landor’s), x. 238.
• —— French and English, xi. 122.
• Diamond, Newton’s dog, xi. 263 n.
• —— (a thief), ii. 182.
• —— Berchem (Beckford’s), ix. 59.
• —— Ring, the, or Exchange No Robbery (Theo. Hook’s), viii. 475.
• Diana, i. 330; iii. 336; v. 30; vi. 168; ix. 216, 341.
• —— bathing (Allston’s), xi. 190.
• —— and Actæon (Caracci’s), xi. 238.
• —— —— (Domenichino’s), ix. 238.
• —— —— (Titian’s), ix. 32.
• —— and Calisto (Titian’s), ix. 32.
• —— and Endymion (Guercino’s), ix. 238.
• —— with her Fawn, at the Louvre, viii. 149; ix. 107, 165, 491; xi. 197.
• —— and Nymphs Bathing (Caracci’s), ix. 32.
• Diary (Holcroft’s), ii. 169.
• Dibdin, Charles, the younger, ii. 222.
• —— Thomas John, ii. 223; viii. 413 n., 524.
• Diccon, The Bedlam (Still’s Gammer Gurton’s Needle), v. 286, 287, 288.
• Dick Amlet (in Vanbrugh’s Confederacy), viii. 80, 81.
• Dickons, Mrs Maria, vi. 220, viii. 226.
• Dicky Gossip, viii. 388.
• Dictionary of Painters (Pilkington’s), ii. 184.
• Diderot, Denis, i. 91; vi. 444.
• Didier (in L. Bonaparte’s Charlemagne), xi. 235.
• Dido, iii. 461; viii. 197; ix. 170; xii. 19.
• Didone Abandonnata, viii. 196.
• Die Vernon (Scott’s Rob Roy), iv. 248.
• Dieppe, ix. 91, 92, 94, 95, 100.
• Digby, Lord George, iii. 396.
• —— Sir Kenelm, vii. 443 n.
• —— Lady Venetia (Vandyke’s), ix. 38, 39.
• Digges, Sir Dudley, iii. 394.
• Dignum, Charles, vi. 388, 432; vii. 193; xi. 367.
• Dilettanti Society, vi. 372 n.; vii. 279; ix. 409.
• Dilly, Charles, xi. 221.
• Dilworth, (?) Thomas, vii. 26.
• Dimond, William, viii. 366, 535.
• Dinah Cropley (in Mr Kenney’s The World), viii. 368, 369.
• Diodati, Charles, vi. 486.
• Diogenes, i. 210.
• —— Antonius, x. 15.
• Diomed (in Homer’s Iliad), x. 6, 7; xii. 10.
• Diphilus, x. 100.
• Dipsas (in Lyly’s Midas and Endymion), v. 201.
• Dirge in Cymbeline, The (Collins’), v. 116, 374.
• Dirk Hatteraick (in Scott’s Guy Mannering), iv. 248; viii. 129.
• Dirty Dick, vi. 359.
• Disadvantages of Intellectual Superiority, On the, vi. 279.
• Disagreeable People, On, xii. 173.
• Disciples, The, v. 184.
• —— at Emmaus, The (in the Louvre), ix. 112.
• Discourse with Cupid (Ben Jonson’s), v. 304.
• Discourses (Dr Chalmers’), v. 9.
• —— (Sir Joshua Reynolds’), vi. 32, 366; ix. 399, 403, 490; x. 181; xi. 543.
• —— (by Algernon Sydney), iv. 81.
• —— (R. Taylor’s), xii. 383.
• Dispute of the Sacrament (Raphael’s), ix. 380; xi. 226.
• D’Israeli, Isaac, ii. 172; iv. 308.
• Dissenters, The, x. 368, 370, 372, 375–76, 377.
• —— Address to the (Defoe’s), x. 368.
• Dissertation on the Rise and Progress of Modern Metaphysics (Stewart’s), xi. 285.
• Distant Objects Please, Why, vi. 255.
• Distraining for Rent (Wilkie’s), xi. 253.
• Distressed Mother, The, viii. 334.
• —— Poet (Hogarth’s), i. 95; ix. 55.
• Distresses of the Country, A Lay-Sermon on the, Addressed to the Middle and Higher Orders, by S. T. Coleridge, Esq., iii. 138.
• Diversions of Purley (Horne Tooke’s), iv. 238, 240, 390; vii. 198; xi. 119, 173; xii. 343.
• Divine Comedy of Heaven, Hell and Purgatory (Dante’s), v. 334; x. 60.
• —— Legation of Moses, The (Warburton’s), vi. 368; x. 18.
• Dobbs, Mrs (actress), viii. 251.
• Dobson, Mr, ii. 167.
• Dr Cantwell (in Bickerstaffe’s Hypocrite), viii. 245–6; xi. 395.
• —— Faustus (the legend), v. 293.
• —— Harrison (in Fielding’s Amelia), viii. 115; x. 33.
• —— Last in his Chariot (Bickerstaffe), ii. 75, 76; vi. 418.
• —— Pangloss (in Colman, Jr.’s, The Heir at Law), iv. 283.
• —— Pedro Positive (in Cervantes’ Don Quixote), iii. 78.
• —— Rat (in Still’s Gammer Gurton’s Needle), v. 286.
• —— Slop (Sterne’s Tristram Shandy), x. 39.
• Doctour of Phisike, The (in Chaucer), v. 24.
• Doctrine of Necessity, Treatise on the (Hobbes’s), xi. 44.
• Dodd, James William, i. 155; viii. 230, 388, 509; xi. 367; xii. 24.
• Dodd, Dr William, xii. 348.
• Doddridge, Dr Philip, vi. 368.
• Dodington, George Bubb, v. 85; vi. 100; xii. 301.
• Dodsley, Robert, v. 122.
• Dog Tray (Dyer’s), vii. 44.
• Dogberry (in Shakespeare’s Much Ado), i. 338; iii. 207; viii. 79; xi. 309, 549.
• Doge of Venice, The, xi. 499.
• —— —— (Palma Vecchio’s), ix. 34.
• —— —— returning Thanks (P. Veronese), ix. 274.
• Doge’s Palace, The (Venice), ix. 274.
• Dogget, Mr (actor), i. 157, 441; viii. 160.
• Dolci, Carlo, ix. 12, 20, 41, 67.
• Doll (in Still’s Gammer Gurton’s Needle), v. 286.
• —— Tearsheet (in Shakespeare’s Henry IV.), i. 280.
• Dolly Snip (in Shakespeare versus Harlequin), viii. 436.
• Domenichino (Domenicho Zampieri, also of Bologna), vi. 14, 15, 74; vii. 274; ix. 35, 51, 70, 107, 112, 113, 206, 238, 240, 264, 367, 386; x. 278, 292, 294; xi. 197, 238; xii. 48 n., 272, 367.
• Dominican Friars, The, xii. 224.
• Dominie Sampson (in Scott’s Guy Mannering), iv. 248; viii. 129, 292, 413.
• Domitian, i. 390.
• Domo d’Ossola, ix. 279.
• Don Adriano de Armado (in Shakespeare’s Love’s Labour Lost), i. 332; iii. 64.
• —— Carlos (Schiller’s), ii. 178, 183; v. 362; vi. 325 n.; xii. 158.
• —— Felix (in Mrs Centlivre’s The Wonder), viii. 155, 156, 333; xi. 402.
• —— Giovanni (the Opera, etc.), iii. 226; viii. 362, 363, 365, 366, 371, 404, 538; xi. 307, 370, 427, 455, 500.
• Don Giovanni and Kean’s Eustace de St Pierre, xi. 307.
• —— John (in Beaumont and Fletcher’s The Chances), viii. 49, 461, 515.
• —— —— (in Much Ado), i. 335.
• —— Juan (Byron’s), iv. 256, 259 n.; vi. 236, 425; vii. 319; viii. 90, 370; ix. 258; xi. 489; xii. 23, 374.
• —— Lopez (in Mrs Centlivre’s The Wonder), viii. 156.
• —— Manuel (in Mrs Centlivre’s The Wonder), viii. 156.
• —— —— (Cibber’s Kind Impostor, or She Would and She Would Not), ii. 83.
• —— —— (in Maturin’s Bertram), viii. 368.
• —— Octavio (in Don Juan), viii. 365.
• —— Pedro (in Don Juan), viii. 363, 371.
• —— Quixote (Cervantes), i. 12, 57 n., 71 n., 138, 349, 350, 422; iii. 41, 61, 90, 142; iv. 53, 83, 245; v. 83, 140, 325, 372; vi. 85, 97, 162, 225, 238, 395, 409; vii. 120, 160, 164 n., 223, 229, 465, 474; viii. 11, 65, 108, 109, 110, 111, 112, 117, 125, 151, 398, 429; x. 27, 28, 29, 30, 31, 35, 43, 56, 57, 394; xi. 266, 273 n., 328, 338, 458, 510; xii. 37, 72, 165.
• —— —— receiving Mambrino’s Helmet, etc. (Richter’s), ix. 309.
• —— Sebastian (Dryden’s), v. 356, 357–8.
• Donald (in Holcroft’s The Deserted Daughter), ii. 159.
• —— Bean Lean (in Scott’s Waverley), viii. 129; xiii. 354.
• —— Mackay (Bartley), xi. 389.
• Donatus, Letters to (Milton’s), vi. 180.
• Donna Anna, viii. 365; xi. 370.
• —— Elvira (in Don Juan), viii. 365.
• —— Isabella (in Mrs Centlivre’s The Wonder), xi. 402.
• Donne, John, iv. 212; v. 83; vi. 304; vii. 36; viii. 49, 51, 53, 57; xii. 28.
• Doria Palace, The, vii. 177; ix. 238.
• Doriforth (in Mrs Inchbald’s A Simple Story), xii. 65.
• Dorimant (in Etherege’s Man of Mode), viii. 68.
• Dorinda, xii. 451.
• Dorington (Holcroft’s Man of Ten Thousand, The), ii. 160.
• Dornton (in Holcroft’s Road to Ruin), ii. 123; xii. 24.
• Dorothea (in Cervantes’ Don Quixote), iv. 245.
• —— (in Massinger’s The Virgin Martyr), v. 266.
• Dorset, Lord, v. 369, 373.
• Dorsetshire, iii. 396, 400.
• Dottrel-Catching, iii. 51.
• Dou. See Douw, Gerard.
• Double Dealer (Congreve’s), viii. 72.
• —— Gallant (Cibber’s), viii. 359.
  • Also referred to in viii. 161, 162, 360.
• Douce, Francis, vii. 38.
• Douglas, Family of, x. 172.
• —— Gawin, v. 399; x. 311.
• —— (Home’s), iv. 233; v. 359; vi. 294; viii. 292; xi. 546 n.
• —— (in Miss O’Neill’s Elwina), viii. 257.
• Douro, The Marquis of, xi. 362.
• Dousterswivel (in Scott’s The Antiquary), vii. 156.
• Douw, Gerard, vi. 10; ix. 35, 355.
• Dover, ii. 211; ix. 94, 286.
• —— -cliff, i. 176, 268.
• —— packet-boat, viii. 435.
• Dow. See Douw, Gerard.
• Downing, (?) George (or Dunning), ii. 66.
• —— Mrs, ii. 67, 68.
• —— Street, iii. 217, 461.
• Downs, The, ii. 126.
• Dowton, William, i. 157; viii. 167, 168, 189, 229, 245, 246, 249, 250, 256, 258, 260, 270, 278, 317, 361, 362, 370, 392, 400, 451, 472; xi. 303, 305, 306, 307, 368, 369, 376, 378, 395.
• Dowton in the Hypocrite, xi. 395.
• Drake, Sir Francis, v. 175; vi. 367.
• Drama, Schlegel on the, x. 78.
• Dramatic Literature of the Age of Elizabeth, Lectures on the, v. 169; also x. 275 n.
• —— Pieces translated from English.
• —— —— Selection of Smaller (by Claude Pierre Patu), i. 66 n.
• —— Scenes (by B. Cornwall), v. 346.
• —— Writers contemporary with Shakespeare, Lyly, Marlow, Heywood, Middleton and Rowley, On the, v. 192.
• Draper, Sir William, iv. 238.
• Drawcansir (in Buckingham’s The Rehearsal), iv. 277, 309; vi. 216.
• Drayton, Michael, v. 295; also referred to in v. 201, 370; viii. 42; xi. 284.
• Dream of a Painter (Northcote’s), i. 442; ix. 66.
• Dreams, On, vii. 17.
• Drelincourt, Charles, vi. 430.
• Drennan, Dr Wm., ii. 224.
• Dresden Gallery, vii. 135.
• Drinking (by Cowley), viii. 59.
• Droitwich, ii. 66, 196.
• Drölling (Michel Martin), ix. 123, 137 n.
• Dromios, The Two (Shakespeare’s Comedy of Errors), i. 351.
• Drouet, Louis-François Philippe, viii. 298.
• Druids, v. 335.
• Drummer, or The Haunted House (Addison’s), viii. 158.
• Drummond (of Hawthornden), William, v. 299, 301, 302, 303; vi. 175; xii. 34.
• —— Samuel, ii. 228.
• Drury Lane Theatre, i. 157, 194, 248; ii. 78, 83, 89, 113, 114, 122, 159, 160, 193, 199, 213, 218, 219, 228, 230, 236; vii. 204; viii. 179, 189, 190, 208, 229, 233, 237, 249, 252, 254, 258, 263, 264, 270, 272, 276, 277, 278, 279, 284–285, 289, 292, 294, 297, 300, 304, 310, 316, 335, 340, 341, 352–9, 368, 372, 374, 388, 394, 398, 423–4, 426–7, 430, 435, 439, 450, 461, 465–6, 470, 472, 476, 524, 525, 526, 529, 534, 539; ix. 149; xi. 301, 303, 305, 308, 351, 359, 365, 370, 375–7, 382, 384, 386, 392, 395, 397, 399, 402, 404–5, 409–10, 413; xii. 17, 139 n., 140 n., 168, 217, 275.
• Dryad, i. 19.
• Dryden, John, i. 39, 80, 332, 380; ii. 79; iii. 63, 113, 258, 400, 461; iv. 276, 277, 309; v. 13, 30, 61, 68, 122, 246, 261, 356, 357, 359, 369, 372; vi. 204 n., 218, 222, 254, 336, 351, 363, 371, 425, 455, 464; vii. 17, 36, 93, 102, 105, 124; viii. 43, 68, 159, 190, 191, 192, 235, 503; ix. 363; x. 68, 118, 204, 205, 416; xi. 132, 186, 226, 256, 269, 270, 272, 535; xii. 3, 32, 207, 208, 244 n., 323, 326, 327, 375.
• Dryden and Pope, On, v. 68.
• Du Bart, John and Francis, viii. 253.
• Du Bartas, Guilaume de Saluste, Seigneur, v. 186.
• Du Fresnoy, Charles Alphonse, ix. 477.
• Dublin, ii. 56, 61, 64, 65, 181, 188, 202; iii. 405, 420; viii. 203, 466, 478; ix. 415, 416; x. 179; xi. 402.
• Dubois, Edward, xii. 276 n.
• Duchesnois, Mademoiselle, ix. 154.
• Duchess of Malfy (Webster’s), v. 240, 245; vi. 94 n.; vii. 54.
• Ducis, Jean François, xi. 283.
• —— Louis, ix. 137.
• Ducrow, Andrew, xii. 368.
• Dudley, Bate, xi. 349.
• Duenna, the (Sheridan’s), iv. 159; viii. 164, 165; xii. 24, 332.
• Duessa, the false (Spenser), iv. 201; v. 277.
• Dugdale, Sir William, vii. 316.
• Dughet, Gaspard. See Poussin, Gaspar.
• Duke Aranza (in Tobin’s The Honeymoon), v. 345; viii. 229, 263; xi. 409.
• —— Hercules of Ferrara (in Manton’s, Parasitaster), v. 226.
• —— of Austria (in Shakespeare’s King John), xi. 411.
• —— of Brachiano (in Webster’s The White Devil), v. 241, 243.
• —— of Milan, The (Massinger’s), viii. 289;
  • also referred to in v. 266, 267; viii. 292.
• —— of Wellington, etc. (Perry Nursey’s), xi. 249.
• —— of York, The (in Shakespeare’s Richard II.), viii. 224.
• Duke’s Place, ii. 71; iii. 49, 157; x. 164; xii. 363.
• Dulcinea (in Mrs Centlivre’s The Wonder), viii. 156.
• —— del Toboso (in Cervantes’ Don Quixote), i. 92, 422; v. 140; vi. 238, 287; viii. 110; x. 30; xi. 273 n.; xii. 76.
• Dulwich College, vi. 120; ix. 17, 390.
• —— Gallery, the, ix. 17; also referred to in vi. 219, 369 n.; ix. 17, 55, 113; xi. 249.
• Dumain (in Shakespeare’s Love’s Labour’s Lost), i. 334.
• Dumb Savoyard and his Monkey, The (Thompson’s), xi. 363.
• Dumbarton Bridge, ii. 328.
• Dumbiedikes (in Scott’s Heart of Midlothian), iv. 247; viii. 413 n.; xi. 382.
• Dumblain, iii. 415.
• Dumple, a pony (in Scott’s Guy Mannering), iv. 248.
• Duncan (in Shakespeare’s Macbeth), i. 293; vi. 39; viii. 205; x. 81; xi. 316.
• —— Gray (by Wilkie), viii. 141.
• Duncan’s fleet, Lord, ii. 250.
• —— Victory (by Fittler), ii. 201.
• Dunciad, The (Pope’s), v. 76, 80, 359, 373; x. 375; xi. 489.
• Dundas, Henry, first Viscount Melville, ii. 158, 169, 204, 223; xii. 293.
• Dundee, ii. 252.
• Dunkirk, viii. 253; xi. 556.
• Dunkley, Mr (in Amory’s John Buncle), i. 54; iii. 142.
• Dunlop, John Colin, x. 5.
• Dunlop’s History of Fiction, x. 5.
• Dunning, xii. 293.
  • See also Downing, George.
• —— John, Lord Ashburton, iii. 418, 423; iv. 237; vi. 367, 397.
• Duns Scotus, iv. 217; vii. 199.
• Dunster (a town), xii. 272.
• —— Mr (the fishmonger in the Poultry), vii. 73, 74, 75.
• Duomo, The (at Florence), ix. 211, 212.
• Duplicity (Holcroft’s), ii. 89, 100, 101, 102, 163.
• Dupre (in Holcroft’s Deaf and Dumb), ii. 235.
• Durer, Albert, ix. 35, 95.
• Durfey, Tom, viii. 96.
• Durham, ii. 79; xi. 311.
• Duruset, J. B., vii. 70; viii. 231, 232, 248, 261, 370, 371, 413, 533; xi. 316, 397.
• Dutch Fair (Teniers’), ix. 389.
• —— School, i. 29; viii. 54; ix. 301, 314, 317, 386, 398, 406; xi. 187, 205 n., 240, 462, 547.
• Duties of Children, On the (Channing’s), x. 317.
• Du Val, Mr, ii. 181.
• Dyches, Family of, iii. 420.
• Dyer, George, ii. 177, 180, 217; v. 119, 375; vii. 43, 220; xii. 164 n.
• Dying Gladiator (Byron’s), ix. 234.
• —— —— (Louvre), viii. 149; ix. 107, 165 n., 166, 350, 491; x. 341; xi. 196.
• —— Mother, a Statue (West’s), ix. 322.
• Dyot, Sir Thomas, vi. 120.
• —— Street, vi. 120; vii. 249.

• Earl Delamere (in Ups and Downs), xi. 387.
• —— Egbert (in Holcroft’s The Noble Peasant), ii. 110.
• —— of Flanders (in Kinnaird’s Merchant of Bruges), viii. 264, 265.
• —— of Glenallan (Scott’s Antiquary), iv. 248.
• Eastcheap, x. 310; xi. 311.
• East India Company, The, ii. 56; vii. 184.
• —— London Theatre, The, viii. 404, 412; xi. 370.
• Eastward Hoe (Ben Jonson’s), v. 234; vi. 164.
• Ecce Iterum Crispinus (Gifford’s), iv. 305.
• Ecclesiastical History (Mosheim’s), iii. 276.
• —— Polity (Hooker’s), x. 145.
• Echard (Eachard, John), viii. 107; x. 27; xii. 148.
• Echelles (a town), ix. 189.
• Echo (in Ben Jonson’s Cynthia’s Revels), v. 265.
• —— (in Kenney’s The World), viii. 229.
• Eclogues, The (Collins’), v. 116, 374.
• École des Femmes (Molière’s), viii. 29; x. 108; xi. 452.
• —— des Maris (Molière’s), xi. 356.
• —— Militaire, The, ix. 160.
• —— des Vieillards, The (a French Play), xi. 366.
• Edelinck, Gerard, ii. 198.
• Eden, v. 67, 70.
• Edgar (in Shakespeare’s King Lear), i. 293; v. 5; vi. 156; viii. 440, 441, 449, 450.
• Edgeworth, Miss, i. 105; viii. 123; x. 41; xii. 65.
• Edie Ochiltree (in Scott’s Antiquary), iv. 248; viii. 413; x. 399.
• Edinburgh, ii. 59, 188, 304, 308, 314, 394; iv. 320; viii. 290, 315, 425, 478; ix. 98, 178, 233, 324, 326, 336; xi. 560; xii. 91, 219, 253, 256 n., 277, 353, 367.
• —— To (in Hazlitt’s Liber Amoris), ii. 314.
• —— Encyclopædia, The (Sir David Brewster’s), xii. 316.
• —— Magazine (or New Scots Magazine), iv. 420; v. 385, 389; ix. 465; xi. pp. viii., xi., 430, 433, 437, 442, 450, 454.
• —— Review, i. 97, 131, 139, 166, 385, 393 n., 410, 428, 435; iii. 44, 51, 214, 221, 280, 454; iv. 245, 287, 310, 323, 342–3, 399; v. 128, 131, 150, 280, 348; vi. 18, 59, 87, 99, 205, 212, 216, 284; vii. 123, 183, 185, 261, 312, 365, 379, 381; viii. 419, 453, 498; ix. 102 n., 186, 295, 490; x. 5, 135, 243; xi. 162, 437, 484, 501; xii. 163, 169, 255, 316, 320, 327.
• —— ——, Contributions to, xi.
• —— View of (Hofland’s), xi. 246.
• —— View of (Nasmyth’s), xi. 247.
• —— Views of (a book), vi. 429–30.
• Edith Bellenden (Scott’s Old Mortality), iv. 247.
• Edith Elspeith (Scott’s Old Mortality), iv. 247, 248.
• Editha (in Arnold’s The King’s Proxy, or Judge for Yourself), viii. 244.
• Editors, A Chapter on, xii. 230.
• Edmonds (an upholsterer), ii. 198.
• Edmonton, xi. 306.
• Edmund (in Shakespeare’s King Lear), i. 17, 209, 392; viii. 215, 221.
• Education, Treatise on (Locke’s), x. 249.
• —— —— (Milton’s), vi. 180.
• —— of Bacchus (Poussin’s), ix. 24.
• —— of Jupiter (Poussin’s), ix. 24.
• Edward the Confessor, x. 335.
• —— II. (Marlowe’s), v. 211.
• —— III., v. 19; vii. 193.
• —— V. (in Shakespeare’s Richard III.), viii. 183.
• Edwards, Edward, vi. 346; xi. 590.
• —— Jonathan, i. 49 n.; x. 314, 315; xi. 50, 65, 70; xii. 35.
• —— Mr (actor), viii. 247, 298.
• —— Dr, ix. 246, 247.
• Edwin, John, the elder, i. 155; ii. 111; vi. 417; viii. 230, 273.
• —— Mrs (Elizabeth Rebecca Richards), viii. 400.
• —— and Emma (Mallet’s), v. 375.
• Edwitha (in Holcroft’s The Noble Peasant), ii. 110.
• Effects of War and Taxes, On the, iii. 243.
• Effeminacy of Character, On, vi. 248.
• Effie Deans (Scott’s Heart of Midlothian), iv. 247; vii. 339; xi. 534, 556.
• Egerton, Daniel, viii. 299, 442; xi. 316, 395.
• —— MacSycophant (in Macklin’s The Man of the World), viii. 318, 350.
• —— Mrs Sarah, viii. 292.
• Eglantine (by Madame de Genlis), ii. 281.
• Egmont, Lord, ii. 383.
• Egotism, On, vii. 157.
• Egremont, Lord, ix. 13, 61; xi. 190.
• Egypt, iii. 7; v. 52; xi. 497.
• —— Travels in (Nicholas Savary’s), ii. 107.
• Egyptian Hall, xi. 472 n.
• Ehrenbreitstein (town), ix. 299.
• Eiconoclastes Satyrane, iii. 52.
• Elba, vii. 96; viii. 466; ix. 355.
• Elbe, The, ii. 253, 254, 255, 257.
• Elbow (in Measure for Measure), viii. 388; xii. 24.
• Eldon, Lord, iv. 325; also referred to in i. 103, 431; ii. 146; iii. 125, 219; iv. 333; vii. 160, 216; xi. 480.
• Eleazar, the Moor (in Marlowe’s Lust’s Dominion, or The Lascivious Queen), v. 207, 208, 209.
• Election, The (Miss Baillie’s), v. 147.
• —— Dinner, The (Hogarth’s), viii. 137, 140; ix. 81; xi. 252; xii. 364.
• Elector of Hanover, i. 427; iii. 284.
• Electors of Westminster, The, vii. 7.
• Electra (Æschylus), x. 81, 94.
• Elegant Epistles, The (Warburton’s), vi. 368 n.
• —— Extracts in Verse, The (Dr Knox), v. 367, 368; ix. 222.
• Elegy in a Country Churchyard (Gray’s), v. 118, 126, 375; xi. 546; xii. 147.
• —— on the Death of Lord Byron, An, vii. 314.
• —— —— of Foote (Holcroft’s), ii. 87.
• Elephant (a horse), ii. 41.
• Elgin, Lord, ix. 327, 381, 490, 492; xi. 227.
• —— Marbles, ix. 326;
  • also referred to in i. 143; vi. 16, 50, 74, 353, 435; vii. 329; viii. 335; ix. 28, 164, 166, 168, 169, 241, 366, 379, 381, 421, 433, 466, 490; x. 190, 198, 201, 344, 345; xi. 227, 352, 590.
• Elia. See Lamb, Charles.
• Eliante (in Molière’s Misanthrope), ix. 149.
• Elijah, The Prophet, x. 358.
• Elisée (in Rousseau’s New Eloise), x. 75.
• Elizabeth, Queen, i. 218, 333; ii. 379; iv. 212; v. 34, 56, 82, 185, 197, 201, 284, 347; vi. 218 n., 367, 393; viii. 55, 69, 162, 391; ix. 217; x. 188, 205, 209, 238, 242, 243; xi. 321; xii. 167, 168.
• Ellen, or The Fatal Cave (Holcroft’s), ii. 114.
• Ellengowan (Scott’s Guy Mannering), viii. 129.
• Ellenborough, Lord, iii. 126, 163; ix. 247 n.; xi. 480.
• Elleviou, Mons. and Madame, ii. 234.
• Elliott, Sir John, iii. 395.
• Ellis, George, x. 24.
• —— Mr, ii. 266.
• —— (in Miss Burney’s The Wanderer or Female Difficulties), x. 43.
• Elliston, R. W., viii. 224, 229, 392, 400, 401, 403, 413, 423, 427, 429, 430, 454, 459, 465, 467, 471, 472, 476, 479; xi. 367, 409; xii. 275.
• Elmes, James, vi. 519.
• Eloise (Pope’s), v. 75, 76, 373; xii. 165.
• —— (Rousseau’s), i. 133; vi. 425; ix. 146.
• Eloquence of British Senate, iii. 387;
  • also referred to in i. 433; iii. 460; xi. 602.
• Elphinstone, James, i. 96.
• Elshie Elshender (Scott’s Black Dwarf), vii. 207; viii. 129; xi. 531.
• Elspith (in The Antiquary, a play), viii. 413.
• Elton (a town), x. 356.
• Elwina (in Hannah More’s Percy), viii. 256.
• Ely, Isle of, ii. 9, 10.
• Elymas the Sorcerer (Raphael’s), i. 131; ii. 387; vi. 41; ix. 46, 272 n.
• Elysium (Barry’s), ix. 415, 421.
• Embassy to China (Gilray’s), vi. 455.
• Emblems (Quarles’s), xii. 48 n.
• Emery, John, ii. 195, 365; vi. 161, 453; viii. 10, 235, 236, 256, 283, 315, 333, 370, 391, 413, 426, 428, 442, 466; xi. 304–5, 378, 402; xii. 24.
• Emigrants, The (see Adelaide), viii. 308, 530.
• Emile (Rousseau’s), ii. 379; vii. 224–5, 401 n., 456 n.; ix. 120; xi. 85, 135, 178 n., 259.
• Emilia (in Shakespeare’s Othello), viii. 217.
• —— Gauntlet (in Smollett’s Peregrine Pickle), xii. 64.
• Emily (G. Colman the younger’s The Poor Gentleman), viii. 319.
• —— Tempest (in Cumberland’s Wheel of Fortune), xi. 207, 208.
• —— Worthington (in The Poor Gentleman), xi. 376.
• Emmaus, v. 184.
• Empedocles, v. 122.
• Emperor Alexander in his Droschi (Sauerweide’s), xi. 249.
• Enchanted Castle (Claude’s), vi. 74; ix. 13; xi. 212.
• —— Island (in Shakespeare’s Tempest), v. 187.
• Encyclopædia Britannica, ix. 377, 483.
• —— Metropolitana, viii. 480.
• Endymion, vi. 201; vii. 23.
• —— (Girodet’s), ix. 131.
• —— (Guercino’s), ix. 224.
• —— (Keats’), ii. 302; vi. 254; viii. 478; x. 270.
• —— (Lyly’s), v. 197–9, 247.
• Enfield, William, v. 90, 147; vi. 294.
• Enghien, Duc d’. See D’Enghien.
• England, Church of, xii. 386, 402.
• —— in 1798 (by S. T. Coleridge), iii. 241.
• —— History of—
  • (1) Mackintosh’s iv. 287;
  • (2) Oldmixon’s, x. 368 n.;
  • (3) Turner’s, v. 143.
• Englefield, Captain, vii. 92.
• English Bards and Scotch Reviewers (Byron’s), iv. 258.
• —— Comic Writers, Lectures on the, viii. 1;
  • also referred to in i. 417, 418, 419, 437; xi. 568.
• —— Grammar, xii. 342.
• —— Novelists, viii. 106;
  • also referred to in vii. 300; x. 405.
• —— Opera House, New, viii. 314, 327, 463, 464, 474, 476.
• —— Poets, Lectures on the, v. 1;
  • also referred to in i. 395, 419, 420, 421, 442, 458; x. 406.
• —— Philosophy, History of (Hazlitt’s Prospectus), xi. 25.
• —— Revolution, i. 430; iii. 100, 252; x. 153.
• —— School, The, ix. 314.
• —— Students at Rome, ix. 367.
• —— Traveller, The (Heywood’s), v. 214.
• Englishman, The (a newspaper), x. 212.
• Enobarbus (in Shakespeare’s Antony and Cleopatra), i. 231–2; v. 253; viii. 191.
• Enquiry concerning Political Justice, The (Godwin’s), ii. 163; iii. 126; vii. 198; x. 385, 394–6, 398, 400; xii. 170.
• —— concerning Population (Godwin’s), iv. 297.
• Enraged Musician, The (Hogarth’s), viii. 142.
• Ensign Hibbert (in Fielding’s Amelia) viii. 114; x. 33.
• —— Beverley (in Sheridan’s The Rivals), viii. 508.
• Ensor, George (on State of Europe in Jan. 1816), xi. p. vii.
• Entombment of Christ (Bird’s), xi. 244.
• Entombing of Christ, The, in the Louvre, ix. 112.
• Entrance of Christ into Jerusalem, The (Haydon’s), xii. 271.
• Envy, xii. 386.
• —— (in Spenser), v. 39.
• —— On (a dialogue), vii. 97.
• E. O. Tables, i. 145; iii. 77.
• Epic Pictures, i. 28.
• Epicene (in Ben Jonson’s The Silent Woman), viii. 42.
• Epicharmus, The Sicilian, x. 100.
• Epictetus, x. 16.
• Epicurus, iii. 101; iv. 293; ix. 161.
• Epistles (Dryden’s), v. 79.
• —— (Ben Jonson’s), v. 306.
• —— (Pope’s), v. 69, 77.
• Epistle to Abelard, The (Pope’s), xi. 505.
• Epistles to Arbuthnot and Jervas (Pope’s), v. 78, 373.
• Epistle to Lord Byron (Leigh Hunt’s), iv. 361.
• —— to the Countess of Cumberland (Daniel), v. 309.
• —— to Michael Drayton (Ben Jonson’s), v. 307.
• —— (of St Paul), An, xii. 280.
• —— to Selden (Ben Jonson’s), v. 307.
• —— to Robert Southey, Esq. (Lamb’s), vii. 131.
• Epitaph (by W. Gifford), i. 374.
• Epithalamion on a Count Palatine of the Rhine (Donne’s), viii. 52.
• Epps, Mr (a Strand shopkeeper), iii. 297.
• Erasmus, vi. 245; ix. 218; xii. 214.
• —— (Holbein’s portrait of), ix. 41.
• Eresbourg, The Forest of, xi. 232.
• Eriphile (Racine’s Aulis), x. 98.
• Eros, i. 231.
• Erskine, Lord, ii. 147, 154 n., 185, 214, 228; iii. 44, 425; iv. 319, 335; vi. 51, 199, 406; vii. 161, 215; xi. 480; xii. 254.
• Escapes, The (Holcroft), ii. 235.
• Escurial, ix. 349; x. 278.
• Espercieux, Jean Joseph, ix. 167.
• Esplandian (early romance), x. 57.
• Essays (Bacon’s), v. 328, 333.
• —— (Hume’s), xi. 323.
• —— (Montaigne’s), v. 165.
• Essays (Southey’s), v. 165.
• Essay Writing, A Farewell to, xii. 321.
• Essex (the county), ii. 248; x. 357.
• —— Lady, vi. 454.
• Establishment of the Enfants Trouvés, ix. 125.
• Estcourt, Will, i. 157; viii. 96, 160.
• Este, Mr, ii. 205, 214, 225.
• Estifania (in Fletcher’s Rule a Wife and Have a Wife), viii. 49, 234.
• Estremadura (town), xi. 317.
• Etherege, Sir George, i. 53, 155; viii. 68, 70, 82, 152; xi. 276–7.
• —— etc., On, viii. 49.
• Ethics (Grove’s), xi. 254.
• Eton, iii. 421; iv. 199; v. 118; vi. 72; ix. 187 n., 480; xi. 334, 373.
• —— College ... Ode on a Distant Prospect of (Gray’s), v. 118; vii. 74.
• Etruscan cities, xii. 223.
• Eubulides (Landor’s), x. 248.
• Euclid, i. 46; vi. 433; vii. 257; viii. 19, 25; x. 179, 347; xi. 45, 273, 288, 491.
• Eudemus (in Ben Jonson’s Fall of Sejanus), v. 265.
• Eudocia (Godwin’s Cloudesley), x. 391.
• Eugene de Biron (in Morton’s Henri Quatre), viii. 443.
• Euler, Leonard, vii. 306.
• Eumenides (in Lyly’s Endymion), v. 199.
• —— (of Æschylus), x. 91.
• Euphrasia (in Beaumont and Fletcher’s Philaster), v. 262.
• Euphues and his England (Lyly), v. 201.
• Euripides, iv. 216; x. 97, 98, 99, 100, 271; xii. 326.
• European Child, The (in Campbell’s Gertrude of Wyoming), v. 150.
• —— Magazine, The, vii. 74; viii. 12; x. 221.
• —— Repository, The, ii. 229.
• Eurydice (Nantreuil’s), ix. 127.
• Eustace de St Pierre (in Colman’s The Surrender of Calais), viii. 331; xi. 307, 308.
• Eustace, Mr (The story of, in The Tatler), i. 9; viii. 99.
• Eutropius, ix. 17.
• Evadne (in Beaumont and Fletcher’s Maid’s Tragedy), v. 251–2.
• —— The (by Richard Lalor Sheil), v. 345.
• Evan Dhu (Scott’s Waverley), iv. 247.
• Evangelists (Rubens’), ix. 52.
• —— xii. 281.
• Evans, Mr (actor), ii. 84.
• —— Thomas, iii. 238, 299, 300.
• Eve, vi. 397; xi. 517.
• —— (Milton’s), i. 38; v. 60, 65–6, 371; vii. 36; viii. 561; xi. 452.
• —— (Michael Angelo’s), ix. 363.
• —— On the Character of Milton’s, i. 105.
• —— (Raphael’s), ix. 240.
• —— of St Agnes (Keats’), iv. 304; vii. 225.
• Eve’s Apple, xii. 222.
• Evelina (Miss Burney), vi. 160; vii. 72; viii. 123, 124; ix. 139 n.; x. 24, 25, 41, 42; xii. 65.
• Evelyn, John, vii. 232; x. 287 n.
• Evening Scene (in Hogarth’s Marriage à la Mode), i. 30; viii. 137; ix. 80.
• —— Ode on (Collins), v. 116, 126, 147, 374.
• Every Man in His Humour (Ben Jonson’s), viii. 310;
  • also referred to in viii. 44; vii. 313.
• Evreux (town), ii. 268; ix. 102.
• Examination before the Privy Council (Franklin’s), x. 314.
• Examiner, The, i. pp. xxx., xxxi., 367 n., 374, 376, 385, 430, 445, 451, 456; iii. 103, 107, 109, 121, 152, 194, 201, 213, 281, 438 et seq.; iv. 302, 362, 401, 432; vi. 86, 286, 496; vii. 16, 123, 378, 379, 381, 507, 515; viii. 174, 224 n., 497, 500, 502, 512; ix. 462, 466; x. 220, 228, 418–21; xi. 253, 258, 269, 274, 277, 282, 284, 290, 297, 299, 301, 303, 305, 307, 309, 315, 317, 323, 328, 334, 343, 348, 352, 356, 358, 362, 366, 369, 373, 377, 381, 384, 389.
• Exchange no Robbery, or Diamond Ring (Hook’s), viii. 475.
• Exclusion Bill, The, x. 364.
• Excursion, The (Wordsworth’s), i. 46 n.; v. 114, 156, 280; vi. 65 n.; xi. 311, 457, 512; xii. 276.
• Exeter, ii. 143 n.; vi. 21, 161, 379, 390; ix. 68.
• —— Change, iii. 121; iv. 223; vi. 349, 416; ix. 160; xi. 350, 364, 503; xii. 49, 215.
• Exile, Reflections on (Bolingbroke’s), vi. 100.
• —— (in Lewis’s The Monk), viii. 127.
• Exiles, The (Kotzebue’s), ii. 201.
• Exit by Mistake (by Jameson), viii. 321;
  • also referred to in iii. 304.
• Exmoor, x. 416.
• Exmouth, Lord, vi. 429.
• Expiring Taper, To an (by Peter Pindar), xii. 350.
• Eyre, Lord Chief Justice, ii. 146; iii. 75 n.
• Eyre’s Charge to the Jury, Remarks on Judge (Godwin’s), iv. 210, 211 n.
• Ezekiel, iii. 144, 145; v. 183.
• Ezra (Michael Angelo’s), ix. 362.